Quilts

"�..quilt of silk hexagonal patches with a velvet panel as the centrepiece with petit point embroidery. The silk materials are a valuable source of textile history being very variable in weaves and patterns. The patchwork templates are still in situ and are of a ? linen gauze. The whole quilt is backed with mercerised cotton."
[Maggie Myers 21.5.1986]
2650 x 2330mm
"This is a pieced patchwork quilt comprised of 216 squares. Each square is comprised of 10 diagonal strips that have been joined by being attached to a backing. White cotton plain weave fabric has been used in all the pieces. The quilt is not lined, but the edge is decorated with a fine cotton frill, 15cm deep. The frill carries two 4mm tucks and is edged with 2 cm lace trim. All sewing on the quilt is by machine. The quilt is not padded." [NGA]
2420 x 1690mm
Patchwork quilt with centre frame of 4 pointed starwith radiating borders of pieced squares and rectangles. Materials are cottons and some linen and it is constructed using the English hand piecing method. There is no padding and it is backed with cotton sheeting joined by machine so it is a later addition.
1400 x 1050mm
Unfinished, hand stitched, polychromatic patchwork quilt in a tumbling block design. Constructed from silk fabrics and stitched with cotton yarns. Although crumpled and torn, the original paper squares are still in the back of the patchwork pieces. There is no padding. 1300 x 1300mm.
Patchwork quilt top in Tumbling Block or Robbing Peter to pay Paul pattern, in printed cottons. No lining or backing.
2690 x 2640mm
Migration Museum
Wholecloth quilt with top of dark purplish-pink cotton sateen and backing of black sateen printed with pink flowers. Hand quilted all over with a variety of patterns, including spirals and diamonds, parallel lines and hearts in the borders. Centre has a curved diamond shaped motif within a circular border of spirals. Padding is wool.
1990 x 1730mm
Quilt top of patches of tailors' samples and men's suiting pieces in dark colours, mainly black and grey. Machine construction. It has a border of rose coloured velveteen and the backing is a single piece of cream patterned flannelette.
Marcella quilt filled with old blanket. Large diagonal quilting stitches. Running Stitch group suggests it is possibly a wagga filler which would have been covered with a cretonne sleeve.
1880 x 1180mm
Ella Jarvis
Patchwork frame quilt with frame design on both sides, made from print and plain cottons. Front has blue floral rectangle with a bright blue scalloped frame, then 2 blue floral frames, a dark blue frame, a purple patterned frame, and 2 outer borders in blue, black and yellow prints. Reverse has centre of turquoise, with a frame of orange and blue prints, a pointed border of dark blue, a wide frame of pale blue print, then 3 borders on orange, blue, brown and white prints. Filling is old blankets. 1520 x 1410mm
Helen Sparkman
Patchwork quilt made from very large pieces of cotton material on one side, with a 100mm yellow border, and on the other side it is almost entirely blue flannelette.
1660 x 1400mm
Wholecloth quilt with both sides a furnishing cotton. The material has a pattern of pink flowers on a brown/blue/white striped ground. The top has a cream border top and bottom and has been covered with 'Stabiltex'. The padding is felted grey wool.
1710 x 1145mm
Quilt of hexagon patchwork, with nylon wadding. To fit a queen size bed.
2100 x 2100mm
This quilt is made up of 25 squares, each 10 x 10 inches of pure white linen. Each squre has been hemstitched around and very neatly sewn together. The centre square is embroidered 'Gilgandra Methodist Church Renovations completed 1st October 1926. J.W.Hynes, President of Conference'. All other squares have names or initials beautifully embroidered in white. There are 238 signatures, 60 initials plus centre square.
1271 x 1271 mm
Quilt of cotton [pieces], machine and hand stitched, with black knitted [wool] insert.
1940 x 1000mm
Quilt, hand pieced and quilted and cut in half and made into two curtains. It consists of hexagons in the pattern known as 'Grandmother's Flower Garden' and is in cotton prints and white cotton 'paths'. Some hexagons are joined. The quilt is quilted allover in a variety of patterns in fine close stitching, chevron, single cable, palm leaves, hearts. The backing is cream linen and the padding is wool.
2430 x 1200mm
The Wilmington Wagga' 1934. Wool and cotton. Hand and machine pieced. Machine quilted. The wagga is made of parts of several worn coats, carefully pieced together so that the linings are visible in places. One coat sleeve has a fur fabric trim and worn areas are patched.
1600 x 1200mm
Embroiderers' Guild Victoria
Crazy patchwork quilt, hand pieced in velvets, brocades and silks. Embroidery in yellow stranded thread in various stitches around the patches. Stitches include, single and double feather, numerous buttonhole variations and herringbone. There are also embroidered motifs including butterflies, leaves and flowers. Purple velvet ribbon, also embroidered with herringbone stitch, overlays the squares. The padding is a fluffy cotton and the backing is a thin cotton.
1900 x 1800mm
Utilitarian quilt, machine stitched. The outer cover has a top of floral and striped cretonne and a backing of faded pink cotton. This is a cover for another well worn quilt inside with a floral top and cream backing. The padding is a huge assortment of many layers of old woollen clothing secured with pieces of string. 1750 x 1040mm
Wholecloth quilt of pink satin with an edging all around of pleated satin. The quilting pattern is a central design of a large oval shape surrounded by crescents and parallel lines. The padding is cotton wadding.
2240 x 1820mm
Ruth Wallace
A hand stitched top in randomly placed diamond shapes in mixed materials, mainly cottons. These are stitched to a flannelette backing. There is herringbone stitching around the border.
1250 x 930mm

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