Quilts

The top of this quilt is made from men's suiting samples and the backing is cream cotton. It is machine stitched. There is no padding and no quilting.
2160 x 1550mm
Patchwork quilt made from darned cardigan sleeves in green, grey, cream and black [wool] stitched to a top layer with a blue wool running stitch. No padding. Backing is a green and cream bedspread.
This quilt is made up of 25 squares, each 10 x 10 inches of pure white linen. Each squre has been hemstitched around and very neatly sewn together. The centre square is embroidered 'Gilgandra Methodist Church Renovations completed 1st October 1926. J.W.Hynes, President of Conference'. All other squares have names or initials beautifully embroidered in white. There are 238 signatures, 60 initials plus centre square.
1271 x 1271 mm
"The front face of this quilt consists of panels of multicoloured prints pieced together into squares set between a grid of machine embroidered bands in yellow and maroon on white muslin. The fabrics are cotton and include a few early synthetics; all work is machined. The back is fully lined with yellow cotton flannelette, machined at the edge and 5cm in from the edge. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded or quilted. 2370 x 2340mm
Double bed sized quilt with a top of random shapes in a random design, bordered with plain brown cotton. The padding is two quilts.
2100 x 180omm (approx)
California Rose applique in green and pink on cream background. The central block is set on point with the same decorative grape leaf and grapefruit design used as a border. The quilt is hand sewn and finely quilted. There is no padding and the backing is calico.
2450 x 210mm
Quilt in crazy patchwork, in velvet, silk and cotton, decorated on seams and patches with embroidery. Padded with flannelette, and backed with damask. Quilt has an olive green frill around the edge.
190 x 1500mm
"�..quilt of silk hexagonal patches with a velvet panel as the centrepiece with petit point embroidery. The silk materials are a valuable source of textile history being very variable in weaves and patterns. The patchwork templates are still in situ and are of a ? linen gauze. The whole quilt is backed with mercerised cotton."
[Maggie Myers 21.5.1986]
2650 x 2330mm
Helen Sparkman
Suffolk Puff quilt in a wide variety of cotton materials patterned and plain. There is no backing.
11900 x 1350mm
Quilt of floral linen and cotton with a damask centre. Lined with raw cotton and filled with kapok.
1800 x 1350mm
"The quilt is made entirely from over 7300 hexagons cut from scrap materials, and is hand stitched throughout using the 'English' method of quilting. Scraps of plain unbleached calico were used for the background with the pattern pieces cut from plain and floral fabrics in shades of blue. The design is medallion style, with a large central diamond surrounded by two concentric diamond borders beyond which are scattered different sized hexagonal rosettes, all made from hexagon patches in the same size. The pattern patches were cut from the offcuts of dresses and dressing gowns made at a friend's factory and from another friend's dress material scraps." [PHM] There is no padding. The backing is 'Actil' unbleached sheeting dyed pale blue and attached with a blind stitch to the quilt top. A central rosette set within a large diamond of hexagons decorates the back and is stitched through to hold the 2 layers together.
2720 x 1880mm
Wholecloth quilt of pink satin with an edging all around of pleated satin. The quilting pattern is a central design of a large oval shape surrounded by crescents and parallel lines. The padding is cotton wadding.
2240 x 1820mm
Embroiderers' Guild Victoria
Wholecloth bedcover with all over pattern in crewel (wool) embroidery. The background is beige linen and the embroidery is flower motifs with a flowing leaf pattern border. It has a backing but no padding.
2280 x 1770mm
Wholecloth quilt from Macedonia. Both sides are made of satin. Old gold colour on one side and burgundy on the other. It is machine quilted with 3 parallel lines of stitching around the edge and a double row of stitching forming triangles in the centre. The padding is raw cotton grown in (FYRO) Macedonia.
2000 x 1500mm
Ella Jarvis
Patchwork frame quilt with frame design on both sides, made from print and plain cottons. Front has blue floral rectangle with a bright blue scalloped frame, then 2 blue floral frames, a dark blue frame, a purple patterned frame, and 2 outer borders in blue, black and yellow prints. Reverse has centre of turquoise, with a frame of orange and blue prints, a pointed border of dark blue, a wide frame of pale blue print, then 3 borders on orange, blue, brown and white prints. Filling is old blankets. 1520 x 1410mm
Helen Sparkman
Patchwork quilt made from very large pieces of cotton material on one side, with a 100mm yellow border, and on the other side it is almost entirely blue flannelette.
1660 x 1400mm
Norma Gilchrist
Quilt entirely made of hexagons joined to make 'flowers', 6 hexagons form the petals and one in the centre. The quilt is all cotton in a wide variety of colours in plains, checks and florals. The hexagons are all hand stitched using stranded cotton. There is a plain blue border of headcloth machined around the edge to the backing material. It is not quilted The materials were almost all from the scrap bag. Brown paper templates were used. This arrangement of hexagons is one variation of a pattern commonly called 'Grandmother's Flower Garden'.
2040 x 1720mm
Quilt of hexagon patchwork, with nylon wadding. To fit a queen size bed.
2100 x 2100mm
Quilt of cotton [pieces], machine and hand stitched, with black knitted [wool] insert.
1940 x 1000mm
The Wilmington Wagga' 1934. Wool and cotton. Hand and machine pieced. Machine quilted. The wagga is made of parts of several worn coats, carefully pieced together so that the linings are visible in places. One coat sleeve has a fur fabric trim and worn areas are patched.
1600 x 1200mm

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