Patchwork Quilts

Red Cliffs Historical Society
Quilt with hexagons forming lozenge or honeycomb pattern. Predominantly greens and pinks in brocatelle (rayon brocade). All hand stitched. The backing is lime green rayon. The padding is probably dacron.
1800 x 1630mm
Flora Noyce
Log cabin quilt consisting of 36 blocks each 200mm square. Light and dark arrangement with a variety of small patterned cotton materials (floral, spotted, striped) and plains. The blocks are hand stitched on to fine cotton and then joined by machine. There is a 120mm double gathered frill of floral cotton with a beige background. The backing is 2 pieces of cream cotton with repeat floral and musical motifs interspersed with forget me nots.
1500 x 1500mm
Mr. K.Green
Crazy patchwork quilt made from silk, cotton and velvet in pastels and rich dark colours with a wide border of dark burgundy silk velvet. Decorative embroidery stitches including straight, herringbone and feather edge each piece. Most pieces have embroidered motifs including crown, flowers, horseshoe and Australian motifs of wattle and emu. Date '1891' worked in cross stitch on one piece. The padding is wool and the backing dark red satin and these are joined by diagonal machine stitching in yellow thread.
1750 x 1100mm
National Trust of Australia (WA)
Hand sewn quilt (possibly child's or table top) of crazy patchwork in silk, silk ribbon and cotton velvet. The top has surface decoration of embroidery on all seams, feather stitch and blanket stitch variations. Many of the crazy patches are also embroidered. The centre patch has a rooster embroidered in lame thread. Embroidered motifs are hearts, butterflies, guitar, cow, Little Red Riding Hood, horseshoes, crown, clover leaf. Stitches are feather, stem, satin and blanket. Embroidered initials are 'B', 'R', and 'S'. The backing is dark grey silk.
840 x 840mm
West Australian Quilters' Association
Repeat block in Dresden Plate pattern using various cotton fabrics from the 1920s. Quilted with a flower in the purple/pink centre and squares elsewhere. Border is furnishing fabric. The padding is cotton that is disintegrating and the backing is calico. 1980 x 2100mm
Gabrielle Carter
Crazy quilt of velvet upholstery fabrics, and cigar ribbons with surface embroidery. Patches are outlined in embroidery stitches, and one patch has 'Dec 12 1886' on it. There is no padding, and the backing is cotton. 1720 x 1580 mm.
Mrs. L. M. Chick
Hexagon quilt made by hand from a wide variety of cotton materials. There is no padding and the backing is calico.
2286 x 915mm
Mare Carter
Quilt of alternate green and fawn squares (100mm) in knitted fabric, originally swatches of sample fabrics. Padding is a piece of old blanket. Backing is fawn flannelette, and the quilt is finished with a flannelette ruffle.
1423 x 1124mm
National Gallery of Australia
"A medallion or framed quilt in design. There is a central field of small patchwork diamonds, and from this radiates plain stripes of fabric bordering areas of patchwork panels. The edge of the quilt carries bands of red cotton, which are slightly larger at the top and bottom edges, and here the band is additionally decorated with appliqué diamonds. The fabric of the patchwork is cotton in fine plain weave of pale coloured florals and small geometric designs. The framing and border stripes are of bright red twill weave cotton. The small diamonds of the central field are hand sewn, with more use of machine stitching around the outer edge of the quilt.
The quilt is not padded. The patchwork is fully lined with a printed plain weave cotton fabric with a design commemorating Queen Victoria's Jubilee. The design is based on a repeated grid of circles. In the centre of each circle is a cameo of Queen Victoria, surrounded by images of the national flowers of England, Scotland and Ireland: the rose, the thistle and the shamrock. The edge of the front face of the quilt is trimmed with a red and white cotton braid." [NGA] 2380 x 2220mm
Name withheld
Quilt top in postage stamp pattern typical of military quilts. 5 x 5 blocks each 280 x 280mm. Colours are predominantly red, black and cream. Thought to have been made using uniform material from the Crimean war
1350 x 1350mm
Ida Blenkiron
Patchwork knee rug made from maroon wool cut up from a garment into different sized rectangles. Pieced by hand, then all edges crocheted with coloured wool thread. The top was then machined and quilted to a pale blue wool backing. No padding.
1080 x 780mm
National Parks & Wildlife Service of SA
Patchwork quilt of hexagon patches (3.5cm sides approx), handsewn, in cotton fabrics in sprig prints, stripes, checks, florals and plains. Colours are pre-aniline dyes, in lavender, green, red, beige and purple. Centre of quilt is pastel colours with a central patch embroidered in red: 'Elsey Rowbotham her work May 1 1869'. Quilt has a wide border of squares and triangles.Padding is thin cotton. Backing is off white calico. Quilted in parallel lines.
2693 x 2490mm
Josephine Curtis
Taylor's sample quilt made from men's suit swatches, mainly greys and blues. Edging is 6cms wide, of blue flannelette. Padding is an old grey blanket, and the backing is of printed pattern corduroy. 1680 x 920 mm.
Ida Blenkiron
Patchwork quilt of square and rectangular patches, mainly in cotton fabrics, in plains and prints. Colours are predominantly yellow, pinks, blues and prints on white. Backing is the same except there is a piece of patterned curtaining material as a patch across the middle width. Padding is old blanketing.
1830 x 1140mm
Joan McGregor
One side of this quilt is large pieces of check and striped material surrounding a small patterned supper cloth with a border of scrap pieces. The other side is small, floral, check, spotted, striped and plain cotton pieces surrounding a tablecloth. It is machine sewn and is not quilted. The padding is an old woollen blanket.
1825 x 1625mm
Annette Gero
Hand pieced frame quilt with centre frame and borders of squares set on point. There is a blue patterned border. The backing is white and it is finely quilted. "The fabrics themselves are all absolutely typical of the period [1830 t0 1840] and many, if not most, of them can be found as illustrations in historical textile reference books - in this respect the quilt is virtually a book chapter in itself and has a particular value to a quilt historian. At about this period in England cottons and chintzes were being produced in great quantity and were relatively modestly priced." [Annette Gero]
2540 x 2540mm
Western Australian Museum
The top of the quilt is squares of white fabric alternating with pieced pink and white blocks, with three borders of pink, white, pink. Heavily hand quilted, including circles and lines. The backing is cream and there is a glazed cotton machine sewn edging.
2480 x 2200mm
Western Australian Museum
Hand sewn quilt of mustard cotton printed with very small red and brown buds and 16 blocks of red and white patchwork. These are set on point with alternate squares of the mustard print. The backing is a single piece of red and white check, with a black border. It is hand quilted.
2480 x 2200mm
Diana Garder
Grey woollen army blanket backing with multi-coloured pieces sewn in a random way; includes pieces of jumpers, socks, rugs with crochet flowers added etc. Quilt is a rectangular shape, the colours are mainly blues, pinks and maroon. Bottom third of quilt and part of one side are made from a striped rug, the remaining two-thirds are made from pieces of recycled clothing and decorated with crocheted flowers.
Annette Gero
Hexagon quilt made from dimity, chintzes and dress material cottons. It is hand pieced over papers and hand quilted. The quilt is signed 'Sarah Wall Allestry 1811'.
2280 x 2200mm

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