Quilts

Crazy patchwork quilt made from pieces of velvets, plush and corduroy, in prints and plain. Patches are sewn directly on to a backing with feather and herringbone stitches in pearl thread. Quilt has a 1/2 inch binding of black velvet. Backing is a pea green cotton twill. One of the patches has the dates 1909 - 1948 embroidered on it.
920 x 920mm
"A wagga quilt machine-pieced from old woollen suiting fabrics; some hand stitching is visible along a few of the joins. The quilt has 3 layers: the top layer has a rectangular centre composed of randomly-pieced woollen patches in grey tonings with a border composed of irregular navy rectangles; the lining is made from corn bags, and the backing is a striped cotton fabric. The three layers are machined together at the edges, thus holding the filling in place. There is no quilting."
1660 x 1610mm
Quilt, in 2 parts, made from samples of different coloured velvets. It has 2 layers and is machine made. It became too heavy to sew on a domestic sewing machine so was constructed in two separate pieces. There is no padding.
2370 x 1550mm and 2230 x 800mm
Embroiderers' Guild Victoria
Quilt in patchwork and applique. Patchwork is in an all over pattern based mainly on triangles in floral and plain cottons. The centre and the inner border are appliqued. It is not quilted. There is no padding and the backing is calico. It is believed to be an 1840 - 1860 design.
2800 x 1500mm
Kangaroo skin cloak of seven gores is made from the skins of eight grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The extra skin has been used to make a collar.The two skins on the edge of the cloak are roughly rectangular. The cloak edges are untrimmed. The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. The skins have been sewn together with thread, the older thread is natural coloured linen, then the resewn areas have been stitched with black thread. The skins are a creamy yellow in colour. Longest part: 750mm approx. [From S. Meagher MA Thesis 1973 'A Reconstruction of the Traditional Life of the Aborigines in the SW of Western Australia']
Unfinished, hand stitched, polychromatic patchwork quilt in a tumbling block design. Constructed from silk fabrics and stitched with cotton yarns. Although crumpled and torn, the original paper squares are still in the back of the patchwork pieces. There is no padding. 1300 x 1300mm.
Patchwork quilt of hand sewn hexagons in a variety of print and plain cotton fabrics from 1950-1960. Colours are mainly pinks, blues, greens and yellow, with some red, and white. Quilt has a wide border of yellow poplin, which also forms the backing. No padding.
2280 x 1520mm
Wholecloth quilt of floral cretonne with ballerina design. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1430 x 1170mm
National Trust of Australia (SA)
Patchwork quilt of hexagons in silks and velvet, the velvet in plain colours, the silk in plains, stripes, checks and brocades. Centre is made from red brocade hexagons with black silk patches embroided with a variety of flowers and leaves. Stitched to a red velvet border, then top and bottom have Australian motif of crossed wattle branches embroidered in bobble stitch, and on the sides embroidered red flowers. The rest of the quilt is made of hexagons, the edge stitched to a brown silk border, then a border of triangles and a striped edging. Surface embroidery. Crepe backing. Some newspaper templates remain.
2260 x 1720mm
Patricia Galbraith
Fur fabric quilt made from scraps cut into squares and put together randomly. Colous are black, several greys, browns and some blacks and dark greys are astrakhan. There is no padding and the backing is a grey cotton bush blanket. The quilt is tied with buttons and wool.
1753 x 1251mm
Patchwork quilt made from cotton fabric, mainly in greens.
2100 x 1400mm
Wholecloth quilt of cream cotton embroidered in lemon thread with names of teachers and students. No filling. Backing is of cream cotton.
1830 x 1250mm
Embroiderers' Guild Victoria
Fine linen wholecloth quilt with all over cord quilting using back stitch and running stitch. The quilting is an elaborate pattern of flowers and leaves. It is a cradle or cot quilt. There is a cotton backing.
1030 x 840mm
Patchwork cot quilt, the top made from patterned and plain hexagons (110mm diam.) mainly in cottons, approx. 99 hexagons in total. Handsewn and stitched to a centre piece of material. Back is made of irregular pieces of cotton fabric, checks, florals, in squares or rectangles. Total of 3 layers in the quilt.
1310 x 1000mm
Quilt made of squares of suiting. Pink and blue curtain backing.
1760 x 1320mm
Quilt of [cotton], with geometric pattern of squares and triangles in primary colours. Tassels attached.
2320 x 1490mm
Helen Sparkman
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
Cot quilt. Single piece of floral cotton material top and back (cream background with coloured flowers). The padding is a single layer, twill weave, heavy bag, probably jute. The layers are fixed with a different coloured button in each corner. Machine quilting across the centre
1320 x 1140mm
Quilt made from patchworked curtain materials, machine stitched and patched at a later date by hand.
1700 x 1600mm
Traditional Aboriginal fur cloak called a 'Buka' or 'Boka', made with three pieces of pelt. Fastened at the front with a piece of fur inserted into the other side. 1500 from back of neck to hem 1600 measuring around to just below the shoulders

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