Quilts

Quilt of cotton hexagons, 6 form the petals of a flower with 1 in the centre. There are approximately 138 flowers in the quilt. It is all hand stitched including the edges on to deep blue backing. Wide variety of materials patterned and plain. Some were dress samples from John Wild in Wagga and some from her mother's (Betty Johnson, Wagga Wagga) dressmaking. The hexagons were stitched on papers cut from a glass template made by Celia's brother.
2370 x 2690mm
Wholecloth quilt of floral cretonne with ballerina design. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1430 x 1170mm
The top of this quilt is large pieced rectangles of herringbone wool in greys and browns. The backing is pieced check wools.
1210 x 1690mms
Handworked patchwork quilt. Pattern of squares as diamonds. Woollen materials.
1520 x 1520mm
The top of this quilt is made from men's suiting samples and the backing is cream cotton. It is machine stitched. There is no padding and no quilting.
2160 x 1550mm
Wholecloth quilt of cream cotton embroidered in lemon thread with names of teachers and students. No filling. Backing is of cream cotton.
1830 x 1250mm
Ruth Wallace
A hand stitched top in randomly placed diamond shapes in mixed materials, mainly cottons. These are stitched to a flannelette backing. There is herringbone stitching around the border.
1250 x 930mm
Patchwork quilt in silks and cottons, handsewn from very small fabric pieces, has 2 pieced repeat pattern blocks. The quilt centre groups 9 blocks made of squares. Surrounding them are pieced blocks featuring a star. The strips in between all blocks are made from 2 rows of squares with a diamond pattern making a lattice effect. The first border has hexagons with appliqued and embroidered cats. The second border of cream cotton has harnessed horses embroidered and appliqued. Binding is of green cotton. No padding. Backed with red cotton paisley print. Signed and dated: 'Mrs E. Keen, Junction Hotel, Fyansford, 1879'.
2660 x 2330mm
This quilt is made up of 25 squares, each 10 x 10 inches of pure white linen. Each squre has been hemstitched around and very neatly sewn together. The centre square is embroidered 'Gilgandra Methodist Church Renovations completed 1st October 1926. J.W.Hynes, President of Conference'. All other squares have names or initials beautifully embroidered in white. There are 238 signatures, 60 initials plus centre square.
1271 x 1271 mm
Quilt top. One of a pair. The centre piece is appliqued with cross strips and triangles with 'Chester 4 �.' printed on a centre blue strip. The last letters are difficult to read. The borders are triangles, rectangles and squares in cottons (including dimity) and some chenilles.
1160 x 1100mm
Helen Sparkman
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
Helen Sparkman
Suffolk Puff quilt in a wide variety of cotton materials patterned and plain. There is no backing.
11900 x 1350mm
"The quilt is made entirely from over 7300 hexagons cut from scrap materials, and is hand stitched throughout using the 'English' method of quilting. Scraps of plain unbleached calico were used for the background with the pattern pieces cut from plain and floral fabrics in shades of blue. The design is medallion style, with a large central diamond surrounded by two concentric diamond borders beyond which are scattered different sized hexagonal rosettes, all made from hexagon patches in the same size. The pattern patches were cut from the offcuts of dresses and dressing gowns made at a friend's factory and from another friend's dress material scraps." [PHM] There is no padding. The backing is 'Actil' unbleached sheeting dyed pale blue and attached with a blind stitch to the quilt top. A central rosette set within a large diamond of hexagons decorates the back and is stitched through to hold the 2 layers together.
2720 x 1880mm
Patchwork quilt made from squares in cotton fabrics, each piece 120mm square. Filling is a cotton blanket (army style), and the backing is a brushed cotton ticking with a wide green stripe and white, yellow and maroon stripes. Patches are decorated with white cotton herringbone stitch.
1750 x 1000mm
Wholecloth quilt of pink satin with an edging all around of pleated satin. The quilting pattern is a central design of a large oval shape surrounded by crescents and parallel lines. The padding is cotton wadding.
2240 x 1820mm
Quilt, hand pieced and quilted and cut in half and made into two curtains. It consists of hexagons in the pattern known as 'Grandmother's Flower Garden' and is in cotton prints and white cotton 'paths'. Some hexagons are joined. The quilt is quilted allover in a variety of patterns in fine close stitching, chevron, single cable, palm leaves, hearts. The backing is cream linen and the padding is wool.
2430 x 1200mm
Helen Sparkman
Patchwork quilt made of Suffolk Puffs mainly in cottons. It has a light green wholecloth backing.
2100 x 950mm
Wholecloth quilt from Macedonia. Both sides are made of satin. Old gold colour on one side and burgundy on the other. It is machine quilted with 3 parallel lines of stitching around the edge and a double row of stitching forming triangles in the centre. The padding is raw cotton grown in (FYRO) Macedonia.
2000 x 1500mm
Patchwork cot quilt made from hexagon patches in cotton, linen, silk and wool. Checks, stripes, spots, florals and plain are used, in a mix of bright and pastel colours. Backing is of dark brown cotton with an edge of hexagon patches on each long side. No padding. Hand sewn.
1296 x 839mm
"This patchwork is pieced from twelve contained panels of Crazy Patchwork. Each panel is formed of rich silks of various weaves and textures couched on to a calico ground, each patch overlaid to create interesting 'artistic' shapes and contrasts. The rug is backed with gold polished cotton and bordered in blue and green cotton to three edges, maroon to the fourth. Embroidery in several colours, but predominantly gold, is used to advantage in the variety of stitches which define the edges of the pieces, and occasionally on the patches themselves."
[Historic Houses Trust ' Sydney Quilt Stories' catalogue]
1880 x 1500mm

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