Quilts

The top of this quilt is large pieced rectangles of herringbone wool in greys and browns. The backing is pieced check wools.
1210 x 1690mms
Quilt made from suitings and cloth patchwork, hand stitched with blanket insert and pieces of knitting from garments.
1900 x 1190mm
Handworked patchwork quilt. Pattern of squares as diamonds. Woollen materials.
1520 x 1520mm
Patchwork quilt made from rectangles and squares of wool fabric, sewn into strips and then sewn together. Both sides are pieced using family clothing, cut up and reused.
1449 x 1017mm
The Adelaide Chronicle 'International Quilt'. Squares of fawn cotton with alternate squares embroidered with scenes from different countries using coloured threads in a variety of stitches. The alternate squares have a pattern of feathered circle and this is back stitched in beige embroidery thread. The backing is turquoise cotton blend attached to the quilt with pale blue herringbone stitch. The quilt is padded.
2430 x 1440mm
"A double bedspread composed of Suffolk puffs of fine white cotton, each puff measuring 50mm in diameter. The puffs are hand stitched together, with crochet worked in the spaces in between. A deep frill of white cotton has been added to three sides of the quilt. Two matching pillow shams have been made from 30mm puffs; each sham is edged with a generous bias cut cotton frill on all four sides." [PHM]
2770 x 2560mm
Embroiderers' Guild Victoria
Fine linen wholecloth quilt with all over cord quilting using back stitch and running stitch. The quilting is an elaborate pattern of flowers and leaves. It is a cradle or cot quilt. There is a cotton backing.
1030 x 840mm
Crazy patchwork quilt constructed from a wide range of floral, check and plain materials, mainly cottons. The backing is white cotton whole cloth.
2280 x 1380mm
Quilt/rug of show ribbons. 40 woollen 1st, 2nd, 3rd and 4th prize ribbons sewn together. Colours are blue, red, yellow and white. Backing is blue cotton.
1600 x 1600 mm
Cot quilt. Single piece of floral cotton material top and back (cream background with coloured flowers). The padding is a single layer, twill weave, heavy bag, probably jute. The layers are fixed with a different coloured button in each corner. Machine quilting across the centre
1320 x 1140mm
Traditional Aboriginal fur cloak called a 'Buka' or 'Boka', made with three pieces of pelt. Fastened at the front with a piece of fur inserted into the other side. 1500 from back of neck to hem 1600 measuring around to just below the shoulders
"This is a crazy quilt consisting of nine panels of crazy patchwork joined together with bands of olive cotton sateen fabric. The fabrics of the patchwork are a rich variety of silk brocades, silk ribbons, fabrics with metallic threads and velvets. The embroidery is of a variety of silk threads, including chenille.
The quilt is padded with a layer of cotton wadding backed with a piece of tarlatan. The padding is only present beneath the patchwork panels and the bands that join them. There is no padding in the edge border of the quilt. The layers are quilted with machine sewing.
The quilt is fully lined with the olive sateen fabric used to join the patchwork panels on the front face." [NGA]
Quilt, Grandmother's Flower Garden pattern, has hexagon flowers with plain centres and floral material for 'petals', and paths of mid to dark blue. Cotton fabric. No padding. Backing is of unbleached calico.
The quilt is made from dark coloured tailors' samples. There is no padding and the backing is pieced scraps of cotton.
1950 x 1650 mm
Kangaroo skin cloak of seven gores is made from the skins of eight grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The extra skin has been used to make a collar.The two skins on the edge of the cloak are roughly rectangular. The cloak edges are untrimmed. The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. The skins have been sewn together with thread, the older thread is natural coloured linen, then the resewn areas have been stitched with black thread. The skins are a creamy yellow in colour. Longest part: 750mm approx. [From S. Meagher MA Thesis 1973 'A Reconstruction of the Traditional Life of the Aborigines in the SW of Western Australia']
"This is a hard quilt to date. Quilting design has been (I would say) pre stamped. Heavily quilted. Some applique stars - I think polished cotton. Seersucker backing, quilting not quilted on back (seersucker). Padding is some kind of cotton perhaps cotton wool that has disintegrated to the corners. This quilt has been well made but a little bit worse for wear now." [Lyn Cross]
1500 x 1200 mm.
Patchwork quilt made up of machine pieced squares and rectangles of cotton dress materials. The backing is a large piece of furnishing material. The padding is an old cream blanket.
1750 x 1350mm
The front face of this quilt consists of rows of rectangles and squares of multicoloured prints pieced together. The fabrics are cotton and include a few early synthetics such as rayon, and all work is machined. The back is fully lined with an olive green moire synthetic fabric. The lining has been brought around to the front face of the quilt for approx 5cm to provide an edge border. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded. 2160 x 1910 mm
Val Bensen
A scrap quilt constructed in blocks, each block pieced differently and all linked by the same printed cotton. Machine pieced and hand quilted with thread saved from 'feed sacks'. The padding is cotton and the backing is brown checked cotton twill.
2033 x 1677mm
"This patchwork is pieced from twelve contained panels of Crazy Patchwork. Each panel is formed of rich silks of various weaves and textures couched on to a calico ground, each patch overlaid to create interesting 'artistic' shapes and contrasts. The rug is backed with gold polished cotton and bordered in blue and green cotton to three edges, maroon to the fourth. Embroidery in several colours, but predominantly gold, is used to advantage in the variety of stitches which define the edges of the pieces, and occasionally on the patches themselves."
[Historic Houses Trust ' Sydney Quilt Stories' catalogue]
1880 x 1500mm

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