Quilts

Migration Museum
Wholecloth quilt with top of dark purplish-pink cotton sateen and backing of black sateen printed with pink flowers. Hand quilted all over with a variety of patterns, including spirals and diamonds, parallel lines and hearts in the borders. Centre has a curved diamond shaped motif within a circular border of spirals. Padding is wool.
1990 x 1730mm
Embroiderers' Guild Victoria
This quilt has white cotton bands of hand quilting in between strips of squares in printed cotton, placed on the diagonal. The padding is cotton and there is a cotton backing.
2440 x 1940mm
Quilt covered in pink and green paisley cotton material. The backing is cotton. The quilting is machined in parallel rows around the sides and in the centre in a scalloped design. The centre panel corners are finished with pink buttonhole stitching around a small hole. The filling is down.
1750 x 1400mm
"The quilt is made of white cotton, slightly padded, and measures 150 x 75cms. The pattern is made up of a large circular design in the centre with smaller circles around the edge, with close lines of running stitches in white cotton outlining the design." [ Victor Harbour National Trust]
Wholecloth quilt of floral cretonne with ballerina design. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1430 x 1170mm
Skin rug believed to be platypus pelts, 28 in all. It has a brown cotton backing. 1300 x 900mm
Joyce Lloyd
Hand pieced quilt of mainly cotton hexagons with 7 forming a 'flower' in a pattern often called 'Grandmother's Flower Garden'. The backing is glazed chintz and the padding is American polyester.
3000 x 1430mm
Wholecloth quilt of cream cotton embroidered in lemon thread with names of teachers and students. No filling. Backing is of cream cotton.
1830 x 1250mm
"All handsewn. Quilt in fragile condition. Hexagonal patches in blocks of 19 patches & joined together with diamond and triangle patches. All patches recycled cotton material. The centre patch is one material, the 6 patches around are another material and the surrounding 12 are white sheeting. The diamonds and triangles are pale blue. No padding. Cotton sheeting backing. Patches sewn onto a ? old cotton ? damask weave tablecloth or bedspread. This is woven in strips. The backing sewn on."
[K.D.H.S.1997] 2500 x 2450mm
Verandah quilt. Floral and patterned cover encasing duck feathers. Silk organza conservation work reveals other materials.
1050 x 800mm
Helen Sparkman
Patchwork quilt. An old sheet was used as the base for the quilt then garments no longer suitable for wearing were stitched to the sheet. Then pieces of old tablecloths, curtains and dressmaking scraps were used to make the quilt top and back. Hand stitched and quilted with long stitches. It is a heavy quilt.
1600 x 1120mm
Embroiderers' Guild Victoria
Pieced construction of lozenge and diamond shapes in cotton and woollen materials, possibly from men's suiting or nightwear. Pale mauve cotton surrounds the patchwork. It is hand pieced and machined around the edge. The padding is cotton wadding and the backing is pink, white and blue striped cotton.
2080 x 1820mm
Helen Sparkman
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
Patchwork quilt made from pieces of bright cotton fabric sewn on to an old folded blanket. Backing is a piece of cotton fabric. Machine sewn on a Wertheim hand sewing machine .
2100 x 1400mm
The top is mainly squares of flannel machined together with patches of dress materials stitched randomly on top. There is no padding and the backing is calico. The top and backing are held together by a binding only. It is one of a pair.
2010 x 1680mm
Frame quilt in linen has a centre motif in broderie perse applique of a blue urn topped with a blue basket of flowers, and perched on the basket handle a parrot. This is in a blue oval, with butterflies, a ribbon at the top and several posies of roses. Either side is a panel of broderie perse flowers. There is a narrow frame of patterned fabric, then a border of triangles pieced to make squares, with octagonal printed patches at each corner. The outer border is of appliqued circles of printed fabric on a dark background. Hand sewn.
1770 x 1730mm
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Cotton appliqué quilt in green and pink 'Rose of Sharon' design, against a white background. Finely quilted with feathers between flowers and feathers on the border, with some cross hatching. Padding is cotton, and backing is white cotton. 2250 x 1700 mm.
Utilitarian quilt with the top made from machine pieced different shaped patches of floral cottons. The backing is machine pieced patches of navy blue and grey serge, some darned, probably from men's/boy's pants. The padding is not visible but is very lumpy and very thick making the quilt very heavy.
1460 x 1300mm
Tailors' samples quilt. Random sized rectangles joined in rows. There is a 3cm wide pleated frill of navy woollen material. The padding (synthetic) and the backing (green and white striped cotton) are recent. 1900 x 1850mm.
This quilt is made up of 25 squares, each 10 x 10 inches of pure white linen. Each squre has been hemstitched around and very neatly sewn together. The centre square is embroidered 'Gilgandra Methodist Church Renovations completed 1st October 1926. J.W.Hynes, President of Conference'. All other squares have names or initials beautifully embroidered in white. There are 238 signatures, 60 initials plus centre square.
1271 x 1271 mm

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