Typically Australian Quilts
Travelling rug. Wool, cotton and velvet. Handsewn, partly filled with wool blanket and hessian. The top of this rug was originally a green crushed velvet overcoat. Various parts of the garment have been unstitched and spread out to form a flat surface.
2100 x 1050mm
2100 x 1050mm
Cotton cot quilt in checkerboard pattern. 30 squares each 180mm machined together. Alternate squares have Australian birds fancyworked in stem stitch and chain stitch using 2 threads of coloured stranded cotton. Alternate squares are plain royal blue and there is a royal blue border 120mm wide. The backing is the same royal blue cotton.
1340 x 1070mm
This is an Adelaide Chronicle pattern reprinted in 'The Weekly Times'.
1340 x 1070mm
This is an Adelaide Chronicle pattern reprinted in 'The Weekly Times'.
Patchwork quilt made from tailors' samples, constructed of 144 rectangles each approx. 100 x 160mm. Colours are greys, blues, browns, fawns, plains and patterned. At the top and bottom edges 16 same size rectangles have been folded in half. No filling. Backing is a cream and brown patterned flannelette.
1880 x 1260mm
1880 x 1260mm
Quilt made of squares of suiting. Pink and blue curtain backing.
1760 x 1320mm
1760 x 1320mm
Child's coverlet, made from suiting samples sewn in a patchwork effect.
1000 x 1000mm
1000 x 1000mm
Patchwork quilt made from darned cardigan sleeves in green, grey, cream and black [wool] stitched to a top layer with a blue wool running stitch. No padding. Backing is a green and cream bedspread.
Patchwork on canvas lining. Feather stitching around squares. Pattern of cricketers and kangaroos on backing.
1200 x 800mm
1200 x 800mm
This padding originally had a cretonne cover. "The filling was made from a variety of old woollen clothing and worn and patched woollen banket scraps, handstitched together with large running stitches. The pieces of clothing include heavily darned machine and hand knitted socks, a knitted wool bed jacket, part of a baby's machine knitted blue jumper, hand knitted baby's leggings, a number of darned singlets and underpants, a darned knitted pink bootee and other assorted knitted woollen garments and pieces of flannel. Cotton name tags on some of the garments are printed with the name C.S.Yates, the maker's maiden name.
The upper side is covered with an old and torn woollen blanket with many holes and the reverse with cream cotton. The whole is partly machine stitched around the edge and across the filling, and originally had a cretonne cover." [PHM]
The upper side is covered with an old and torn woollen blanket with many holes and the reverse with cream cotton. The whole is partly machine stitched around the edge and across the filling, and originally had a cretonne cover." [PHM]
The quilt is made from dark coloured tailors' samples. There is no padding and the backing is pieced scraps of cotton.
1950 x 1650 mm
1950 x 1650 mm
The top is suit samples or remnants cut in squares and machined together. The centre panel is bordered with cotton tape. Each square is also bordered and forms a grid. There is no padding and the backing is a white cotton sheet with a floral pattern. It is hand stitched along the edges.
1500 x 1500mm
1500 x 1500mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Double sided quilt, machine pieced from large rectangles of used clothing in various materials including wools and suitings. The sides are turned in and machined to make a firm edge. It is machine quilted. The padding is 3 old sheets and a blanket.
1370 x 1040mm
1370 x 1040mm
Wholecloth functional quilt. Cretonne type material both sides. Centre is a blanket with sheeting or cotton fabric sewn to both sides i.e. between the blanket and cretonne. It is machine stitched. There are gaps in one side through which the layers are visible.
1677 x 1423 mm
1677 x 1423 mm
This utilitarian quilt has a top of mainly woollen used clothing randomly pieced in different sizes and shapes. It includes parts of a jumper, a pocket, a sleeve, the back of a coat, a trouser leg, a piece of 'railway issue' blanket. There are many layers and each layer is stitched together by hand. There is no difference between the padding and the top, it is all layers of pieces of clothes. The backing is an old cotton sheet.
1620 x 1300mm
1620 x 1300mm
Utilitarian quilt with the top made from machine pieced different shaped patches of floral cottons. The backing is machine pieced patches of navy blue and grey serge, some darned, probably from men's/boy's pants. The padding is not visible but is very lumpy and very thick making the quilt very heavy.
1460 x 1300mm
1460 x 1300mm
Quilt. White linen, autographed, hand embroidered with names of early Methodist Ministers and parishioners' names in white embroidery cottons.
Wagga, made from 2 jute bags split and hand-bound along the seams.
1870 x 1130mm
1870 x 1130mm