Patchwork Quilts

Kerrie Maloney
Double sided quilt made from woollen suiting pieces some of which have hand worked eyelets. Many of the rectangles are irregular. Both sides use similar pieces but arranged in different patterns. There is no padding.
2160 x 1524mm
Albury Regional Museum
Log cabin patchwork pieces (2) with each block approximately 120 x 120mm. They are diagonally divided into light and dark side. Materials are mainly silks including silk velvets. Each block is stitched on to a backing square, pieces of old blanket, woollens, cottons, many very worn. There is no other backing.
Quilt is hand pieced.
1000 x 1000mm
Billie Briggs
Hand pieced hexagon quilt in pattern known as 'Grandmother's Flower Garden". 12 hexagons, in patterned cottons, form the outer border of each flower with an inner border of 6 matching plain coloured hexagons and all flowers have a yellow hexagon centre. There is no padding, a cotton backing and it is hand quilted.
2400 x 1780mm.
National Trust of Australia (TAS)
Small rectangular bed cover, probably child's or even doll's, made from rectangles of cream linen stitched together with hand sewn french seams. The top surface is decorated with small squares and rectangles of coloured silk, velvet, wool and cotton attached approximately 25mm apart, with 3 stitches in centre of patch to attach to background. Bright pink wool patches stand out.
935 x 635mm
Win Oliver
Crazy patchwork quilt made from silk, brocade and velvet pieces, the seams covered with feather stitching in yellow silk. Fabrics are plain, and patterned with tartans, woven spots, stripes and floral brocade. Colours are rich, mainly red, pink, blue, green and cream. Quilt has a patterned velvet or velour border with urns and flowers in pale olive green and black, edged with a fringe in these colours.
1090 x 1040mm
June Dean
Pieced hexagons, English paper method. Large hexagons form the centre with a border of smaller hexagons. The fabrics are all cotton in a wide range of colours and patterns. There is no padding. The backing is cotton, large white floral design on dark blue. The hexagons are hand pieced and the edges machined.
2480 x 1420 mm
Lois Ryan
Log Cabin quilt made from a variety of cottons and silks. There is no padding and the backing is calico bags. 1500 x 1250 mm.
Gillian Erratt
Patchwork quilt made of pieced blocks in the 'Shoofly' pattern, in white cotton and a red, white and blue geometric cotton print. Alternate squares are in the print. The border is made of same size squares in the print. No padding. The backing is a sheet. Hand sewn.
1829 x 1829mm
June Brown
This quilt has been strip pieced with no regular pattern. It seems a large quilt has been made then folded in half. The materials used are woollen skirting pieces in a variety of colours. It could be used either way. There is no padding and it is very heavy.
2100 x 1950mm
Oakey Historical Museum Society Inc.
Cotton patchwork cover constructed from hand sewn hexagons (65mm) in cotton and linen furnishing materials. The curved edges are bound with blue and cream printed striped cotton. The backing material is not visible.
941 x 261mm
Thelma Lithgow
Repeat block quilt top based on hexagons, each 350 mm diameter. Six hexagons and a centre one make a 'flower' and these are set in rows against a plain calico background. Patterned cotton fabrics are used for the hexagons, small prints, fine stripes and tiny flowers. As it is a quilt top only, there is no lining or padding. 2100 x 1800 mm
Anne Gardener
Quilt made from woollen dressmaking scraps, sewn to an army demob issue blanket, grey with blue stripes. Patches are feather stitched in red broder cotton thread. Quilt is edged with red cotton material zig zagged into place. Colours are pink, blue, brown, black and grey, in plain cloth, weaves and checks.
1462 x 966mm
National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
Giuliana Bond
Log cabin quilt, machine pieced and assembled. Some fabrics are pieces from family dresses, with mauve crepe used throughout. The pale side of each block is silk taffeta and other silk pieces. Padding is flannelette, and backing is cream muslin from a petticoat of the present owner, worn when she was bridesmaid to an aunt and uncle. 1000 x 630 mm.
National Trust of Australia (WA)
Hexagon quilt in dress and shirting cottons constructed in frame style with a centre rosette of 7 patches surrounded by 4 borders of patterned hexagons alternating with cream patches. The quilt has an inner border of triangles then rows of rosettes alternating with cream patches. The outer border is triangles. There is no padding. The backing is cream linen and has had a 20th century white cotton sateen slipstitched to it.
2045 x 1940mm
Doreen Carter
The quilt is called 'Loved'. The pattern is log cabin and it is made from dress materials and pyjama flannelette. The original filling was a heavy woollen blanket (now flannelette) and the backing is green headcloth - all government issue. With its restoration, the backing was supplemented with a green floral, and the quilt is now tied. The quilt is machine pieced, some restoration work is done by hand.
2260 x 1920mm
National Gallery of Australia
" This is an unfinished section/piece of crazy quilting. Ribbons divide the piece horizontally into three sections; between these are bands of pastel fabrics and embroidery in the crazy quilt tradition. The fabrics and threads employed are very luxurious: laces, satin ribbons and silk velvets. The embroidery is very fine, employing a wide variety of stitches and threads. This patchwork piece is padded with cotton wadding and backed with tarlatan." [NGA] 1170 x 1020mm
Sharlene Rogers (for Nadia Brookes)
Pieced squares, each square with a cross and 4 small squares in red. Crosses are in rows alternating 2 shades of blue and 2 of brown. Cream background. Now unlined but remnant blanket like material in corners. Originally had a cotton frill. Quilt was made from scraps of material used for making children's clothes.
Barbara McCabe
Patchwork quilt made from rectangles and squares of woollen fabrics from dress making projects. Colours are mainly grey, blue, brown, green, with some red and yellow. Fabrics are plain, cheks and stripes. No padding or quilting. Backing is made of white flannelette sheets. The quilt has been lengthened after it was completed, and the backing sheet has been added to at the same place.
2470 x 1320mm
Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm

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