Quilts

Domestic Wagga, floral patterned rayon cover with jute lining.
2000 x 1000mm
"The quilt is of plain weave white cotton, quilted with white cotton thread. The design is 288 squares following the log cabin design. The lining is a fine white cotton.
The edges of the front face and the lining have been turned, and positioned within this seam is a ruffle. This ruffle is of very fine muslin with 2 rows of pin tucks along the edge. The ruffle runs along all edges of the quilt." [NGA] The quilt is not padded and is lined with white cotton fabric. 2400 x 2140mm
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. The quilt has been tufted with green wool. Machine sewn.
1626 x 1093mm
Quilt, machine construction using rectangles of mainly woollen materials with some corduroy and mohair. Initially 14 rows and then 2 rows added for extra warmth. 25mm bias cut yellow poplin binding. The padding is an old army blanket and the backing is printed cotton.
1500 x 1093mm
Josie Pappalardo
Wholecloth quilt of cotton sateen. Pink one side and red the other. Elaborate all over quilting pattern with the quilting thread tightly twisted thickish cotton and quilted at 3 stitches to the inch. A piece of the quilt has been cut off at some stage. The padding is kapok.
2337 x 1499mm
Kangaroo skin cloak of seven gores is made from the skins of eight grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The extra skin has been used to make a collar.The two skins on the edge of the cloak are roughly rectangular. The cloak edges are untrimmed. The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. The skins have been sewn together with thread, the older thread is natural coloured linen, then the resewn areas have been stitched with black thread. The skins are a creamy yellow in colour. Longest part: 750mm approx. [From S. Meagher MA Thesis 1973 'A Reconstruction of the Traditional Life of the Aborigines in the SW of Western Australia']
The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
Machine pieced patchwork top of Tailor's samples with a backing of patches of furnishing materials. There is no padding.
1930 x 1530mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Crazy patchwork quilt constructed from a wide range of floral, check and plain materials, mainly cottons. The backing is white cotton whole cloth.
2280 x 1380mm
Crow's Nest and District Historical Society
Reversible quilt with an all over pattern of squares in printed cottons including cretonnes. Originally longer but it was shortened in 1980 by a member of the Crow's Nest and District Historical Society.
1702 x 1220mm
Joyce Lloyd
Hand pieced quilt of mainly cotton hexagons with 7 forming a 'flower' in a pattern often called 'Grandmother's Flower Garden'. The backing is glazed chintz and the padding is American polyester.
3000 x 1430mm
Quilt made of squares of calico joined together. These have embroidered signatures of army personnel and names of battles zones, from World War I. It is lined with muslin.
2000 x 1500mm
Embroiderers' Guild Victoria
Fine linen wholecloth quilt with all over cord quilting using back stitch and running stitch. The quilting is an elaborate pattern of flowers and leaves. It is a cradle or cot quilt. There is a cotton backing.
1030 x 840mm
Quilt. White linen, autographed, hand embroidered with names of early Methodist Ministers and parishioners' names in white embroidery cottons.
"This is a hard quilt to date. Quilting design has been (I would say) pre stamped. Heavily quilted. Some applique stars - I think polished cotton. Seersucker backing, quilting not quilted on back (seersucker). Padding is some kind of cotton perhaps cotton wool that has disintegrated to the corners. This quilt has been well made but a little bit worse for wear now." [Lyn Cross]
1500 x 1200 mm.
Wholecloth functional quilt. Cretonne type material both sides. Centre is a blanket with sheeting or cotton fabric sewn to both sides i.e. between the blanket and cretonne. It is machine stitched. There are gaps in one side through which the layers are visible.
1677 x 1423 mm
Patchwork quilt made from cotton fabric, mainly in greens.
2100 x 1400mm
Cot quilt. Single piece of floral cotton material top and back (cream background with coloured flowers). The padding is a single layer, twill weave, heavy bag, probably jute. The layers are fixed with a different coloured button in each corner. Machine quilting across the centre
1320 x 1140mm
Ladies samples coverlet. Machine stitching. Multicoloured patching on the back.
1730 x 1220mm

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