Quilts

Wholecloth quilt of floral cretonne with ballerina design. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1430 x 1170mm
"This is a crazy quilt consisting of nine panels of crazy patchwork joined together with bands of olive cotton sateen fabric. The fabrics of the patchwork are a rich variety of silk brocades, silk ribbons, fabrics with metallic threads and velvets. The embroidery is of a variety of silk threads, including chenille.
The quilt is padded with a layer of cotton wadding backed with a piece of tarlatan. The padding is only present beneath the patchwork panels and the bands that join them. There is no padding in the edge border of the quilt. The layers are quilted with machine sewing.
The quilt is fully lined with the olive sateen fabric used to join the patchwork panels on the front face." [NGA]
Wholecloth quilt made of two layers, the top in white cotton sheeting and the backing in a heavier white cotton twill. The layers are joined by quilting, handstitched in a chevron pattern using a coarse white cotton thread. The edges of the quilt are bound with strips of white cotton sheeting. Three edges of the quilt have a scalloped sedge with the top edge of the quilt straight.
Pencil marks are still visible, marking out the chevron pattern.
2630mm x 1920mm
Pieced quilt, the top made of fine wool fabric sewn using a treadle sewing machine, to form a distinctive Amish geometric pattern, 'Diamond in a Square'. A large red diamond is in a large blue square, contained by a narrow red border with small blue corner blocks, finished with a binding of deep red. The open areas are intricately hand quilted with patterns of feathers, flowers and leaves. Filling of wool, backing of plain blue cotton.
1770 x 1770mm
"The front face of this quilt consists of panels of multicoloured prints pieced together into squares set between a grid of machine embroidered bands in yellow and maroon on white muslin. The fabrics are cotton and include a few early synthetics; all work is machined. The back is fully lined with yellow cotton flannelette, machined at the edge and 5cm in from the edge. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded or quilted. 2370 x 2340mm
The top of this quilt is made from men's suiting samples and the backing is cream cotton. It is machine stitched. There is no padding and no quilting.
2160 x 1550mm
Double sided quilt, machine pieced from large rectangles of used clothing in various materials including wools and suitings. The sides are turned in and machined to make a firm edge. It is machine quilted. The padding is 3 old sheets and a blanket.
1370 x 1040mm
"�..quilt of silk hexagonal patches with a velvet panel as the centrepiece with petit point embroidery. The silk materials are a valuable source of textile history being very variable in weaves and patterns. The patchwork templates are still in situ and are of a ? linen gauze. The whole quilt is backed with mercerised cotton."
[Maggie Myers 21.5.1986]
2650 x 2330mm
Patchwork quilt with centre frame of 4 pointed starwith radiating borders of pieced squares and rectangles. Materials are cottons and some linen and it is constructed using the English hand piecing method. There is no padding and it is backed with cotton sheeting joined by machine so it is a later addition.
1400 x 1050mm
Quilt top has a white background with pink and purple applique hearts and stars in the centre within a pink circle and square border, letters are appliqued in pink. Inscription is: 'Mary Hunt is my name Dapto is my dwelling place When I am dead and all my'� (incomplete)
1000 x 1000mm
Cotton appliqué quilt in green and pink 'Rose of Sharon' design, against a white background. Finely quilted with feathers between flowers and feathers on the border, with some cross hatching. Padding is cotton, and backing is white cotton. 2250 x 1700 mm.
Helen Sparkman
Suffolk Puff quilt in a wide variety of cotton materials patterned and plain. There is no backing.
11900 x 1350mm
Patchwork quilt made in Log Cabin blocks from silk velvet and grosgrain. The pattern variation is known as 'straight furrow'. No padding. The backing is made from cream silk with a floral monogram embroidered in satin and stem stitch, featuring the letter 'M'.
1620 x 1620mm
"The quilt is made entirely from over 7300 hexagons cut from scrap materials, and is hand stitched throughout using the 'English' method of quilting. Scraps of plain unbleached calico were used for the background with the pattern pieces cut from plain and floral fabrics in shades of blue. The design is medallion style, with a large central diamond surrounded by two concentric diamond borders beyond which are scattered different sized hexagonal rosettes, all made from hexagon patches in the same size. The pattern patches were cut from the offcuts of dresses and dressing gowns made at a friend's factory and from another friend's dress material scraps." [PHM] There is no padding. The backing is 'Actil' unbleached sheeting dyed pale blue and attached with a blind stitch to the quilt top. A central rosette set within a large diamond of hexagons decorates the back and is stitched through to hold the 2 layers together.
2720 x 1880mm
Domestic Wagga made from bags with a top of irregular patches of cotton material, mainly from dress scraps, and a backing of calico.
1578 x 1094mm
Cotton quilt in green, red and white paisley print. It is sewn with 4 bands and 2 irregular centre shapes. The reverse side is identical to the top side. The padding is feathers.
1660 x 1400mm
Wholecloth quilt from Macedonia. Both sides are made of satin. Old gold colour on one side and burgundy on the other. It is machine quilted with 3 parallel lines of stitching around the edge and a double row of stitching forming triangles in the centre. The padding is raw cotton grown in (FYRO) Macedonia.
2000 x 1500mm
Migration Museum
Crazy patchwork quilt of silk and cotton fabrics in velvets and brocades, with surface embroidery and appliqued motifs, and many seams embroidered, in a variety of stitches. Some metal thread embroidery. Centre patch has embroidered initials "F B". Quilt has been constructed from 30cm squares of crazy patwork which have been joined in bands and then stitched together in rows. Quilt has a border 12cm wide of red velvet. Backing (replaced backing) is of deep pink cotton, machine quilted. Hand and machine sewing.
1700 x 1430mm
Wholecloth quilt of white linen with signatures embroidered in satin and stem stitch. Approximately 400 signatures as well as the names of district servicemen are arranged in flower shapes and geometric grids. Embroidered title on the quilt reads: 'Rylstone Autograph Quilt. For our Australian wounded, Dardanelles, 1915.' There is no backing.
2580 x 1730mm
The Wilmington Wagga' 1934. Wool and cotton. Hand and machine pieced. Machine quilted. The wagga is made of parts of several worn coats, carefully pieced together so that the linings are visible in places. One coat sleeve has a fur fabric trim and worn areas are patched.
1600 x 1200mm

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