Patchwork Quilts

Lyn Uppill
Patchwork quilt in crazy pattern, with pieces of silks, corded silks and velvets in prints, plaids and plains. Nearly all pieces are edged with embroidery, and many pieces have embroidered names and motifs. There are a variety of embroidery stitches. The backing is of slub cotton in a plaid pattern in yellow, grey, red and white. No padding. Quilt has a gathered edging of dark red organdy and silk. Names and dates embroidered are: Bert, Milly, Toots, Verdi, Ida, and 1893, 1895, 1894.
1550 x 1420mm
Flora Noyce
Log cabin quilt consisting of 36 blocks each 200mm square. Light and dark arrangement with a variety of small patterned cotton materials (floral, spotted, striped) and plains. The blocks are hand stitched on to fine cotton and then joined by machine. There is a 120mm double gathered frill of floral cotton with a beige background. The backing is 2 pieces of cream cotton with repeat floral and musical motifs interspersed with forget me nots.
1500 x 1500mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Doncaster-Templestowe Historical Society
Patchwork quilt made of hexagons in silks, satins and brocades. Colours are soft, mainly creams and pastels, with some deep pink, yellow, dark grey and bright blue. Quilt is bordered with a wide band of light navy moire or faille. Padded, possibly with a blanket. Backed with cotton twill.
2420 x 1900mm
Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
Phyllis Dowling
Hand pieced cot quilt made from small rectangular shapes of a great variety of materials including cottons, silks, wools and velvets. The backing is cotton sateen in 3 colours and is brought to the front to form a border of pink, cream and yellow.
1170 x 920mm
Jeanette McGeoch
Crazy patchwork quilt made from pieces of silk, velvet, silk ribbon and brocade in a variety of patterns and plains, in a range of colours. All patches are edged with embroidery, in blanket, feather, herringbone and other stitch variations. Many patches are embroidered with flowers, butterflies, leaves and initials of family members, and there is some beading. 1901 is embroidered in one corner. Quilt has a wide border of gold velvet. Patches are stitched to a base fabric. Backing is dark green sateen.
1470 x 1060mm
Queen Victoria Museum and Art Gallery
Frame quilt, hand and machine sewn, centre square of squares (7 rows by 7 rows) of 2 triangles, with red border. Alternate rows of triangles, rectangles, 'flying geese' border, squares, squares set on point with triangles, wide red border. Hand quilted throughout in chevrons, single cables and single scallops. The padding is a hand woven cream wool blanket and the backing is cream cotton twill.
2330 x 2030mm
Gabrielle Carter
Crazy quilt of velvet upholstery fabrics, and cigar ribbons with surface embroidery. Patches are outlined in embroidery stitches, and one patch has 'Dec 12 1886' on it. There is no padding, and the backing is cotton. 1720 x 1580 mm.
Pauline Munro
Quilt of woollen rectangles, probably tailors' samples. Machine pieced. The backing is floral cotton similar to curtain material.The backing has a french seam down the centre back and is folded over to the front to form a binding. There is no padding.
1440 x 1260
The Pyramid Hill Historical Society Inc.
This unfinished cover has a centre frame of a simple block. There are alternating plain and patterned borders including sword tooth, flying geese and squares on point. It is hand pieced with plain and twill weave cottons, variety of stripes, checks, florals and plains. There is no backing.
1800 x 1800mm
Red Cliffs Historical Society
Hexagonal log cabin quilt. Hexagons constructed of strips with half hexagon dark and half light. These hexagons are then joined to form diagonal light and dark stripes. Machine and hand sewn. Materials are wools, printed cottons, velvets, corduroys, rayons, flannelettes, brocades, pique and taffetas. The backing is a single piece of brocatelle (rayon brocade). There is probably a thin layer of padding.
1400 x 1200mm
Diana Cameron
Small patchwork piece possibly made from salesman's samples. There is no opening in the back so it is not a cushion cover. There is no padding. The backing is green polished cotton. There is a 40mm fringe around the edge.
520 x 520mm
Annette Gero
Frame quilt or coverlet with centre frame surrounded by floral printed panels. The centre is cotton chintz block printed material in madder colours. It is hand quilted.
2700 x 2700mm
Name withheld
Quilt top in postage stamp pattern typical of military quilts. 5 x 5 blocks each 280 x 280mm. Colours are predominantly red, black and cream. Thought to have been made using uniform material from the Crimean war
1350 x 1350mm
National Parks & Wildlife Service of SA
Patchwork quilt of hexagon patches (3.5cm sides approx), handsewn, in cotton fabrics in sprig prints, stripes, checks, florals and plains. Colours are pre-aniline dyes, in lavender, green, red, beige and purple. Centre of quilt is pastel colours with a central patch embroidered in red: 'Elsey Rowbotham her work May 1 1869'. Quilt has a wide border of squares and triangles.Padding is thin cotton. Backing is off white calico. Quilted in parallel lines.
2693 x 2490mm
National Trust of Australia (VIC)
Hand stitched silk quilt in mosaic patchwork based on triangles. Pieces include dress materials and some embroidered linings fom men's waist coats. Paper templates. The backing is cotton.
2200 x 2000mm
Wendy Springbett
Patchwork quilt made from alternate squares of light green and medium green cotton headcloth. The light green squares are hand embroidered with Australian native birds, the medium green squares are decorated with pulled thread designs. No padding. Backing and binding of medium green headcloth. Made from patterns published in The Adelaide Chronicle.
2650 x 1573mm
Helen Cornish
Patchwork quilt in the Log Cabin pattern, each square 14cm x 14cm, made of used cotton fabrics with a fine wool fabric as the centre square of each. Colours are mainly reds, blues, greens and maroon, and pastels, in prints and plains. Quilt has a wide border of dark blue cotton with mitred corners. The padding is black and white mattress ticking, and the backing is the same dark blue cotton as the border. Machine stitched.
1770 x 1170mm
Mare Carter
Friendship Quilt'. All cotton with thick cotton padding. Each of the large panels of patchwork is different and many are signed by the makers who belonged to the Rebecca Lodge in Linwood California. Dates on the squares with signatures are 1933. Wide variety of colours and patterned and plain fabrics. The quilt is now in 2 pieces.
1981 x 1727mm

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