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The top of this quilt is large pieced rectangles of herringbone wool in greys and browns. The backing is pieced check wools.
1210 x 1690mms
1210 x 1690mms
Quilt made from suitings and cloth patchwork, hand stitched with blanket insert and pieces of knitting from garments.
1900 x 1190mm
1900 x 1190mm
Patchwork quilt in a variation of the Log Cabin pattern, made of cotton fabrics in red and cream, set in alternate blocks. Backing is of quilted linen squares. Quilt is edged with cream cotton fringing, added at a later date.
2260 x 2000mm
2260 x 2000mm
Handworked patchwork quilt. Pattern of squares as diamonds. Woollen materials.
1520 x 1520mm
1520 x 1520mm
Quilt of three layers with matt insert and floral cover.
1300 x 680mm
1300 x 680mm
Hand sewn frame quilt featuring appliqué. There is a centre square surrounded by two wide borders. The design consists of a large basket in each corner of the square with leaves and buds scattered at random. The 2 borders have flowers and leaves and the outer wide border has a small basket in each side. Colours are pale and strong pinks, blues shading to indigo, browns-beiges and dusty red. The centres of the flowers are all reverse appliqué. There are signs that there has been a backing but it is now one layer. 2700 x 2700 mm.
Quilt top. "Handsewn (edges machine sewn only). Quilt, poor, faded, torn. Red and white patches. Red star and white circle with 4 diamonds in centre. Red and white triangle pieces and plain border. No padding or backing."
[K.D.H.S. 19.2.1997]
2030 x 1941mm
[K.D.H.S. 19.2.1997]
2030 x 1941mm
"A double bedspread composed of Suffolk puffs of fine white cotton, each puff measuring 50mm in diameter. The puffs are hand stitched together, with crochet worked in the spaces in between. A deep frill of white cotton has been added to three sides of the quilt. Two matching pillow shams have been made from 30mm puffs; each sham is edged with a generous bias cut cotton frill on all four sides." [PHM]
2770 x 2560mm
2770 x 2560mm
Patchwork quilt made from hexagon patches in cottons. No filling or padding. Backing is of green cotton.
2050 x 1600mm
2050 x 1600mm
Quilt/rug of show ribbons. 40 woollen 1st, 2nd, 3rd and 4th prize ribbons sewn together. Colours are blue, red, yellow and white. Backing is blue cotton.
1600 x 1600 mm
1600 x 1600 mm
This quilt is made up of 25 squares, each 10 x 10 inches of pure white linen. Each squre has been hemstitched around and very neatly sewn together. The centre square is embroidered 'Gilgandra Methodist Church Renovations completed 1st October 1926. J.W.Hynes, President of Conference'. All other squares have names or initials beautifully embroidered in white. There are 238 signatures, 60 initials plus centre square.
1271 x 1271 mm
1271 x 1271 mm
Hexagon shaped patchwork cover in an all over design based on very small hexagons in plain colours and prints. It is unfinished and there is no backing. Some of the materials have been dated to the 1830s and it is thought they came from old garments.
1600 x 1800mm
1600 x 1800mm
"This is a crazy quilt consisting of nine panels of crazy patchwork joined together with bands of olive cotton sateen fabric. The fabrics of the patchwork are a rich variety of silk brocades, silk ribbons, fabrics with metallic threads and velvets. The embroidery is of a variety of silk threads, including chenille.
The quilt is padded with a layer of cotton wadding backed with a piece of tarlatan. The padding is only present beneath the patchwork panels and the bands that join them. There is no padding in the edge border of the quilt. The layers are quilted with machine sewing.
The quilt is fully lined with the olive sateen fabric used to join the patchwork panels on the front face." [NGA]
The quilt is padded with a layer of cotton wadding backed with a piece of tarlatan. The padding is only present beneath the patchwork panels and the bands that join them. There is no padding in the edge border of the quilt. The layers are quilted with machine sewing.
The quilt is fully lined with the olive sateen fabric used to join the patchwork panels on the front face." [NGA]
Quilt, Grandmother's Flower Garden pattern, has hexagon flowers with plain centres and floral material for 'petals', and paths of mid to dark blue. Cotton fabric. No padding. Backing is of unbleached calico.
The quilt is made from dark coloured tailors' samples. There is no padding and the backing is pieced scraps of cotton.
1950 x 1650 mm
1950 x 1650 mm
Patchwork quilt made up of machine pieced squares and rectangles of cotton dress materials. The backing is a large piece of furnishing material. The padding is an old cream blanket.
1750 x 1350mm
1750 x 1350mm
The front face of this quilt consists of rows of rectangles and squares of multicoloured prints pieced together. The fabrics are cotton and include a few early synthetics such as rayon, and all work is machined. The back is fully lined with an olive green moire synthetic fabric. The lining has been brought around to the front face of the quilt for approx 5cm to provide an edge border. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded. 2160 x 1910 mm
The quilt is not padded. 2160 x 1910 mm
Wholecloth quilt of pink satin with an edging all around of pleated satin. The quilting pattern is a central design of a large oval shape surrounded by crescents and parallel lines. The padding is cotton wadding.
2240 x 1820mm
2240 x 1820mm
A scrap quilt constructed in blocks, each block pieced differently and all linked by the same printed cotton. Machine pieced and hand quilted with thread saved from 'feed sacks'. The padding is cotton and the backing is brown checked cotton twill.
2033 x 1677mm
2033 x 1677mm
"This patchwork is pieced from twelve contained panels of Crazy Patchwork. Each panel is formed of rich silks of various weaves and textures couched on to a calico ground, each patch overlaid to create interesting 'artistic' shapes and contrasts. The rug is backed with gold polished cotton and bordered in blue and green cotton to three edges, maroon to the fourth. Embroidery in several colours, but predominantly gold, is used to advantage in the variety of stitches which define the edges of the pieces, and occasionally on the patches themselves."
[Historic Houses Trust ' Sydney Quilt Stories' catalogue]
1880 x 1500mm
[Historic Houses Trust ' Sydney Quilt Stories' catalogue]
1880 x 1500mm