Patchwork Quilts

Irene Treneman
Cotton quilt, checks, plains and patterns. Machine construction. Rectangles stitched together in strips and then strips joined. The backing is a cotton print. There is no padding and no quilting.
2420 x 1220
Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
Historical Society of Cockburn
Handmade quilt in off centre log cabin pattern. Pieces are floral furnishing and dress fabrics, in twenty blocks. There is no padding, and backing is of bright floral cotton. 1900 x 1500 mm.
Margery Smith
Patchwork quilt made from hexagons 63mm across in a variety of cotton prints and plains. The bright coloured patches came from children's clothes and dressmaking scraps. The 'set included a large cot cover, a pillow cover and a circular stool cover. No padding. Backing of unbleached calico. Hand sewn.
2300 x 1840mm
Pauline Munro
Quilt of woollen rectangles, probably tailors' samples. Machine pieced. The backing is floral cotton similar to curtain material.The backing has a french seam down the centre back and is folded over to the front to form a binding. There is no padding.
1440 x 1260
National Trust of Australia (WA)
Frame quilt of dress cottons, including some glazed cottons. The centre is 4 triangles pieced to make a rectangle. This is surrounded by a plain border, a border of triangles, plain border, triangles border, plain border, border of triangles pieced to form squares, square and triangle border, then rows of squares. The outer border is of glazed floral chintz with a brown background. The backing is cream linen pieced lengthways in 3 sections. There is no padding. It is quilted all over in a large clamshell pattern. The top is covered with netting.
2615 x 2280mm
Arapiles Historical Society Museum
Patchwork quilt, reversible, with log cabin blocks on one side, with central red square in each block. Colours predominantly light greys, browns and pastels, and dark grey and blue. Reverse side is made of squares constructed from 2 triangles, in black, patterned pastels, pale blue and dark red. There is a black border along 2 edges on this side. It is quilted.
2058 x 1829mm
National Trust of Australia (VIC)
Hand stitched silk quilt in mosaic patchwork based on triangles. Pieces include dress materials and some embroidered linings fom men's waist coats. Paper templates. The backing is cotton.
2200 x 2000mm
Gloria Martin
Double sided machine sewn patchwork quilt made from clothing scraps, wool blends, corduroy, velvets. Patterns include checks and tartans and there are many plain colours. Shapes are mainly rectangles and squares.
1524 x 1372mm
Mare Carter
Friendship Quilt'. All cotton with thick cotton padding. Each of the large panels of patchwork is different and many are signed by the makers who belonged to the Rebecca Lodge in Linwood California. Dates on the squares with signatures are 1933. Wide variety of colours and patterned and plain fabrics. The quilt is now in 2 pieces.
1981 x 1727mm
National Gallery of Australia
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]
Annette Gero
Cotton frame quilt with a diamond in the centre of the frame and a border of straight pieces. The outer border is diamonds. The quilt is hand sewn and hand quilted.
1910 x 1830mm
Jean Winchester
Patchwork quilt in the Log Cabin pattern, made from cotton fabrics in prints and plains in bright colours. There are 185 squares, all sewn on to check gingham. No padding. Backing is of black cotton.
2718 x 2540mm
Sandra Jones
Crazy patchwork quilt in silks and velvets. Centre circle of embroidered flowers and outer border of diamonds in tunbling block pattern. Most pieces have embroidered flowers and all joins are embroidered in fancy stitches. The owner's mother had a pink silk quilted backing and a thick edge cord added to the quilt by Rocke's of Collins street Melbourne c.1960
1620 x 1595mm
Narelle Grieve
English pieced hexagonal star quilt in silks, velvets and satins. Commercially made fringe in cotton maroon twill. Some motifs have herringbone stitching around them. There is no padding and the backing is polished cotton twill. 1840 x 1660 mm
Annette Gero
Hand pieced frame quilt with centre frame and borders of squares set on point. There is a blue patterned border. The backing is white and it is finely quilted. "The fabrics themselves are all absolutely typical of the period [1830 t0 1840] and many, if not most, of them can be found as illustrations in historical textile reference books - in this respect the quilt is virtually a book chapter in itself and has a particular value to a quilt historian. At about this period in England cottons and chintzes were being produced in great quantity and were relatively modestly priced." [Annette Gero]
2540 x 2540mm
Western Australian Museum
Hand sewn quilt of mustard cotton printed with very small red and brown buds and 16 blocks of red and white patchwork. These are set on point with alternate squares of the mustard print. The backing is a single piece of red and white check, with a black border. It is hand quilted.
2480 x 2200mm
Western Australian Museum
The top of the quilt is squares of white fabric alternating with pieced pink and white blocks, with three borders of pink, white, pink. Heavily hand quilted, including circles and lines. The backing is cream and there is a glazed cotton machine sewn edging.
2480 x 2200mm
Diana Garder
Grey woollen army blanket backing with multi-coloured pieces sewn in a random way; includes pieces of jumpers, socks, rugs with crochet flowers added etc. Quilt is a rectangular shape, the colours are mainly blues, pinks and maroon. Bottom third of quilt and part of one side are made from a striped rug, the remaining two-thirds are made from pieces of recycled clothing and decorated with crocheted flowers.
Annette Gero
Hexagon quilt made from dimity, chintzes and dress material cottons. It is hand pieced over papers and hand quilted. The quilt is signed 'Sarah Wall Allestry 1811'.
2280 x 2200mm

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