Patchwork Quilts

National Trust of Australia (SA)
Randomly patched quilt in many different colours and fabrics. There are appliquéd shapes over many pieces including Suffolk Puffs, hearts, hexagons and other shapes. There is an embroidered inscription "A11 to S11 1829" which is thought to mean AN to SN 1829. There is no padding and the backing is white cotton.
2000 x 2200mm
Annette Gero
Quilt top of hexagons in silks and satins, pieced over papers in the English tradition. Some paper templates still in place. One states: 'Semi - Monthly Regular Clipper packets to New Zealand, Port Phillip, Sydney�2nd of each month..Adelaide' suggesting it may have been from a shipping timetable.
1580 x 1830mm
Diana Cameron
Square quilt top. Floral centre piece with borders of squares set in a diamond pattern. Squares are in plain colours and patterns. There is no padding or backing.
920 x 920mm
Mildura and District Historical Society
Quilt of 2025 hexagons stitched together to form diamond patterns. Hand sewn using paper templates. Materials are cottons and plains typical of the thirties period. The backing is blue cotton and the quilt is bound with many rows of coloured bias binding through which is treaded window cord. There is no padding. The quilt is called 'Grandmothers' Flower Garden quilt'.
2439 x 1829mm
National Trust of Australia (WA)
Quilt of pale yellow cotton sateen with a centre star motif with 8 points in pink cotton sateen. A border of pink cotton sateen has pink triangles on each side. The quilt is machine sewn and elaborately hand quilted with designs including fleur-de-lys shape, feathers, vine pattern, clam shells, 8 petalled flower and cable pattern with the main ground cross hatched. The backing is pale yellow cotton sateen.
2235 x 2065mm
Julie Bos
Allover pattern in woollen dress materials in blue, grey, navy, black and pink. Hand stitched. The owner suggests it was made in the 1950s or earlier. It is not used.
910 x 1250mm
Sandra Jones
Crazy patchwork quilt in silks and velvets. Centre circle of embroidered flowers and outer border of diamonds in tunbling block pattern. Most pieces have embroidered flowers and all joins are embroidered in fancy stitches. The owner's mother had a pink silk quilted backing and a thick edge cord added to the quilt by Rocke's of Collins street Melbourne c.1960
1620 x 1595mm
Annette Gero
Hand pieced log cabin quilt in silks, satins and velvets. There is a silk backing machined on, possiby a later addition. The quilt has over 5000 pieced.
1820 x 1680mm
Jeanette Marchant
Quilt of hand stitched cotton hexagon patches, the hexagons are in groups of 7 to form flowers, with white or cream 'paths'. The quilt centre has 19 flowers grouped within a single hexagon border of brown and red patches. In each corner of the quilt there are 6 flowers grouped around a larger flower within a single border of darker print hexagon patches. Backing is cream cotton, machine stitched to the top. There is no padding or quilting. Some fabric patches have deteriorated.
The Pioneer Women's Hut
Patchwork quilt made up of 100mm multi coloured squares in a variety of materials including cottons, synthetics, lurex, plain and printed. Each square has dacron padding and is then joined in strips and the strips joined. All hand sewn. The backing is blue synthetic whole cloth 60mm of which is returned to the front to form a border.
1500 x 1200mm
National Trust of Australia (WA)
Patchwork quilt in Grandmother's Flower Garden pattern consisting of groups of 7 rosettes and single rosettes with white filler hexagons and a border of rosettes alternating with 'bow tie' shapes of 5 patches in the middle of the quilt. Hand sewn in cotton dress and shirting materials , the colours mostly blues, pinks, reds, brown and white. The quilt top is covered in netting. There is no padding and the backing is cream cotton twill.
2270 x 2080mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
Annette Rich
Unlined quilt. Central square of floral chintz with rectangular and chevron border making a larger frame that is set within another square-on-point frame edged with 2 toned red leaf pattererned chintz. This quilt is mainly pieced (squares, triangles, lozenges) but the hexagon rosettes are appliqued. Dress and furnishing cottons dating from the early 1800s. Raw edged, unfinished. All hand stitched.
2400 x 2400mm
Wangaratta Centre Quilters Inc
Irregularly patched from a variety of cotton dress prints, checks, plains and mattress ticking. 1920s and 30s fabrics. Both top and back are similar. Hessian padding. Originally two single quilts, now stitched together.
1850 x 1720mm
Glenda Wilkinson
Small quilt made from pieces of heavy weight wooollen coat material cut into strips and machined together. It is reversible. Each side is made from different materials but in similar colours of aqua, blue, green and beige. The 2 layers are quilted together with a few machined lines of straight stitching. It has a folded and machine stitched edge. There is no padding.
950 x 790mm
Annette Gero
Hand pieced frame quilt with centre frame and borders of squares set on point. There is a blue patterned border. The backing is white and it is finely quilted. "The fabrics themselves are all absolutely typical of the period [1830 t0 1840] and many, if not most, of them can be found as illustrations in historical textile reference books - in this respect the quilt is virtually a book chapter in itself and has a particular value to a quilt historian. At about this period in England cottons and chintzes were being produced in great quantity and were relatively modestly priced." [Annette Gero]
2540 x 2540mm
Western Australian Museum
The top of the quilt is squares of white fabric alternating with pieced pink and white blocks, with three borders of pink, white, pink. Heavily hand quilted, including circles and lines. The backing is cream and there is a glazed cotton machine sewn edging.
2480 x 2200mm
Diana Garder
Grey woollen army blanket backing with multi-coloured pieces sewn in a random way; includes pieces of jumpers, socks, rugs with crochet flowers added etc. Quilt is a rectangular shape, the colours are mainly blues, pinks and maroon. Bottom third of quilt and part of one side are made from a striped rug, the remaining two-thirds are made from pieces of recycled clothing and decorated with crocheted flowers.
Western Australian Museum
Hand sewn quilt of mustard cotton printed with very small red and brown buds and 16 blocks of red and white patchwork. These are set on point with alternate squares of the mustard print. The backing is a single piece of red and white check, with a black border. It is hand quilted.
2480 x 2200mm
Annette Gero
Hexagon quilt made from dimity, chintzes and dress material cottons. It is hand pieced over papers and hand quilted. The quilt is signed 'Sarah Wall Allestry 1811'.
2280 x 2200mm

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