Quilts

Quilt, machine construction using rectangles of mainly woollen materials with some corduroy and mohair. Initially 14 rows and then 2 rows added for extra warmth. 25mm bias cut yellow poplin binding. The padding is an old army blanket and the backing is printed cotton.
1500 x 1093mm
A cradle quilt. All cotton. In the tradition of the previous quilts made by Eva Leota Towe. Never used.
1017 x 813mm
Cotton material, pink one side and orange the other. Hand quilting is in a geometric pattern in parallel lines. Padding is raw cotton. 2000 x 1460 mm
"The front face of this quilt consists of panels of multicoloured prints pieced together into squares set between a grid of machine embroidered bands in yellow and maroon on white muslin. The fabrics are cotton and include a few early synthetics; all work is machined. The back is fully lined with yellow cotton flannelette, machined at the edge and 5cm in from the edge. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded or quilted. 2370 x 2340mm
Quilt top is of squares, approximately 180mm, made from a variety of fabrics including fine corduroy. It is hand pieced, and hand embroidered around each square with feather stitch, using blue embroidery cotton. 2380 x 2000 mm. 2380 x 2000 mm.
Crazy patchwork quilt constructed from a wide range of floral, check and plain materials, mainly cottons. The backing is white cotton whole cloth.
2280 x 1380mm
"�..quilt of silk hexagonal patches with a velvet panel as the centrepiece with petit point embroidery. The silk materials are a valuable source of textile history being very variable in weaves and patterns. The patchwork templates are still in situ and are of a ? linen gauze. The whole quilt is backed with mercerised cotton."
[Maggie Myers 21.5.1986]
2650 x 2330mm
"A wagga quilt machine-pieced from old woollen suiting fabrics; some hand stitching is visible along a few of the joins. The quilt has 3 layers: the top layer has a rectangular centre composed of randomly-pieced woollen patches in grey tonings with a border composed of irregular navy rectangles; the lining is made from corn bags, and the backing is a striped cotton fabric. The three layers are machined together at the edges, thus holding the filling in place. There is no quilting."
1660 x 1610mm
Patchwork quilt in Log Cabin pattern in print and plain [cottons], each patchwork square divided on the diagonal into two colours. When pieced together 4 half blocks form a large square in one colour. The log cabin blocks are sewn onto calico. The quilt is edged with a pleated frill in a pink and blue patterned fabric, and backed with a pink floral cretonne. The padding is blankets.
Helen Sparkman
Patchwork quilt, reversible, with both sides constructed from rectangles of cotton materials. These have been joined in strips and then the strips joined.
1900 x 1680mm
Helen Sparkman
Patchwork quilt made from very large pieces of cotton material on one side, with a 100mm yellow border, and on the other side it is almost entirely blue flannelette.
1660 x 1400mm
Rug of 24 dingo pelts varying in colour from honey gold to dark brown and joined in a random arrangement. The tails are attached to each square. The backing is navy blue felt with a scalloped edge. 1830 x 1650mm
Wholecloth quilt of floral cretonne with ballerina design. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1430 x 1170mm
Quilt of cotton [pieces], machine and hand stitched, with black knitted [wool] insert.
1940 x 1000mm
Wholecloth quilt of cream cotton embroidered in lemon thread with names of teachers and students. No filling. Backing is of cream cotton.
1830 x 1250mm
The Wilmington Wagga' 1934. Wool and cotton. Hand and machine pieced. Machine quilted. The wagga is made of parts of several worn coats, carefully pieced together so that the linings are visible in places. One coat sleeve has a fur fabric trim and worn areas are patched.
1600 x 1200mm
Helen Sparkman
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
Hand sewn quilt in red and white cotton and some linen in a nine-patch variation, the pieced squares set edge to edge. The quilt is bound in red cotton, the binding approximately 2 cm deep. It is closely quilted in a wave pattern. The backing is white twill cotton and the padding is thin wool.
2193 x 1960mm
Unfinished patchwork quilt in the pattern known as 'Grandmother's Flower Garden'. Hexagons are pieced over papers in the English tradition and most papes are intact some with pencilled numbers. 6 hexagons and one in the centre form the 'flowers'. There are 49 fabric samples of varying prints and sizes.
Hand and machine pieced top and back using irregular pieces of men's hand and machine knitted jumpers and navy serge. The backing is mainly serge, part of an uncle's bus conductor's uniform. The pockets from the uniform have been left as is. There is no padding.
1850 x 970mm

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