Quilts

Quilt of cotton hexagons, 6 form the petals of a flower with 1 in the centre. There are approximately 138 flowers in the quilt. It is all hand stitched including the edges on to deep blue backing. Wide variety of materials patterned and plain. Some were dress samples from John Wild in Wagga and some from her mother's (Betty Johnson, Wagga Wagga) dressmaking. The hexagons were stitched on papers cut from a glass template made by Celia's brother.
2370 x 2690mm
Crazy patchwork quilt in silks and velvets. Some patches with embroidered flowers, including wattle, worked in chenille thread. Machine quilting. There is a border of velvet. The backing is silk and has an envelope opening edged with silk cord. There is no padding. There is a matching nightgown sachet.
"�..quilt of silk hexagonal patches with a velvet panel as the centrepiece with petit point embroidery. The silk materials are a valuable source of textile history being very variable in weaves and patterns. The patchwork templates are still in situ and are of a ? linen gauze. The whole quilt is backed with mercerised cotton."
[Maggie Myers 21.5.1986]
2650 x 2330mm
Embroiderers' Guild Victoria
One of a pair of quilts with traditional Durham quilting. All hand stitched. Elaborate quilting in a wide variety of patterns. The backing material is the same as the top.
2340 x 2000mm
"This is a pieced patchwork quilt comprised of 216 squares. Each square is comprised of 10 diagonal strips that have been joined by being attached to a backing. White cotton plain weave fabric has been used in all the pieces. The quilt is not lined, but the edge is decorated with a fine cotton frill, 15cm deep. The frill carries two 4mm tucks and is edged with 2 cm lace trim. All sewing on the quilt is by machine. The quilt is not padded." [NGA]
2420 x 1690mm
Patchwork quilt with centre frame of 4 pointed starwith radiating borders of pieced squares and rectangles. Materials are cottons and some linen and it is constructed using the English hand piecing method. There is no padding and it is backed with cotton sheeting joined by machine so it is a later addition.
1400 x 1050mm
Pieced animal skin quilt made from 25 cat skins, in blocks of five across by five down. No filling. The backing is of heavy maroon wool felt which also forms a border around the skins. The majority of skins are in good order, with some bare patches. 2040 x 1160mm
Ruth Wallace
A hand stitched top in randomly placed diamond shapes in mixed materials, mainly cottons. These are stitched to a flannelette backing. There is herringbone stitching around the border.
1250 x 930mm
Wholecloth quilt of floral cretonne with ballerina design. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1430 x 1170mm
Unfinished, hand stitched, polychromatic patchwork quilt in a tumbling block design. Constructed from silk fabrics and stitched with cotton yarns. Although crumpled and torn, the original paper squares are still in the back of the patchwork pieces. There is no padding. 1300 x 1300mm.
Helen Sparkman
Patchwork quilt made from very large pieces of cotton material on one side, with a 100mm yellow border, and on the other side it is almost entirely blue flannelette.
1660 x 1400mm
Wholecloth quilt of cream cotton embroidered in lemon thread with names of teachers and students. No filling. Backing is of cream cotton.
1830 x 1250mm
Quilt of cotton [pieces], machine and hand stitched, with black knitted [wool] insert.
1940 x 1000mm
Helen Sparkman
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
Patricia Galbraith
Fur fabric quilt made from scraps cut into squares and put together randomly. Colous are black, several greys, browns and some blacks and dark greys are astrakhan. There is no padding and the backing is a grey cotton bush blanket. The quilt is tied with buttons and wool.
1753 x 1251mm
Migration Museum
Wholecloth quilt with top of dark purplish-pink cotton sateen and backing of black sateen printed with pink flowers. Hand quilted all over with a variety of patterns, including spirals and diamonds, parallel lines and hearts in the borders. Centre has a curved diamond shaped motif within a circular border of spirals. Padding is wool.
1990 x 1730mm
Quilt, hand pieced and quilted and cut in half and made into two curtains. It consists of hexagons in the pattern known as 'Grandmother's Flower Garden' and is in cotton prints and white cotton 'paths'. Some hexagons are joined. The quilt is quilted allover in a variety of patterns in fine close stitching, chevron, single cable, palm leaves, hearts. The backing is cream linen and the padding is wool.
2430 x 1200mm
The Wilmington Wagga' 1934. Wool and cotton. Hand and machine pieced. Machine quilted. The wagga is made of parts of several worn coats, carefully pieced together so that the linings are visible in places. One coat sleeve has a fur fabric trim and worn areas are patched.
1600 x 1200mm
Quilt made of squares of suiting. Pink and blue curtain backing.
1760 x 1320mm
Quilt covered in pink and green paisley cotton material. The backing is cotton. The quilting is machined in parallel rows around the sides and in the centre in a scalloped design. The centre panel corners are finished with pink buttonhole stitching around a small hole. The filling is down.
1750 x 1400mm

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