Quilts
By type
By tag
By pattern shape
By origin
Patchwork quilt made from hexagon patches, cut from cotton scraps, in the 'Grandmother's Flower Garden' design. Hand sewn. No padding. Backing is cotton sheeting.
2100 x 1400mm
2100 x 1400mm
"This unusual quilt is comprised of bands of horticultural show ribbons machined onto a blue lining. The ribbons are royal blue in colour and printed in gold/bronze with two inscriptions.
KYOGLE P.A & H SOCIETY and TWEED RIVER AGRICULTURAL SOCIETY
The quilt has been formed so the two inscriptions alternate down the face of the quilt. The ribbons appear to be of rayon. White cotton machine thread was used in the construction. Accompanying the quilt is a carry bag; a rectangular bag made of the same show ribbons as the quilt with a single drawstring at the top." [NGA] The quilt is not padded. 1833 x 1410mm
KYOGLE P.A & H SOCIETY and TWEED RIVER AGRICULTURAL SOCIETY
The quilt has been formed so the two inscriptions alternate down the face of the quilt. The ribbons appear to be of rayon. White cotton machine thread was used in the construction. Accompanying the quilt is a carry bag; a rectangular bag made of the same show ribbons as the quilt with a single drawstring at the top." [NGA] The quilt is not padded. 1833 x 1410mm
"The quilt is made of white cotton, slightly padded, and measures 150 x 75cms. The pattern is made up of a large circular design in the centre with smaller circles around the edge, with close lines of running stitches in white cotton outlining the design." [ Victor Harbour National Trust]
Patchwork quilt made of hexagon patches in a variety of materials, including velvets, corduroy, cotton, underwearmaterial. No padding. The backing is made from scraps in squares and rectangles, including voile, cotton and probably old curtain material.
2134 x 1777mm
2134 x 1777mm
Skin rug believed to be platypus pelts, 28 in all. It has a brown cotton backing.
1300 x 900mm
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
1520 x 850mm
A cradle quilt. All cotton. In the tradition of the previous quilts made by Eva Leota Towe. Never used.
1017 x 813mm
1017 x 813mm
Handsewn quilt of octagon shaped printed patches. Stitching is in red and white cotton. The backing is heavy cream calico. It is closely quilted in bands of floral and wave patterns.
1950 x 1600mm
1950 x 1600mm
Quilt, machine construction using rectangles of mainly woollen materials with some corduroy and mohair. Initially 14 rows and then 2 rows added for extra warmth. 25mm bias cut yellow poplin binding. The padding is an old army blanket and the backing is printed cotton.
1500 x 1093mm
1500 x 1093mm
Quilt top is of squares, approximately 180mm, made from a variety of fabrics including fine corduroy. It is hand pieced, and hand embroidered around each square with feather stitch, using blue embroidery cotton. 2380 x 2000 mm. 2380 x 2000 mm.
Wholecloth quilt of pink satin with an edging all around of pleated satin. The quilting pattern is a central design of a large oval shape surrounded by crescents and parallel lines. The padding is cotton wadding.
2240 x 1820mm
2240 x 1820mm
Patchwork quilt of hexagons in silks and velvet, the velvet in plain colours, the silk in plains, stripes, checks and brocades. Centre is made from red brocade hexagons with black silk patches embroided with a variety of flowers and leaves. Stitched to a red velvet border, then top and bottom have Australian motif of crossed wattle branches embroidered in bobble stitch, and on the sides embroidered red flowers. The rest of the quilt is made of hexagons, the edge stitched to a brown silk border, then a border of triangles and a striped edging. Surface embroidery. Crepe backing. Some newspaper templates remain.
2260 x 1720mm
2260 x 1720mm
Crazy patchwork quilt constructed from a wide range of floral, check and plain materials, mainly cottons. The backing is white cotton whole cloth.
2280 x 1380mm
2280 x 1380mm
Patchwork cot quilt, the top made from patterned and plain hexagons (110mm diam.) mainly in cottons, approx. 99 hexagons in total. Handsewn and stitched to a centre piece of material. Back is made of irregular pieces of cotton fabric, checks, florals, in squares or rectangles. Total of 3 layers in the quilt.
1310 x 1000mm
1310 x 1000mm
Wholecloth quilt of floral cretonne with ballerina design. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1430 x 1170mm
Cotton quilt with overall pattern of hexagons joined to make 'flowers'. Brown paper templates were used. All hexagons are hand stitched including on to the blue border which was then machined on to the same blue headcloth backing. The materials used were mainly scraps, including some from an aunt of the present owner, and are in a wide variety of patterns and colours. There is no quilting.
2110 x 1700mm
2110 x 1700mm
Machine constructed patchwork quilt of mainly cotton materials in squares. There is feather stitching as decoration along the seams. There is no padding and the backing is a wholecloth of gold damask like material.
2515 x 2312mm
2515 x 2312mm
Wholecloth quilt of cream cotton embroidered in lemon thread with names of teachers and students. No filling. Backing is of cream cotton.
1830 x 1250mm
1830 x 1250mm
"This is a hard quilt to date. Quilting design has been (I would say) pre stamped. Heavily quilted. Some applique stars - I think polished cotton. Seersucker backing, quilting not quilted on back (seersucker). Padding is some kind of cotton perhaps cotton wool that has disintegrated to the corners. This quilt has been well made but a little bit worse for wear now." [Lyn Cross]
1500 x 1200 mm.
1500 x 1200 mm.
This quilt is made up of 25 squares, each 10 x 10 inches of pure white linen. Each squre has been hemstitched around and very neatly sewn together. The centre square is embroidered 'Gilgandra Methodist Church Renovations completed 1st October 1926. J.W.Hynes, President of Conference'. All other squares have names or initials beautifully embroidered in white. There are 238 signatures, 60 initials plus centre square.
1271 x 1271 mm
1271 x 1271 mm