Quilts

Embroiderers' Guild Victoria
Hexagon shaped patchwork cover in an all over design based on very small hexagons in plain colours and prints. It is unfinished and there is no backing. Some of the materials have been dated to the 1830s and it is thought they came from old garments.
1600 x 1800mm
Wholecloth quilt of white linen with signatures embroidered in satin and stem stitch. Approximately 400 signatures as well as the names of district servicemen are arranged in flower shapes and geometric grids. Embroidered title on the quilt reads: 'Rylstone Autograph Quilt. For our Australian wounded, Dardanelles, 1915.' There is no backing.
2580 x 1730mm
Pauline Rogers
Machine constructed patchwork quilt of mainly cotton materials in squares. There is feather stitching as decoration along the seams. There is no padding and the backing is a wholecloth of gold damask like material.
2515 x 2312mm
The Pioneer Women's Hut
The top is a wholecloth, coarse, bluish cotton, furnishing weight material, probably part of a curtain. The backing is half the same material and half is part of a brown travelling rug. The padding is 2 heavy pieces of coarse jute bag roughly sewn together with twine.
1600 x 1360mm
Patchwork quilt made from tailors' samples, constructed of 144 rectangles each approx. 100 x 160mm. Colours are greys, blues, browns, fawns, plains and patterned. At the top and bottom edges 16 same size rectangles have been folded in half. No filling. Backing is a cream and brown patterned flannelette.
1880 x 1260mm
Patchwork quilt made from rectangles and squares of wool fabric, sewn into strips and then sewn together. Both sides are pieced using family clothing, cut up and reused.
1449 x 1017mm
Embroiderers' Guild Victoria
Cotton quilt in a design called 'Crossed Canoes'. Yellow background with various coloured cotton prints. Machine pieced and hand quilted in a diamond pattern. There is a thin padding and the backing is the same yellow cotton as on the top.
2040 x 1690mm
Norma Gilchrist
Cotton quilt made entirely of hexagons joined to form 'flowers'. Flowers are not formed into a pattern. All hexagons are hand stitched including on to the blue headcloth border which is then machined on to the same backing material. The quilt is made from dressmaking scraps, mainly offcuts from the children's clothes including from pyjamas, dresses and uniforms. It is not quilted.
2180 x 1710mm
A cradle quilt. All cotton. In the tradition of the previous quilts made by Eva Leota Towe. Never used.
1017 x 813mm
Utilitarian wholecloth quilt made from red flecked furnishing material. The padding is army blankets. It is machine sewn and quilted.
2100 x 2100mm
Wholecloth quilt with replacement cover (1958) of green damask type synthetic sateen. The padding is 2 old blankets with staples of cross bred wool hand tacked to one blanket.
1400 x 1210mm
Handsewn quilt of octagon shaped printed patches. Stitching is in red and white cotton. The backing is heavy cream calico. It is closely quilted in bands of floral and wave patterns.
1950 x 1600mm
Norma Gilchrist
Cotton cot quilt in checkerboard pattern. 30 squares each 180mm machined together. Alternate squares have Australian birds fancyworked in stem stitch and chain stitch using 2 threads of coloured stranded cotton. Alternate squares are plain royal blue and there is a royal blue border 120mm wide. The backing is the same royal blue cotton.
1340 x 1070mm
This is an Adelaide Chronicle pattern reprinted in 'The Weekly Times'.
Quilt top is of squares, approximately 180mm, made from a variety of fabrics including fine corduroy. It is hand pieced, and hand embroidered around each square with feather stitch, using blue embroidery cotton. 2380 x 2000 mm. 2380 x 2000 mm.
Helen Sparkman
Patchwork quilt made of hexagon patches from satin scraps. Hexagons are in solid colours and joined to make rosettes. Hand sewn.
1800 x 1025mm
Mary-O Roberts
This domestic Wagga is made from an opened out jute wool bale as the padding with a woollen blanket as the backing. The top was originally curtains (brown cotton printed with daisies and dull yellow tulips) and the material has been folded over to the back for 60mm and stitched with 'Barbour's Linen Wax Thread' using running stitches about 50mm long. The whole domestic Wagga is then stitched in a large square grid.
1980 x 1730mm
Kangaroo skin rug with pelts arranged so that the largest and palest are in the centre and the smaller towards the outside. There are 34 large pelts and 31 half pelts, all rectangular. The backing is maroon felt, scalloped and pinked. 1850 a 1600mm
The top is suit samples or remnants cut in squares and machined together. The centre panel is bordered with cotton tape. Each square is also bordered and forms a grid. There is no padding and the backing is a white cotton sheet with a floral pattern. It is hand stitched along the edges.
1500 x 1500mm
Hand sewn quilt in red and white cotton and some linen in a nine-patch variation, the pieced squares set edge to edge. The quilt is bound in red cotton, the binding approximately 2 cm deep. It is closely quilted in a wave pattern. The backing is white twill cotton and the padding is thin wool.
2193 x 1960mm
Cotton quilt of rectangles (150 x 100mm) of patterned materials in various colours and textures. Many patterns in different colourways as quilt was made from a bag of material samples. The plain off white backing has been machined to the top of the quilt and turned through then a row of zig zag sewed to the top edge. There is no padding.
2440 x 2120mm

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