Patchwork Quilts

Fran Williams
Frame quilt with the centre frame featuring stars. These are English pieced and then appliqued on to the background using straight stitch on the machine. Borders are squares, rectangles and truangles. Mainly cottons. There is no padding. The backing is an old white bedspread similar to a Marcella.
1900 x 1930mm
Ann Hockey
Patchwork quilt made of small squares pieced from four triangles. Each square is 90mm and is joined to the others by a herringbone lacing in yellow rayon crochet thread, so making an open mesh between each square. The quilt is edged with thick yellow rayon corded braid. Each square is backed with gold coloured cotton. No padding.
1730 x 1430mm
National Trust of Australia (NSW)
Quilt in frame style patchwork with applique and broderie Perse applique in printed cottons and linens with silk embroidery. The centre frame has an octagonal shape of floral printed material appliqued on to cream linen surrounded by pieced and appliqued triangles and sashing of printed cotton. Above the frame is embroidered in dull gold silk in cross stitch 'Mary Moxey 1818 Emma Tremlett Born Decr 16th 1837'. Outer borders are pieced and appliqued diamonds and hexagons separated by printed sashing. The quilt is backed with cream linen.
2405 x 2373mm
Giuliana Bond
Log cabin quilt, machine pieced and assembled. Some fabrics are pieces from family dresses, with mauve crepe used throughout. The pale side of each block is silk taffeta and other silk pieces. Padding is flannelette, and backing is cream muslin from a petticoat of the present owner, worn when she was bridesmaid to an aunt and uncle. 1000 x 630 mm.
 Dianne Gorringe
Patchwork quilt/cloth with strong overall design of very small squares. The colours are navy, red, cream, green (khaki) and fawn. There is a wide fringe on all sides. There is no padding. The backing is cotton sateen.
1240 x 126mm
The Pioneer Women's Hut
Machine pieced crazy patchwork quilt in plain, floral and striped cotton materials. Some pieces are seamed and others are sewn direct on to calico backing. Each piece is outlined in red stranded cotton in herringbone stitch.
2150 x 1770mm
Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
Yass & District Historical Society
Patchwork quilt made from diamond patches in the 'Cotton Box' pattern, in a wide variety of cotton fabrics, including plains, checks, stripes and florals. The patches have blotting paper templates. The quilt is edged with diamond shapes in a red floral cotton. The backing is of the same red floral pattern, featuring yellow, turquoise and white flowers and leaves. Hand sewn.
2135 x 2033mm
Ankie King
Small square piece of crazy patchwork in silks and taffetas. Many of the seams are oversewn with decorative embroidery stitches. There is a calico backing.
550 x 550mm
Sharlene Rogers (for Nadia Brookes)
Pieced squares, each square with a cross and 4 small squares in red. Crosses are in rows alternating 2 shades of blue and 2 of brown. Cream background. Now unlined but remnant blanket like material in corners. Originally had a cotton frill. Quilt was made from scraps of material used for making children's clothes.
Annette Gero
This quilt is of hand pieced hexagons randomly placed and stitched on to a linen backing. They are mainly dress fabrics and chintz with some hexagon flowers in the centre and corners in broderie perse. There is no padding.
2600 x 2600mm
Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm
Rhona Dunwoodie
Block pattern consisting of a circle, hexagon and circle within a square. Cotton dressmaking fabrics with a few plain creams. Hand pieced and hand quilted. At some stage has been machine reinforced. Now faded, worn and damaged especially one end. Quilting pattern is four leaf clover inside large cable. The backing is 4 different pink toned fabrics in longitudinal stripes. Cotton batting. 2620 x 2300mm
Narelle Grieve
Folded log cabin, foundation pieced. Machine constructed. Materials are cotton, wool, rayon, flannelette, silk and twill. There is no padding and the backing is cretonne. 2700 x 2100 mm
Gladys V. Williams
Grandmother's Flower Garden, also known as French Bouquet. The quilt comprises 181 flowers. No padding is used. Each flower has seven hexagonal patches, cut from a metal template pattern. Floral and plain silk materials are used and mounted on pale blue moire taffeta.
3050 x 2031mm
Shirley Maywald
Patchwork crazy quilt in velvets and silks, no pieces over 4" long. Colours are black, maroon, pinks, blues and pastels, and all seams embroidered with coloured silks in herringbone stitch. Backing is green, there is no padding. Quilt is bound with black velvet 1/2" wide. A patch near the centre is embroidered: '1909' and '1948'.
940 x 915mm
Valinda Gale
Patchwork quilt made from squares of cotton prints in florals, stripes, spots and checks, joined together in rows. Colours are predominantly blues, reds, yellow and pastels. Binding is of turquoise blue fabric. Materials appear to be from the 40s or 50s. Patches caught in the middle with a woollen knot - red, yellow, blue wool. No quilting. Backed in blue fleecy flannel.
Single bed length and width.
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Barbara McCabe
"A single bed cover made up of squares and recrangles of woollen fabric pieced together by a Vicker Sewing Machine from Myer Melbourne. The fabrics are either new (left over scraps) or used (unpicked woollen garments). The backing is an old (used) candlewick bedspread. There is no padding. It is faded and worn due to being used for other purposes later. There is a 66 cm high clown that ahs been appliqued on mainly by hand using blanket stitch. It is also made from scraps of fabric. The hands were cut from an old felt hat."
2400mm x 1660mm
Margery Creek
Cotton quilt in 'Pyramid Charm' pattern. Made in the USA and thought to have come from Louisiana. Hand pieced and hand quilted with the quilting following the triangular shapes. The quilting is quite coarse. The backing is black printed material and there is cotton padding.
1931 x 1855mm

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