Quilts

This quilt is made up of 25 squares, each 10 x 10 inches of pure white linen. Each squre has been hemstitched around and very neatly sewn together. The centre square is embroidered 'Gilgandra Methodist Church Renovations completed 1st October 1926. J.W.Hynes, President of Conference'. All other squares have names or initials beautifully embroidered in white. There are 238 signatures, 60 initials plus centre square.
1271 x 1271 mm
Crazy patchwork quilt made from pieces of velvets, plush and corduroy, in prints and plain. Patches are sewn directly on to a backing with feather and herringbone stitches in pearl thread. Quilt has a 1/2 inch binding of black velvet. Backing is a pea green cotton twill. One of the patches has the dates 1909 - 1948 embroidered on it.
920 x 920mm
The top of this quilt is made from men's suiting samples and the backing is cream cotton. It is machine stitched. There is no padding and no quilting.
2160 x 1550mm
National Parks & Wildlife Service of SA
Patchwork quilt of square and lozenge patches of silk, taffeta and ribbed silk patches in purples, greens, blues and reds, and pastels, in brocades, stripes, checks and plains. The block pattern is four lozenge patches around a centre square patch. A group of these patches in the dark bright colours form a central diamond, with pastel groups around. The darker colours are used to form the border of 'square' patches. Hand sewn, machine quilted. Backing of [silk], padding is cotton.
2450 x 2100mm
"A wagga quilt machine-pieced from old woollen suiting fabrics; some hand stitching is visible along a few of the joins. The quilt has 3 layers: the top layer has a rectangular centre composed of randomly-pieced woollen patches in grey tonings with a border composed of irregular navy rectangles; the lining is made from corn bags, and the backing is a striped cotton fabric. The three layers are machined together at the edges, thus holding the filling in place. There is no quilting."
1660 x 1610mm
Domestic Wagga made from bags with a top of irregular patches of cotton material, mainly from dress scraps, and a backing of calico.
1578 x 1094mm
Quilt, in 2 parts, made from samples of different coloured velvets. It has 2 layers and is machine made. It became too heavy to sew on a domestic sewing machine so was constructed in two separate pieces. There is no padding.
2370 x 1550mm and 2230 x 800mm
Quilt made from patchworked curtain materials, machine stitched and patched at a later date by hand.
1700 x 1600mm
Double bed size quilt, which the owner calls 'Devon Puffs', with main pattern in centre. 2100 x 1800mm.
Wholecloth quilt from Macedonia. Both sides are made of satin. Old gold colour on one side and burgundy on the other. It is machine quilted with 3 parallel lines of stitching around the edge and a double row of stitching forming triangles in the centre. The padding is raw cotton grown in (FYRO) Macedonia.
2000 x 1500mm
Patchwork quilt of hand sewn hexagons in a variety of print and plain cotton fabrics from 1950-1960. Colours are mainly pinks, blues, greens and yellow, with some red, and white. Quilt has a wide border of yellow poplin, which also forms the backing. No padding.
2280 x 1520mm
Embroiderers' Guild Victoria
Quilt in patchwork and applique. Patchwork is in an all over pattern based mainly on triangles in floral and plain cottons. The centre and the inner border are appliqued. It is not quilted. There is no padding and the backing is calico. It is believed to be an 1840 - 1860 design.
2800 x 1500mm
Wholecloth quilt of floral cretonne with ballerina design. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1430 x 1170mm
Wholecloth quilt of cream cotton embroidered in lemon thread with names of teachers and students. No filling. Backing is of cream cotton.
1830 x 1250mm
Helen Sparkman
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
Quilt of [cotton], with geometric pattern of squares and triangles in primary colours. Tassels attached.
2320 x 1490mm
Quilt top has a white background with pink and purple applique hearts and stars in the centre within a pink circle and square border, letters are appliqued in pink. Inscription is: 'Mary Hunt is my name Dapto is my dwelling place When I am dead and all my'� (incomplete)
1000 x 1000mm
"All handsewn. Quilt in fragile condition. Hexagonal patches in blocks of 19 patches & joined together with diamond and triangle patches. All patches recycled cotton material. The centre patch is one material, the 6 patches around are another material and the surrounding 12 are white sheeting. The diamonds and triangles are pale blue. No padding. Cotton sheeting backing. Patches sewn onto a ? old cotton ? damask weave tablecloth or bedspread. This is woven in strips. The backing sewn on."
[K.D.H.S.1997] 2500 x 2450mm
Patchwork Quilt, silk patchwork on one side with dark ground, constructed of five pieces joined to form a floral motif. The reverse is quilted pink silk. The padding is cotton.
2700 x 2400mm
Embroiderers' Guild Victoria
Hexagon shaped patchwork cover in an all over design based on very small hexagons in plain colours and prints. It is unfinished and there is no backing. Papers are still in place. Some of the materials have been dated to the 1830s and it is thought they came from old garments. This is similar to another cover in the Guild's collection.
1280 x 1280mm

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