Patchwork Quilts

Gloria Martin
Double sided machine sewn patchwork quilt made from clothing scraps, wool blends, corduroy, velvets. Patterns include checks and tartans and there are many plain colours. Shapes are mainly rectangles and squares.
1524 x 1372mm
Lyn Uppill
Scrap quilt made of vertical strips of rectangles alternating with narrow strips of pieced triangles. Colours are subdued, blues, pinks, red, browns and black, in small patterns and stripes. Fabrics are suiting, rayon, crepe, gaberdine, taffeta and blazer wool. The padding or middle layer is pieced from hessian and suiting fabric, knitted cotton. and khaki and brown twill (uniform material). The middle layer is then handsewn to the back.
1550 x 870mm
Betty Johnson
Pieced wool quilt, machined. Rectangles and squares, from a wide variety of materials including tartans, checks, tweeds, herringbones, joined in strips and then the strips joined. The backing is scraps of woollen material with a seal motif aookiqued on. There is no padding.
1350 x 800mm
Friends of the Hawkesbury Art Society
Patchwork Quilt consisting of diamond shapes forming a Tumbling Block pattern. All cotton, mainly patterned pieces, with signs of blotting paper templates. Hand sewn. The outer border of patches consists of off-cuts from nurses' uniforms of the times as 2 of the maker's daughters were nurses. It is thought most other squares were probably from material samples from large city stores such as Anthony Horderns. Backing is red cotton in a paisley design.
2030 x 1890mm
The Pioneer Women's Hut
Patchwork top with a centre frame of a mauve cross outlined in black within a square bordered with pink. The rest of the top is rectangles and squares in a wide variety of materials. There is no padding. The backing is brown, possibly curtain material.
1910 x 1480mm
Molly Palmer
Patchwork quilt with repeat blocks of Log Cabin pattern in cottons. One side of the square has blue fabrics, the other side has pink. Blocks are separated by a floral and a blue strip. The quilt is finished with a dark blue border on 2 sides, and a light and dark blue border on the other 2 sides. Dark blue binding around edge. Hand quilted with a cable pattern on the borders. Padding is probably synthetic. The quilt is backed.
National Gallery of Australia
" This is an unfinished section/piece of crazy quilting. Ribbons divide the piece horizontally into three sections; between these are bands of pastel fabrics and embroidery in the crazy quilt tradition. The fabrics and threads employed are very luxurious: laces, satin ribbons and silk velvets. The embroidery is very fine, employing a wide variety of stitches and threads. This patchwork piece is padded with cotton wadding and backed with tarlatan." [NGA] 1170 x 1020mm
National Trust of Australia (WA)
Hexagon quilt in dress and shirting cottons constructed in frame style with a centre rosette of 7 patches surrounded by 4 borders of patterned hexagons alternating with cream patches. The quilt has an inner border of triangles then rows of rosettes alternating with cream patches. The outer border is triangles. There is no padding. The backing is cream linen and has had a 20th century white cotton sateen slipstitched to it.
2045 x 1940mm
Dorothy Taylor
Patchwork quilt made of hexagons in printed cottons, colours predominantly red, blue pink, brown and yellow. Handsewn. Attached to a white cotton backing. Cotton padding.
1829 x 1829mm
Greg Davies
Patchwork quilt, log cabin with central patch plus 2 logs. Many different materials from 1950s and 1960s. Machine pieced. The padding is a woollen blanket and the backing is a flannelette sheet. The quilt is tied with yellow cotton at each corner.
2170 x 1880mm
Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm
West Australian Quilters' Association
The quilt is a repeat block in the Ohio Star pattern in turkey red and cream. Quilted in squares in the cream block and diagonal lines in the star block. The fabric border is disintegrating. The backing is cream calico and the padding is cotton, badly degraded. 1940 x 1760mm.
Margery Creek
Snow Ball' cotton quilt made in the USA. Feed bag materials and dress materials. Hand pieced and hand quilted. Calico border and backing.
2058 x 2007mm
National Trust of Australia (NSW)
Quilt of small silk and rayon rosettes of hexagons in prints and plain materials including velvet, voided velvet, chine, printed silk, brocades, taffeta, satin, crepes. Many of the materials are from Japanese kimono and wrapping silks. It is pieced over papers, one paper has a typed date '1930'. The backing is black silk satin and is turned to the front to form a border.
1695 x 1390mm
Powerhouse Museum
Reversible cot quilt, hand pieced, in the log cabin pattern; the blocks measure 150mm square. The patches have been cut from plain and patterned dress, pyjama and men's shirt fabrics. Strong diagonals were created in the overall design through using light and dark colours, often a strong red, to divide the log cabin blocks in half diagonally. The back is made from rectangles of striped men's shirt fabrics in pastel blues, pinks and browns with a large 'flowe' in each corner, each pieced from six hexagon patches around a central seventh hexagon. There is no padding.
[PHM] 1720 x 1150mm
Annette Gero
Hand pieced frame quilt with centre frame and borders of squares set on point. There is a blue patterned border. The backing is white and it is finely quilted. "The fabrics themselves are all absolutely typical of the period [1830 t0 1840] and many, if not most, of them can be found as illustrations in historical textile reference books - in this respect the quilt is virtually a book chapter in itself and has a particular value to a quilt historian. At about this period in England cottons and chintzes were being produced in great quantity and were relatively modestly priced." [Annette Gero]
2540 x 2540mm
Western Australian Museum
Hand sewn quilt of mustard cotton printed with very small red and brown buds and 16 blocks of red and white patchwork. These are set on point with alternate squares of the mustard print. The backing is a single piece of red and white check, with a black border. It is hand quilted.
2480 x 2200mm
Diana Garder
Grey woollen army blanket backing with multi-coloured pieces sewn in a random way; includes pieces of jumpers, socks, rugs with crochet flowers added etc. Quilt is a rectangular shape, the colours are mainly blues, pinks and maroon. Bottom third of quilt and part of one side are made from a striped rug, the remaining two-thirds are made from pieces of recycled clothing and decorated with crocheted flowers.
Western Australian Museum
The top of the quilt is squares of white fabric alternating with pieced pink and white blocks, with three borders of pink, white, pink. Heavily hand quilted, including circles and lines. The backing is cream and there is a glazed cotton machine sewn edging.
2480 x 2200mm
Annette Gero
Hexagon quilt made from dimity, chintzes and dress material cottons. It is hand pieced over papers and hand quilted. The quilt is signed 'Sarah Wall Allestry 1811'.
2280 x 2200mm

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