Quilts
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Frame quilt in linen has a centre motif in broderie perse applique of a blue urn topped with a blue basket of flowers, and perched on the basket handle a parrot. This is in a blue oval, with butterflies, a ribbon at the top and several posies of roses. Either side is a panel of broderie perse flowers. There is a narrow frame of patterned fabric, then a border of triangles pieced to make squares, with octagonal printed patches at each corner. The outer border is of appliqued circles of printed fabric on a dark background. Hand sewn.
1770 x 1730mm
.
1770 x 1730mm
.
Wholecloth quilt with top and backing of green and pink floral cretonne. The padding is machine pieced patches from old woollen blankets.
1440 x 1070mm
1440 x 1070mm
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
1520 x 850mm
Quilt top. One of a pair. The centre piece is appliqued with cross strips and triangles with 'Chester 4 �.' printed on a centre blue strip. The last letters are difficult to read. The borders are triangles, rectangles and squares in cottons (including dimity) and some chenilles.
1160 x 1100mm
1160 x 1100mm
Patchwork quilt made from rectangles and squares of wool fabric, sewn into strips and then sewn together. Both sides are pieced using family clothing, cut up and reused.
1449 x 1017mm
1449 x 1017mm
Utilitarian quilt with the top made from machine pieced different shaped patches of floral cottons. The backing is machine pieced patches of navy blue and grey serge, some darned, probably from men's/boy's pants. The padding is not visible but is very lumpy and very thick making the quilt very heavy.
1460 x 1300mm
1460 x 1300mm
Cotton cot quilt in checkerboard pattern. 30 squares each 180mm machined together. Alternate squares have Australian birds fancyworked in stem stitch and chain stitch using 2 threads of coloured stranded cotton. Alternate squares are plain royal blue and there is a royal blue border 120mm wide. The backing is the same royal blue cotton.
1340 x 1070mm
This is an Adelaide Chronicle pattern reprinted in 'The Weekly Times'.
1340 x 1070mm
This is an Adelaide Chronicle pattern reprinted in 'The Weekly Times'.
Patchwork quilt in the Double Irish Chain pattern, made from cotton fabrics in white and a brown print (possibly green originally), with a wide border of cream fabric. The border is quilted with a four cable pattern, and the main part is cross hatch quilted , in a diamond pattern. Backing of cotton. Hand sewn and quilted. Padding unknown.
1970 x 1740mm
1970 x 1740mm
The front face of this quilt consists of rows of rectangles and squares of multicoloured prints pieced together. The fabrics are cotton and include a few early synthetics such as rayon, and all work is machined. The back is fully lined with an olive green moire synthetic fabric. The lining has been brought around to the front face of the quilt for approx 5cm to provide an edge border. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded. 2160 x 1910 mm
The quilt is not padded. 2160 x 1910 mm
Kangaroo skin cloak of seven gores is made from the skins of eight grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The extra skin has been used to make a collar.The two skins on the edge of the cloak are roughly rectangular. The cloak edges are untrimmed.
The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. The skins have been sewn together with thread, the older thread is natural coloured linen, then the resewn areas have been stitched with black thread. The skins are a creamy yellow in colour.
Longest part: 750mm approx.
[From S. Meagher MA Thesis 1973 'A Reconstruction of the Traditional Life of the Aborigines in the SW of Western Australia']
Patchwork quilt made from darned cardigan sleeves in green, grey, cream and black [wool] stitched to a top layer with a blue wool running stitch. No padding. Backing is a green and cream bedspread.
Cotton quilt in green, red and white paisley print. It is sewn with 4 bands and 2 irregular centre shapes. The reverse side is identical to the top side. The padding is feathers.
1660 x 1400mm
1660 x 1400mm
"This patchwork is pieced from twelve contained panels of Crazy Patchwork. Each panel is formed of rich silks of various weaves and textures couched on to a calico ground, each patch overlaid to create interesting 'artistic' shapes and contrasts. The rug is backed with gold polished cotton and bordered in blue and green cotton to three edges, maroon to the fourth. Embroidery in several colours, but predominantly gold, is used to advantage in the variety of stitches which define the edges of the pieces, and occasionally on the patches themselves."
[Historic Houses Trust ' Sydney Quilt Stories' catalogue]
1880 x 1500mm
[Historic Houses Trust ' Sydney Quilt Stories' catalogue]
1880 x 1500mm
Quilt of men's suitings. Machine stitched, red backing.
1800 x 1100mm
1800 x 1100mm
Quilt in crazy patchwork, in velvet, silk and cotton, decorated on seams and patches with embroidery. Padded with flannelette, and backed with damask. Quilt has an olive green frill around the edge.
190 x 1500mm
190 x 1500mm
"This is a hard quilt to date. Quilting design has been (I would say) pre stamped. Heavily quilted. Some applique stars - I think polished cotton. Seersucker backing, quilting not quilted on back (seersucker). Padding is some kind of cotton perhaps cotton wool that has disintegrated to the corners. This quilt has been well made but a little bit worse for wear now." [Lyn Cross]
1500 x 1200 mm.
1500 x 1200 mm.
Wholecloth quilt made of two layers, the top in white cotton sheeting and the backing in a heavier white cotton twill. The layers are joined by quilting, handstitched in a chevron pattern using a coarse white cotton thread. The edges of the quilt are bound with strips of white cotton sheeting. Three edges of the quilt have a scalloped sedge with the top edge of the quilt straight.
Pencil marks are still visible, marking out the chevron pattern.
2630mm x 1920mm
Pencil marks are still visible, marking out the chevron pattern.
2630mm x 1920mm
"A double bedspread composed of Suffolk puffs of fine white cotton, each puff measuring 50mm in diameter. The puffs are hand stitched together, with crochet worked in the spaces in between. A deep frill of white cotton has been added to three sides of the quilt. Two matching pillow shams have been made from 30mm puffs; each sham is edged with a generous bias cut cotton frill on all four sides." [PHM]
2770 x 2560mm
2770 x 2560mm
Quilt top. "Handsewn (edges machine sewn only). Quilt, poor, faded, torn. Red and white patches. Red star and white circle with 4 diamonds in centre. Red and white triangle pieces and plain border. No padding or backing."
[K.D.H.S. 19.2.1997]
2030 x 1941mm
[K.D.H.S. 19.2.1997]
2030 x 1941mm
Patchwork quilt top in Tumbling Block or Robbing Peter to pay Paul pattern, in printed cottons. No lining or backing.
2690 x 2640mm
2690 x 2640mm