Quilts

Helen Sparkman
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
This quilt is constructed from 40mm hexagons in different colours and patterns formed into rosettes. It is hand stitched and there is a deep border of green-blue material. The backing is white cotton.
1120 x ?mm
Log cabin quilt with 90mm squares in cotton materials, white (or cream), faded blacks, dark blues, reds and browns. All the strips are very narrow. No actual padding as such but the quilt is fairly thick because with such narrow strips, there is so much seam allownace. The backing is a light calico.
1715 x 1575mm
The top is suit samples or remnants cut in squares and machined together. The centre panel is bordered with cotton tape. Each square is also bordered and forms a grid. There is no padding and the backing is a white cotton sheet with a floral pattern. It is hand stitched along the edges.
1500 x 1500mm
Crazy quilt with one large panel. Materials include wools, velvets, silks and crepes. Each piece embroidered in herrigbone stitch to the adjoining piece. 25mm blue border chain stitched on, then 75mm border of black wool crepe with a crocheted edge. The padding is an old blanket and the backing is red/brown printed cotton.
1730 x 1040mm
Wholecloth quilt of floral cretonne with ballerina design. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1430 x 1170mm
Patchwork quilt (one of a pair) made from hexagons in cottons, rayon, and taffeta, to fit a single bed. The quilt has a pleated ruffle or flounce of pale green fabric. Patchwork machine sewn onto backing, flounce sewn by machine.
Rug of 24 dingo pelts varying in colour from honey gold to dark brown and joined in a random arrangement. The tails are attached to each square. The backing is navy blue felt with a scalloped edge. 1830 x 1650mm
Cotton quilt, hand pieced from dress type materials with the backing applied by machine. The backing is calico and has maker's signatures embroidered on it. There is no padding.
2460 x 2300mm
Jenny Loder and Rosemary Hart
Log cabin quilt with logs made from silks (including moire), velvets, brocades and tartan ribbons. Each square is separately backed. There is no padding.
2020 x 1460mm
Wholecloth quilt of cream cotton embroidered in lemon thread with names of teachers and students. No filling. Backing is of cream cotton.
1830 x 1250mm
Animal skin rug made from squares of kangaroo skins placed in a diamond pattern, with a row of dark brown fur diamonds along one side. Original backing was red felt; there is some remaining along the egde of the rug. The rug was machine sewn. 1423 x 1169mm
Patchwork quilt in silks and cottons, handsewn from very small fabric pieces, has 2 pieced repeat pattern blocks. The quilt centre groups 9 blocks made of squares. Surrounding them are pieced blocks featuring a star. The strips in between all blocks are made from 2 rows of squares with a diamond pattern making a lattice effect. The first border has hexagons with appliqued and embroidered cats. The second border of cream cotton has harnessed horses embroidered and appliqued. Binding is of green cotton. No padding. Backed with red cotton paisley print. Signed and dated: 'Mrs E. Keen, Junction Hotel, Fyansford, 1879'.
2660 x 2330mm
Pieced quilt, the top made of fine wool fabric sewn using a treadle sewing machine, to form a distinctive Amish geometric pattern, 'Diamond in a Square'. A large red diamond is in a large blue square, contained by a narrow red border with small blue corner blocks, finished with a binding of deep red. The open areas are intricately hand quilted with patterns of feathers, flowers and leaves. Filling of wool, backing of plain blue cotton.
1770 x 1770mm
Cotton appliqué quilt in green and pink 'Rose of Sharon' design, against a white background. Finely quilted with feathers between flowers and feathers on the border, with some cross hatching. Padding is cotton, and backing is white cotton. 2250 x 1700 mm.
Patchwork quilt made from squares in cotton fabrics, each piece 120mm square. Filling is a cotton blanket (army style), and the backing is a brushed cotton ticking with a wide green stripe and white, yellow and maroon stripes. Patches are decorated with white cotton herringbone stitch.
1750 x 1000mm
"The quilt is of plain weave white cotton, quilted with white cotton thread. The design is 288 squares following the log cabin design. The lining is a fine white cotton.
The edges of the front face and the lining have been turned, and positioned within this seam is a ruffle. This ruffle is of very fine muslin with 2 rows of pin tucks along the edge. The ruffle runs along all edges of the quilt." [NGA] The quilt is not padded and is lined with white cotton fabric. 2400 x 2140mm
Cotton quilt in green, red and white paisley print. It is sewn with 4 bands and 2 irregular centre shapes. The reverse side is identical to the top side. The padding is feathers.
1660 x 1400mm
Quilt of cotton hexagons, 6 form the petals of a flower with 1 in the centre. There are approximately 138 flowers in the quilt. It is all hand stitched including the edges on to deep blue backing. Wide variety of materials patterned and plain. Some were dress samples from John Wild in Wagga and some from her mother's (Betty Johnson, Wagga Wagga) dressmaking. The hexagons were stitched on papers cut from a glass template made by Celia's brother.
2370 x 2690mm
Machine pieced patchwork top of Tailor's samples with a backing of patches of furnishing materials. There is no padding.
1930 x 1530mm

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