Patchwork Quilts

National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Elsie Shephard
Double sided patchwork quilt/rug constructed from squares machined together in strips and then the strips joined. It is made in one piece and then doubled over. The materials are mainly wool, worsted, part cream machine made jumper, pink and blue mohair, blue and white spotted flannelette and cream blanket and all are scraps or from worn clothing.
1690 x 1370mm
Euroa Historical Society
Crazy patchwork quilt with patches of velvet, satin and silk joined in 12 blocks. Each seam is embroidered and many patches have embroidered flowers. There is a 140mm maroon velvet border. The backing is maroon silk. There is a sachet that belongs with the quilt.
1800 x 1400mm
Annette Gero
Utilitarian quilt made from large pieces of wool, flannel and cotton. Machine construction and the padding is wool.
1570 x 152Omm
Phyllis Dowling
Hand pieced cot quilt made from small rectangular shapes of a great variety of materials including cottons, silks, wools and velvets. The backing is cotton sateen in 3 colours and is brought to the front to form a border of pink, cream and yellow.
1170 x 920mm
Ruth Collins
Patchwork quilt of rectangular wool and cotton tailors' samples, in browns, greys, navy, black and beige, in plains and patterned weaves. Padding is a woollen blanket, and the backing is a patterned cotton.
1956 x 1702mm
Julie Pearce
Rectangular quilt of print and plain cottons pieced in squares and rectangles, the centre group of pieces surround a larger piece of pale blue fabric, within a frame or border, of bright pink material, then 3 rows of squares and rectangles. Backing of plain fabric. Machine stitched on a treadle machine.
Lesley Stocker
Suffolk puff quilt with puffs in a variety of fabrics. Very little cotton. Fabrics are satin, polyester, organza, wool (now moth eaten), rayon and silk. There is no padding or backing. 2450 x 2100mm
The Pyramid Hill Historical Society Inc.
This unfinished cover has a centre frame of a simple block. There are alternating plain and patterned borders including sword tooth, flying geese and squares on point. It is hand pieced with plain and twill weave cottons, variety of stripes, checks, florals and plains. There is no backing.
1800 x 1800mm
Celia Dolley
Cotton scrap quilt with shapes of diamonds, strip and squares. The quilt has been repaired using machine zig zag in white cotton. There is no padding and the backing is calico.
2175 x 1625mm
Pearl Holland
This is one of two single bed quilts in a pattern the owner calls 'Martha Washington's Flower Garden'. Flowers are in six hexagons in a variety of prints with a plain coloured centre. The background is cream, and the backing is calico. 2500 x 1800 mm.
Wendy Springbett
Patchwork quilt made from alternate squares of light green and medium green cotton headcloth. The light green squares are hand embroidered with Australian native birds, the medium green squares are decorated with pulled thread designs. No padding. Backing and binding of medium green headcloth. Made from patterns published in The Adelaide Chronicle.
2650 x 1573mm
Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm
N.S.W. Parks and Wildlife Service
Crazy patchwork on to foundation material with the edges of the pieces turned under and machined. It is not quilted. A 25mm red binding has been machined on. There is no padding. The backing is red wholecloth cotton.
1940 x 1540mm
King Cottage Museum
Hand sewn hexagons over paper templates in a pattern known as 'Grandmother's Flower Garden'. Materials are printed dress cottons, patterned and plain, mainly in pinks, blues and browns. The border and backing is grey linen and is machine stitched on. There is no padding. 2060 x 1579 mm.
Shirley Maywald
Patchwork crazy quilt in velvets and silks, no pieces over 4" long. Colours are black, maroon, pinks, blues and pastels, and all seams embroidered with coloured silks in herringbone stitch. Backing is green, there is no padding. Quilt is bound with black velvet 1/2" wide. A patch near the centre is embroidered: '1909' and '1948'.
940 x 915mm
Marie Thomas
150mm squares of old material scraps, mostly cotton, including some curtain material. There is no padding and the backing is brown lawn.
2540 x 2370mm
Helen Sparkman
Hexagon quilt made from dressmaking scraps from one neice. The quilt top only is complete and a few papers are still attached.
2250 x 2000mm
Kristine Gray
Double sided quilt. One side is frame with borders of wool rectangles mainly offcuts of men's suiting from tailors' shops. The other side is mainly flannelette in stripes and patterns similar to pyjama material. The padding is pieced patches of worn jumpers that were too matted to be unpicked. Machine construction.
1700 x 1490mm
Billie Briggs
Hand pieced crazy quilt in a variety of plain coloured velvets. All seams are over embroidered in a variety of stitches. There is no padding and the backing is heavy black cotton. 1900 x 1630mm.

Pages