Quilts

The Wilmington Wagga' 1934. Wool and cotton. Hand and machine pieced. Machine quilted. The wagga is made of parts of several worn coats, carefully pieced together so that the linings are visible in places. One coat sleeve has a fur fabric trim and worn areas are patched.
1600 x 1200mm
Embroiderers' Guild Victoria
One of a pair of quilts with traditional Durham quilting. All hand stitched. Elaborate quilting in a wide variety of patterns. The backing material is the same as the top.
2340 x 2000mm
White cotton quilt of blocks with an embroidered flower in each one. The whole 'garden' is encircled by an appliqued picket fence. There is a cotton backing but no padding.
1840 x 1820mm
Utility quilt made from large squares of reused woollen materials joined in strips. All hand sewn. There is no padding and the backing is a piece of woollen material. 2000 x 1300mm
Cotton material, pink one side and orange the other. Hand quilting is in a geometric pattern in parallel lines. Padding is raw cotton. 2000 x 1460 mm
Patchwork quilt made from rectangles and squares of wool fabric, sewn into strips and then sewn together. Both sides are pieced using family clothing, cut up and reused.
1449 x 1017mm
Helen Sparkman
Patchwork quilt made from very large pieces of cotton material on one side, with a 100mm yellow border, and on the other side it is almost entirely blue flannelette.
1660 x 1400mm
Patterned cover for a 'night and day' type bed or lounge. White background with a pattern of swirling stripes, squares and leaf motifs in orange, pale blue, pale green and fawn.There is a deep ruffle on 2 sides. The backing is cotton.
2400 x 2000mm
Crazy patchwork quilt constructed from a wide range of floral, check and plain materials, mainly cottons. The backing is white cotton whole cloth.
2280 x 1380mm
Double sided quilt, machine pieced from large rectangles of used clothing in various materials including wools and suitings. The sides are turned in and machined to make a firm edge. It is machine quilted. The padding is 3 old sheets and a blanket.
1370 x 1040mm
Child's coverlet, made from old blankets and clothing pieces with a curtain and blanket back.
1500 x 1100mm
Patchwork rug made from tailors' samples, each sample 340 x 200mm. Each piece is edged in green wool blanket stitch, and then each piece is crocheted together using the same green wool. No padding or backing.
2130 x 1280mm
Silk patchwork quilt top. The all over pattern is of part octagons and black four pointed stars in the centre of small squares. When joined together, the effect is rows of octagons. All the seams are outlined with embroidery.
1600 x 1430mm
"This is a hard quilt to date. Quilting design has been (I would say) pre stamped. Heavily quilted. Some applique stars - I think polished cotton. Seersucker backing, quilting not quilted on back (seersucker). Padding is some kind of cotton perhaps cotton wool that has disintegrated to the corners. This quilt has been well made but a little bit worse for wear now." [Lyn Cross]
1500 x 1200 mm.
Patchwork of damask squares with dark grey central square edged in black, covering felting fabric.
1420 x 1300mm
Wholecloth quilt of floral cretonne with ballerina design. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1430 x 1170mm
Hand pieced quilt with geometric repeat pattern on both sides. One side has a wide red border and geometric piecing in red, blue and pale coloured printed cotton fabric. The other side has a similar geometric pattern but is worked in paler fabrics in pink, brown and pale blue prints. Pieced sides attached to cream woollen blanket [filling] with parrallel rows of machine stitching.
2160 x 2160mm
Domestic Wagga made from bags with a top of irregular patches of cotton material, mainly from dress scraps, and a backing of calico.
1578 x 1094mm
Wholecloth quilt of cream cotton embroidered in lemon thread with names of teachers and students. No filling. Backing is of cream cotton.
1830 x 1250mm
Unfinished patchwork quilt in the pattern known as 'Grandmother's Flower Garden'. Hexagons are pieced over papers in the English tradition and most papes are intact some with pencilled numbers. 6 hexagons and one in the centre form the 'flowers'. There are 49 fabric samples of varying prints and sizes.

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