Patchwork Quilts

Lurline Lydiard
Unfinished crazy patchwork quilt. Materials are mainly silk, velvet, woven ribbons, woven brocades. Hand embroidery using many different stitches also machine embroidery eg frog. Some individual patches have names, initials, dates probably relating to family members. There are also place names several of which may refer to Australia. Apart from the embroidery on individual patches there are overlaid a number of floral displays across parts of the quilt. Backing is flannelette with selvedges of blue and pink. 1300 x 1300mm
Yvonne Hore
Reversible quilt. Both sides are small squares of cotton scraps mainly left over from children's clothes. Plain and patterned pieces in a wide variety of colours. Hand stitched. Padding is pieced men's clothing, jumpers, cardigans, trousers. The present owner zig zagged over the seams, bound the edges and 'clouted' (her term) it in circles and squares.
2080 x 1570mm
June Dean
Pieced hexagons, English paper method. Large hexagons form the centre with a border of smaller hexagons. The fabrics are all cotton in a wide range of colours and patterns. There is no padding. The backing is cotton, large white floral design on dark blue. The hexagons are hand pieced and the edges machined.
2480 x 1420 mm
Gloria Martin
Double sided quilt machine made from clothing scraps. Shapes are mainly rectangles in corduroy and wool blend. The padding is an old grey blanket.
1524 x 1372mm
Oakey Historical Museum Society Inc.
Cotton patchwork cover constructed from hand sewn hexagons (65mm) in cotton and linen furnishing materials. The curved edges are bound with blue and cream printed striped cotton. The backing material is not visible.
941 x 261mm
Arlene Crane
Cotton patchwork quilt in double wedding ring pattern in pastel prints. Quilted in a design of geometric flowers. Padding is probably cotton wadding, backing is cream calico. 2270 x 1970 mm.
Powerhouse Museum
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm
Wanda McPherson
Patchwork quilt made from pure wool suiting samples in shades of navy blue and brown. Quilt is constructed in 11 rows containing 11 pieces. Each piece is 14cm x 9cm. No padding. Backing is of mauve cotton with a floral pattern of closely spaces white/pale mauve flowers.
1480 x 900mm
Alyce Wright
Cotton scrap quilt in a pattern known as 'Grandmothers Fan'. It is hand quilted. The padding is hand carded cotton and the backing is muslin.
2235 x 1880mm
Mrs. L. M. Chick
Hexagon quilt made by hand from a wide variety of cotton materials. There is no padding and the backing is calico.
2286 x 915mm
National Gallery of Australia
"A medallion or framed quilt in design. There is a central field of small patchwork diamonds, and from this radiates plain stripes of fabric bordering areas of patchwork panels. The edge of the quilt carries bands of red cotton, which are slightly larger at the top and bottom edges, and here the band is additionally decorated with appliqué diamonds. The fabric of the patchwork is cotton in fine plain weave of pale coloured florals and small geometric designs. The framing and border stripes are of bright red twill weave cotton. The small diamonds of the central field are hand sewn, with more use of machine stitching around the outer edge of the quilt.
The quilt is not padded. The patchwork is fully lined with a printed plain weave cotton fabric with a design commemorating Queen Victoria's Jubilee. The design is based on a repeated grid of circles. In the centre of each circle is a cameo of Queen Victoria, surrounded by images of the national flowers of England, Scotland and Ireland: the rose, the thistle and the shamrock. The edge of the front face of the quilt is trimmed with a red and white cotton braid." [NGA] 2380 x 2220mm
Kapunda Historical Society
Patchwork quilt made from cotton fabrics in stripes, small prints, and plains. Centre block is pieced red and white triangles within a blue and white striped frame, with a row above and below of triangles in a flying geese pattern. Two rows of triangles in the flying geese pattern are on either side the full length of the quilt. Quilt is bordered with red cotton. Colours are red, white, pink, blue and yellow. Padding is probably a woollen blanket, the backing is linen. Closely quilted all over.
2180 x 1930mm
Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
Ida Blenkiron
Patchwork quilt of square and rectangular patches, mainly in cotton fabrics, in plains and prints. Colours are predominantly yellow, pinks, blues and prints on white. Backing is the same except there is a piece of patterned curtaining material as a patch across the middle width. Padding is old blanketing.
1830 x 1140mm
Ida Blenkiron
Rectangular quilt with front and back made of rectangles of cotton samples of shirt materials, in checks, stripes and plains. Colours are soft muted reds, greens, blues, yellows and browns, and pastels. Construction is 3 to 4 rows of rectangles joined across the quilt. Padding is probably an old blanket. There is a row of hand quilting approximately the width of one patch in from the edge, holding the layers together.
1870 x 950mm
Queen Victoria Museum and Art Gallery
Frame quilt, hand and machine sewn, centre square of squares (7 rows by 7 rows) of 2 triangles, with red border. Alternate rows of triangles, rectangles, 'flying geese' border, squares, squares set on point with triangles, wide red border. Hand quilted throughout in chevrons, single cables and single scallops. The padding is a hand woven cream wool blanket and the backing is cream cotton twill.
2330 x 2030mm
The Pioneer Women's Hut
The top is machine pieced patches of used clothing. The backing is large pieces of dress materials and either end patches similar to the top. The padding is a chaff bag or similar with patches of worn, matted children's jumpers sewn directly on to it.
1400 x 1150mm
Joyce Lannin
Hand sewn patchwork quilt with a pattern of blue stars. Each star consists of hexagons in the centre with part diamonds forming the star shape. The quilt is made from scraps. It is not padded and the backing is cotton and has a hexagon star border. 2660 x 2470 mm
Valinda Gale
Patchwork quilt made from squares of cotton prints in florals, stripes, spots and checks, joined together in rows. Colours are predominantly blues, reds, yellow and pastels. Binding is of turquoise blue fabric. Materials appear to be from the 40s or 50s. Patches caught in the middle with a woollen knot - red, yellow, blue wool. No quilting. Backed in blue fleecy flannel.
Single bed length and width.
Diana Cameron
Small patchwork piece possibly made from salesman's samples. There is no opening in the back so it is not a cushion cover. There is no padding. The backing is green polished cotton. There is a 40mm fringe around the edge.
520 x 520mm

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