Patchwork Quilts

National Trust of Australia (SA)
Randomly patched quilt in many different colours and fabrics. There are appliquéd shapes over many pieces including Suffolk Puffs, hearts, hexagons and other shapes. There is an embroidered inscription "A11 to S11 1829" which is thought to mean AN to SN 1829. There is no padding and the backing is white cotton.
2000 x 2200mm
Virginia Solomon
Log Cabin quilt featuring centre square and 3 outer borders. Evidence of later repairs and additions by machine and hand sewing. There is white paint on it. The log cabin pieces are sewn on to black netting. There is no padding and the backing is a centre piece of gold damask/sateen and green and black sateen borders.
1728 x 1321mm
Annette Gero
Quilt top of hexagons in silks and satins, pieced over papers in the English tradition. Some paper templates still in place. One states: 'Semi - Monthly Regular Clipper packets to New Zealand, Port Phillip, Sydney�2nd of each month..Adelaide' suggesting it may have been from a shipping timetable.
1580 x 1830mm
Mildura and District Historical Society
Quilt of 2025 hexagons stitched together to form diamond patterns. Hand sewn using paper templates. Materials are cottons and plains typical of the thirties period. The backing is blue cotton and the quilt is bound with many rows of coloured bias binding through which is treaded window cord. There is no padding. The quilt is called 'Grandmothers' Flower Garden quilt'.
2439 x 1829mm
June Johnson
Hand sewn cotton cot quilt with pattern of red and white lozenge shaped hexagons measuring approximately 65mm from top to bottom. A centre flower is constructed from 2 circles of 19 hexagons in red and white. This is surrounded by 8 smaller hexagon flowers. Additional single red hexagons are scattered at random on the white background around the rows of flowers. The quilt is not quilted or tied but is attached at all 4 edges. Writing on the back of the quilt (probably added later) reads "Made by Sarah Hodge, Newport, Wales UK for her first child John." There is no padding and the backing is white cotton. 1000 x 1250 mm.
Julie Bos
Allover pattern in woollen dress materials in blue, grey, navy, black and pink. Hand stitched. The owner suggests it was made in the 1950s or earlier. It is not used.
910 x 1250mm
Lora Busellato
Machine pieced cotton quilt, in random design of geometric pieces. Materials used are cotton sheeting, dress fabrics, broderie anglaise, and seersucker. There is no padding, and backing is white curtain lining.
1540 x 1150 mm.
Margery Creek
Cotton quilt made in the USA. The pattern is 'Double Irish Chain'. It is machine pieced and hand quilted. The backing is calico and the padding is cotton,
2134 x 2134mm
The Pioneer Women's Hut
Patchwork quilt made up of 100mm multi coloured squares in a variety of materials including cottons, synthetics, lurex, plain and printed. Each square has dacron padding and is then joined in strips and the strips joined. All hand sewn. The backing is blue synthetic whole cloth 60mm of which is returned to the front to form a border.
1500 x 1200mm
Julie Bos
Crazy patchwork quilt with pieces made from cottons, rayons, silks and taffetas. Each piece is stuffed with kapok and machine sewn to a backing then a wholecloth floral cotton backing has been added.
920 x 164o mms
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
Lyn Cottingham
Single bed quilt hand pieced from silk hexagons using the English method. The border, backing and central rosette of hexagons are black. All other hexagons are a mixture of plain colours, stripes and florals. They are randomly placed. It is quilted in a diamond pattern. The padding is a thin cotton woven material.
1550 x 1330mm
Glenda Wilkinson
Small quilt made from pieces of heavy weight wooollen coat material cut into strips and machined together. It is reversible. Each side is made from different materials but in similar colours of aqua, blue, green and beige. The 2 layers are quilted together with a few machined lines of straight stitching. It has a folded and machine stitched edge. There is no padding.
950 x 790mm
Queen Victoria Museum and Art Gallery
Patchwork quilt made from diamond patches in a variety of cotton materials set in a 'tumbling block' pattern. Patterns include geometrics, stripes, a 'Kate Greenway' print and colours are largely soft pastels, dark browns, with some reds and blues. The quilt has been cut down and a later border added. There is no padding and the backing is cream cotton.
2279 x 2000mm
Dubbo Museum & Historical Society Inc
"English patchwork pieces. 1110mm x 1500mm. Hand pieced by at least two people. Made from scraps, cut down clothing and sheeting. Backing made from shirtings, dress fabrics, furnishing fabric and ticking. No synthetics. Machine quilted. Condition, fragile�.." [Dubbo Museum]
Annette Gero
Hand pieced frame quilt with centre frame and borders of squares set on point. There is a blue patterned border. The backing is white and it is finely quilted. "The fabrics themselves are all absolutely typical of the period [1830 t0 1840] and many, if not most, of them can be found as illustrations in historical textile reference books - in this respect the quilt is virtually a book chapter in itself and has a particular value to a quilt historian. At about this period in England cottons and chintzes were being produced in great quantity and were relatively modestly priced." [Annette Gero]
2540 x 2540mm
Western Australian Museum
Hand sewn quilt of mustard cotton printed with very small red and brown buds and 16 blocks of red and white patchwork. These are set on point with alternate squares of the mustard print. The backing is a single piece of red and white check, with a black border. It is hand quilted.
2480 x 2200mm
Diana Garder
Grey woollen army blanket backing with multi-coloured pieces sewn in a random way; includes pieces of jumpers, socks, rugs with crochet flowers added etc. Quilt is a rectangular shape, the colours are mainly blues, pinks and maroon. Bottom third of quilt and part of one side are made from a striped rug, the remaining two-thirds are made from pieces of recycled clothing and decorated with crocheted flowers.
Western Australian Museum
The top of the quilt is squares of white fabric alternating with pieced pink and white blocks, with three borders of pink, white, pink. Heavily hand quilted, including circles and lines. The backing is cream and there is a glazed cotton machine sewn edging.
2480 x 2200mm
Annette Gero
Hexagon quilt made from dimity, chintzes and dress material cottons. It is hand pieced over papers and hand quilted. The quilt is signed 'Sarah Wall Allestry 1811'.
2280 x 2200mm

Pages