Patchwork Quilts

Julie Bos
Crazy patchwork quilt with pieces made from cottons, rayons, silks and taffetas. Each piece is stuffed with kapok and machine sewn to a backing then a wholecloth floral cotton backing has been added.
920 x 164o mms
Rozanne Andrew
Patchwork crazy quilt of late 40s and early 50s. Pieces are from curtains, tablecloth,other kitchen type fabrics in cotton, seersucker and linen. Colours are mainly reds, greens, blues, and pastels, in prints and plain. Herringbone stitch is worked around the edge of each patch. No filling. The backing is calico with one edge in a piece of coloured cotton from the front; the calico was a little small for the top.
2020 x 1400mm
Mare Carter
Patchwork quilt, all cotton including cotton padding. Pattern is based on squares and a cross. Variety of fabrics, plain and patterned. Hand stitched and quilted.
2083 x 1626mm
Kristine Gray
Double sided frame quilt. All reused materials including corduroys, wools and light weight suitings. Machine made and not quilted There is no padding as already heavy and warm.
1780 x 1530mm
Lesley Stocker
Suffolk puff quilt with puffs in a variety of fabrics. Very little cotton. Fabrics are satin, polyester, organza, wool (now moth eaten), rayon and silk. There is no padding or backing. 2450 x 2100mm
The Pioneer Women's Hut
Machine constructed log cabin quilt using a wide variety of strips of used clothing including cottons, men's suitings and wools. Each square is about 250mm and arranged in the 'light and dark of the fire' variation of log cabin. There is no padding. The backing is brown twill with an orange pattern and is probably a replacement backing.
2180 x 1710mm
Wangaratta Historical Society
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of threads including chenille.
2250 x 2180mm
Kerrie Maloney
Double sided quilt made from woollen suiting pieces some of which have hand worked eyelets. Many of the rectangles are irregular. Both sides use similar pieces but arranged in different patterns. There is no padding.
2160 x 1524mm
Anne Langford
Hexagon quilt with rosettes centred in an all over diamond pattern. It is hand pieced and hand quilted. All the materials are either linen or pure cotton. The quilt is padded with batting (American) and the backing is floral cotton.
2360 x 1800mm
Bev Johnston
Patchwork quilt made from squares and rectangles of pink, blue and white fabric set with a frame of pink and white print around a centre rectangle made of 4 pink triangles. Four corner squares of blue and white stripes, Many squares are pieced from smaller scraps. The Material is a crepe type, possibly used for underwear. Handsewn and machined. Backing is made from cotton scraps, possibly lawn or similar. Padding is flanellete or similar. Edges are bound in a striped material. Quilt shows signs of wear.
620mm x 520mm
Red Cliffs Historical Society
Crazy patchwork quilt pieced from velvets, satins, braids, taffetas, cottons with some decorative stitching. A ruffle and the backing are in ruby red satin. There is a dacron type padding.
1620 x 1200mm
N.S.W. Parks and Wildlife Service
Double sided square quilt mainly in cottons. Side 1 has been made in 4 squares each consisting of different sized strips and rectangles. With side 2 there appears to have been 2 stages as if the quilt was extended perhaps to match side 1. It is also squares, rectangles and strips. Sparsley machine quilted. There is no binding but side 2 has been turned over to side 1 and stitched by machine.
1525 x 1525mm
Glenda Wilkinson
The quilt consists of 2 layers of random pieces of woollen coating and suiting materials machined together, very dark colours on one side and a mixture of dark and lighter on the other. The 2 layers are quilted together with a row of machining and has a folded and machine stitched edge. There is no padding.
1270 x 950mm
Kathryn Thompson
Crazy patchwork quilt in a variety of cotton materials. There is no padding. The backing is old flour bags.
2000 x 2000mm
Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
Rita Fiddian
Grandmother's Flower Garden quilt. Hexagons are from cotton and polyester material mostly from 'Reverse Garbage' Melbourne. Hand pieced by Rita Fiddian, the owner. Hand quilted. The padding is wool and the backing cotton.
3049 x 2109mm
Ruth Flett
Quilt is made of wool tailors' samples, each measuring 6 x 3 1/2 inches. The colours are predominantly navy and grey. Most pieces are striped but some more distinctly than others. Both sides are mad eof smaples, one side being mainly grey and the other almost exclusively navy. There doesn't seem to be another layer of material as padding. There is no added decoration. Made on a treadle sewing machine.
1703 x 1423mm
Una Braby
Cotton quilt made from squares of patterned and plain materials. It has a mauve cotton flounce around the border and a mauve cotton backing. There is no padding.
2700 x 1350mm
Valinda Gale
Patchwork quilt made from squares of cotton prints in florals, stripes, spots and checks, joined together in rows. Colours are predominantly blues, reds, yellow and pastels. Binding is of turquoise blue fabric. Materials appear to be from the 40s or 50s. Patches caught in the middle with a woollen knot - red, yellow, blue wool. No quilting. Backed in blue fleecy flannel.
Single bed length and width.
Barbara McCabe
"A single bed cover made up of squares and recrangles of woollen fabric pieced together by a Vicker Sewing Machine from Myer Melbourne. The fabrics are either new (left over scraps) or used (unpicked woollen garments). The backing is an old (used) candlewick bedspread. There is no padding. It is faded and worn due to being used for other purposes later. There is a 66 cm high clown that ahs been appliqued on mainly by hand using blanket stitch. It is also made from scraps of fabric. The hands were cut from an old felt hat."
2400mm x 1660mm

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