Quilts

"This unusual quilt is comprised of bands of horticultural show ribbons machined onto a blue lining. The ribbons are royal blue in colour and printed in gold/bronze with two inscriptions.
KYOGLE P.A & H SOCIETY and TWEED RIVER AGRICULTURAL SOCIETY
The quilt has been formed so the two inscriptions alternate down the face of the quilt. The ribbons appear to be of rayon. White cotton machine thread was used in the construction. Accompanying the quilt is a carry bag; a rectangular bag made of the same show ribbons as the quilt with a single drawstring at the top." [NGA] The quilt is not padded. 1833 x 1410mm
Patchwork quilt made of hexagon patches in a variety of materials, including velvets, corduroy, cotton, underwearmaterial. No padding. The backing is made from scraps in squares and rectangles, including voile, cotton and probably old curtain material.
2134 x 1777mm
"This is a hard quilt to date. Quilting design has been (I would say) pre stamped. Heavily quilted. Some applique stars - I think polished cotton. Seersucker backing, quilting not quilted on back (seersucker). Padding is some kind of cotton perhaps cotton wool that has disintegrated to the corners. This quilt has been well made but a little bit worse for wear now." [Lyn Cross]
1500 x 1200 mm.
The Adelaide Chronicle 'International Quilt'. Squares of fawn cotton with alternate squares embroidered with scenes from different countries using coloured threads in a variety of stitches. The alternate squares have a pattern of feathered circle and this is back stitched in beige embroidery thread. The backing is turquoise cotton blend attached to the quilt with pale blue herringbone stitch. The quilt is padded.
2430 x 1440mm
Migration Museum
Patchwork quilt in the Double Irish Chain pattern, made from deep pink and white cotton fabrics, with two borders, of pink then white, and bound with the dark pink. Cotton backing. Filling unknown. White squares appear to be outline quilted, white blocks between the chains have an intricate quilted star pattern, and the two borders are quilted with a single cable.
2500 x 2110mm
Margaret-Anne M Thomas
Multi coloured square cotton pieces used to form a 'postage stamp' pattern. The squares are 25mm and the quilt is hand pieced and hand quilted. There is a thin edge of brown on all sides. There is no padding and the backing is joined pieces of floral cotton.
2330 x 2130mm
Frame quilt in linen has a centre motif in broderie perse applique of a blue urn topped with a blue basket of flowers, and perched on the basket handle a parrot. This is in a blue oval, with butterflies, a ribbon at the top and several posies of roses. Either side is a panel of broderie perse flowers. There is a narrow frame of patterned fabric, then a border of triangles pieced to make squares, with octagonal printed patches at each corner. The outer border is of appliqued circles of printed fabric on a dark background. Hand sewn.
1770 x 1730mm
.
Embroiderers' Guild Victoria
Fine linen wholecloth quilt with all over cord quilting using back stitch and running stitch. The quilting is an elaborate pattern of flowers and leaves. It is a cradle or cot quilt. There is a cotton backing.
1030 x 840mm
Quilt, machine construction using rectangles of mainly woollen materials with some corduroy and mohair. Initially 14 rows and then 2 rows added for extra warmth. 25mm bias cut yellow poplin binding. The padding is an old army blanket and the backing is printed cotton.
1500 x 1093mm
Utilitarian quilt with the top made from machine pieced different shaped patches of floral cottons. The backing is machine pieced patches of navy blue and grey serge, some darned, probably from men's/boy's pants. The padding is not visible but is very lumpy and very thick making the quilt very heavy.
1460 x 1300mm
Cot quilt. Single piece of floral cotton material top and back (cream background with coloured flowers). The padding is a single layer, twill weave, heavy bag, probably jute. The layers are fixed with a different coloured button in each corner. Machine quilting across the centre
1320 x 1140mm
Crazy patchwork quilt constructed from a wide range of floral, check and plain materials, mainly cottons. The backing is white cotton whole cloth.
2280 x 1380mm
Traditional Aboriginal fur cloak called a 'Buka' or 'Boka', made with three pieces of pelt. Fastened at the front with a piece of fur inserted into the other side. 1500 from back of neck to hem 1600 measuring around to just below the shoulders
Migration Museum
Patchwork quilt in the Double Irish Chain pattern, made from cotton fabrics in white and a brown print (possibly green originally), with a wide border of cream fabric. The border is quilted with a four cable pattern, and the main part is cross hatch quilted , in a diamond pattern. Backing of cotton. Hand sewn and quilted. Padding unknown.
1970 x 1740mm
This padding originally had a cretonne cover. "The filling was made from a variety of old woollen clothing and worn and patched woollen banket scraps, handstitched together with large running stitches. The pieces of clothing include heavily darned machine and hand knitted socks, a knitted wool bed jacket, part of a baby's machine knitted blue jumper, hand knitted baby's leggings, a number of darned singlets and underpants, a darned knitted pink bootee and other assorted knitted woollen garments and pieces of flannel. Cotton name tags on some of the garments are printed with the name C.S.Yates, the maker's maiden name.
The upper side is covered with an old and torn woollen blanket with many holes and the reverse with cream cotton. The whole is partly machine stitched around the edge and across the filling, and originally had a cretonne cover." [PHM]
Kangaroo skin cloak of seven gores is made from the skins of eight grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The extra skin has been used to make a collar.The two skins on the edge of the cloak are roughly rectangular. The cloak edges are untrimmed. The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. The skins have been sewn together with thread, the older thread is natural coloured linen, then the resewn areas have been stitched with black thread. The skins are a creamy yellow in colour. Longest part: 750mm approx. [From S. Meagher MA Thesis 1973 'A Reconstruction of the Traditional Life of the Aborigines in the SW of Western Australia']
Wholecloth quilt made from dusty pink brocade with an all-over large leaf pattern. It is all hand stitched with quilting of parallel lines forming the border. Both sides are the same material. The padding is cotton wool.
2060 x 1770mm
Domestic Wagga, floral patterned rayon cover with jute lining.
2000 x 1000mm
Embroiderers' Guild Victoria
Cotton quilt in a design called 'Crossed Canoes'. Yellow background with various coloured cotton prints. Machine pieced and hand quilted in a diamond pattern. There is a thin padding and the backing is the same yellow cotton as on the top.
2040 x 1690mm
"Welsh wholecloth quilt - red on top and cream on back. Combination of traditional Welsh patterns including circles and diamonds. Quite large quilting stitches (due to thickness of quilt I think). Top (red cotton) just about worn away, and was cut in half by my grandfather in the 1950s to make it fit 2 single beds." [Anita Phillips]
The padding includes pieces of wool suiting, jumpers and a piece of mohair and the backing is cream cotton.
Each piece measures approx. 2000mm x 1000mm.

Pages