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Utilitarian quilt made from roughly square patches of tailors' samples and men's suitings. The backing is calico and a border has been formed by turning the top under. The padding is ticking and pieced reused clothing.
2000 x 1400mm
2000 x 1400mm
This rug is made from brown kangaroo skins. 10 whole backs and 4 half backs stitched in a diamond pattern with 4 whole skins in the centre. Machine construction. The backing is red baize with 40mm scalloped edge showing.
1740 x 1270mm
"Welsh wholecloth quilt - red on top and cream on back. Combination of traditional Welsh patterns including circles and diamonds. Quite large quilting stitches (due to thickness of quilt I think). Top (red cotton) just about worn away, and was cut in half by my grandfather in the 1950s to make it fit 2 single beds." [Anita Phillips]
The padding includes pieces of wool suiting, jumpers and a piece of mohair and the backing is cream cotton.
Each piece measures approx. 2000mm x 1000mm.
The padding includes pieces of wool suiting, jumpers and a piece of mohair and the backing is cream cotton.
Each piece measures approx. 2000mm x 1000mm.
The top of this quilt is large pieced rectangles of herringbone wool in greys and browns. The backing is pieced check wools.
1210 x 1690mms
1210 x 1690mms
Quilt top. "Handsewn (edges machine sewn only). Quilt, poor, faded, torn. Red and white patches. Red star and white circle with 4 diamonds in centre. Red and white triangle pieces and plain border. No padding or backing."
[K.D.H.S. 19.2.1997]
2030 x 1941mm
[K.D.H.S. 19.2.1997]
2030 x 1941mm
The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
2033 x 1829mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Wholecloth quilt with top of dark purplish-pink cotton sateen and backing of black sateen printed with pink flowers. Hand quilted all over with a variety of patterns, including spirals and diamonds, parallel lines and hearts in the borders. Centre has a curved diamond shaped motif within a circular border of spirals. Padding is wool.
1990 x 1730mm
1990 x 1730mm
Quilt/rug of show ribbons. 40 woollen 1st, 2nd, 3rd and 4th prize ribbons sewn together. Colours are blue, red, yellow and white. Backing is blue cotton.
1600 x 1600 mm
1600 x 1600 mm
Quilt covered in pink and green paisley cotton material. The backing is cotton. The quilting is machined in parallel rows around the sides and in the centre in a scalloped design. The centre panel corners are finished with pink buttonhole stitching around a small hole. The filling is down.
1750 x 1400mm
1750 x 1400mm
"This is a crazy quilt consisting of nine panels of crazy patchwork joined together with bands of olive cotton sateen fabric. The fabrics of the patchwork are a rich variety of silk brocades, silk ribbons, fabrics with metallic threads and velvets. The embroidery is of a variety of silk threads, including chenille.
The quilt is padded with a layer of cotton wadding backed with a piece of tarlatan. The padding is only present beneath the patchwork panels and the bands that join them. There is no padding in the edge border of the quilt. The layers are quilted with machine sewing.
The quilt is fully lined with the olive sateen fabric used to join the patchwork panels on the front face." [NGA]
The quilt is padded with a layer of cotton wadding backed with a piece of tarlatan. The padding is only present beneath the patchwork panels and the bands that join them. There is no padding in the edge border of the quilt. The layers are quilted with machine sewing.
The quilt is fully lined with the olive sateen fabric used to join the patchwork panels on the front face." [NGA]
Quilt made of squares of calico joined together. These have embroidered signatures of army personnel and names of battles zones, from World War I. It is lined with muslin.
2000 x 1500mm
2000 x 1500mm
Ladies samples coverlet. Machine stitching. Multicoloured patching on the back.
1730 x 1220mm
1730 x 1220mm
Quilt. White linen, autographed, hand embroidered with names of early Methodist Ministers and parishioners' names in white embroidery cottons.
"The quilt is made of white cotton, slightly padded, and measures 150 x 75cms. The pattern is made up of a large circular design in the centre with smaller circles around the edge, with close lines of running stitches in white cotton outlining the design." [ Victor Harbour National Trust]
Patchwork quilt made up of machine pieced squares and rectangles of cotton dress materials. The backing is a large piece of furnishing material. The padding is an old cream blanket.
1750 x 1350mm
1750 x 1350mm
Skin rug believed to be platypus pelts, 28 in all. It has a brown cotton backing.
1300 x 900mm
The front face of this quilt consists of rows of rectangles and squares of multicoloured prints pieced together. The fabrics are cotton and include a few early synthetics such as rayon, and all work is machined. The back is fully lined with an olive green moire synthetic fabric. The lining has been brought around to the front face of the quilt for approx 5cm to provide an edge border. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded. 2160 x 1910 mm
The quilt is not padded. 2160 x 1910 mm
Wholecloth functional quilt. Cretonne type material both sides. Centre is a blanket with sheeting or cotton fabric sewn to both sides i.e. between the blanket and cretonne. It is machine stitched. There are gaps in one side through which the layers are visible.
1677 x 1423 mm
1677 x 1423 mm
"This patchwork is pieced from twelve contained panels of Crazy Patchwork. Each panel is formed of rich silks of various weaves and textures couched on to a calico ground, each patch overlaid to create interesting 'artistic' shapes and contrasts. The rug is backed with gold polished cotton and bordered in blue and green cotton to three edges, maroon to the fourth. Embroidery in several colours, but predominantly gold, is used to advantage in the variety of stitches which define the edges of the pieces, and occasionally on the patches themselves."
[Historic Houses Trust ' Sydney Quilt Stories' catalogue]
1880 x 1500mm
[Historic Houses Trust ' Sydney Quilt Stories' catalogue]
1880 x 1500mm