Patchwork Quilts

Queenscliffe Historical Society Inc
Patchwork quilt made of 1 inch hand paper pieced hexagonal patches (English technique), with plain and floral patterned blue fabrics in clusters at regular intervals throughout the taupe coloured patches. Centre of quilt has a cluster or 'flower' of 4 rings of patches, the centre group embroidered in blue satin stitch: 'MW 1938'. Border consists of 3 rows of medium, light and dark blue hexagons. No padding. Backing is of blue cotton sateen.
2185 x 1372mm
Jean Winchester
Patchwork quilt in the Log Cabin pattern, made from cotton fabrics in prints and plains in bright colours. There are 185 squares, all sewn on to check gingham. No padding. Backing is of black cotton.
2718 x 2540mm
Sharlene Rogers (for Nadia Brookes)
Pieced squares, each square with a cross and 4 small squares in red. Crosses are in rows alternating 2 shades of blue and 2 of brown. Cream background. Now unlined but remnant blanket like material in corners. Originally had a cotton frill. Quilt was made from scraps of material used for making children's clothes.
Narelle Grieve
English pieced hexagonal star quilt in silks, velvets and satins. Commercially made fringe in cotton maroon twill. Some motifs have herringbone stitching around them. There is no padding and the backing is polished cotton twill. 1840 x 1660 mm
Annette Gero
This quilt is of hand pieced hexagons randomly placed and stitched on to a linen backing. They are mainly dress fabrics and chintz with some hexagon flowers in the centre and corners in broderie perse. There is no padding.
2600 x 2600mm
Narelle Grieve
Folded log cabin, foundation pieced. Machine constructed. Materials are cotton, wool, rayon, flannelette, silk and twill. There is no padding and the backing is cretonne. 2700 x 2100 mm
Margaret Perrott
Cotton quilt top in patter, the owner calls 'Tumblers'. Approximately 590 pieces, with one exception, all different patterns and colours. 2181 x 1980
Heather Roobol
Patchwork quilt has three centre squares, one in blue/white/brown in a cross pattern, one in framed square, one with diagonal strips in a pink frame. The rest of the quilt is made from strips of rectangles in different sizes sewn in rows. There is a narrow pieced frame, then an outer border of pieced rectangles. Mostly pastel colours. No padding. Backing is calico. There is a little embroidery.
2160 x 1601mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Irma Whitford
Pieced repeat block in 'Dresden Plate' pattern in a variety of fabrics with pink and pale blue predominating. Scalloped outer edge. Machine pieced and hand quilted, with echo quilting of four petals between the 'Dresden Plates'. The padding is polyester, and the backing is white calico. 2600 x 1630 mm.
Margaret Wright
Crazy patchqork quilt, handsewn, composed of six large squares of patches in brocade, velvet and silk in random shapes and sizes. Patches are stitched to others by blanket stitch in yellow thread. Some patches have surface embroidery, e.g. a dragonfly, flowers, music notes, and names, 'Minnie', 'Loyetta' (house in Ballarat), 'Diana'. There are also five small cream bobbles. Colours are red, gold, brown, pinks, greens and blues. Padding is flannel, and quilt is backed and edged with maroon or burgundy ribbed silk.
1461mm x 687mm
Mare Carter
Patchwork quilt, all cotton including cotton filling. Pink and white. Large plain pink blocks with white pieced blocks in between in arrow type pattern based on rectangles. Hand sewn and hand quilted
1931 x 1728mm
National Trust of Australia (WA)
Patchwork top made of cottons, constructed with 5 by 5 rows of squared 8 point pieced stars alternating with white cross-shaped blocks (made from 4 pieces). On all sides are borders of half stars. The outer border is of rectangles of cotton prints appliquéd on to cotton to form a plaited pattern. The border only is backed with a band of cream cotton. All patches are whip stitched together.
2645 x 2615mm
N.S.W. Parks and Wildlife Service
Double sided quilt with both sides based on a central frame. One side has centre panel of darks surrounding 4 patch of the same print in different colourways. This is surrounded by borders of rectanglesis small prints, checks and stripes. The outer border is men's suitings. The other side has a centre frame similar to the 'Broken Dushes' pattern surrounded by wide borders in solid colours, paisley and fine checks. There is a dark strip across the top and bottom. It is roughly machine quilted.
1770 x 1380mm
Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
Margaret McMillan
Cotton log cabin double bed quilt. Each square has 52 pieces (i.e. 13 pieces x 4 to make a square). There are 192 squares so a total of 10.092 pieces. There is probably no padding. The backing is calico with a floral pattern done in running stitch.
2200 x 2200mm
Robert O'Hara Burke Memorial Museum
Miniature crazy quilt either for a baby or a doll. Plain and patterned materials including velvet, satin, sateen and brocade. 4 patches are embroidered and the central patch has a hand painted flower. Each patch is embroidered around the edge with a variation of feather stitch. It has a brown binding and lace edge. The backing is twill cotton.
490 x 390mm
Val Wilkinson
Scrap quilt made from a myriad of different materials, cottons, silk types velvets etc. Alternate rows have triangles and odd shaped pieces with in between rows of squares and rectangles in smaller pieces. It is completely machine pieced. There is no padding. The backing is blue slub rayon and is brought to the front to form a border.
2200 x 1520mm
Marian Russell
Patchwork quilt made from squares of wool, cotton, tweed, corduroy, tartan and stretch knit fabrics. Colours are mainly reds, greens, blues, pink and orange, mostly solid colours with some checks, stripes and florals. Padding is an open weave hessian material. Backing is a loosely woven cotton, pieced, buff coloured with a woven red and orange thread. Machine pieced, machine quilted in a large rectangle.
1601 x 915mm
Margaret-Anne M Thomas
Cotton quilt hand pieced and hand quilted. Eigth pointed star on a white background. 7 rows of 7 stars with a 70mm border. There is a padding or interlining. The backing is plain off white cotton twill.
2040 x 2030mm

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