Quilts

Kerrie Maloney
Quilt made of hexagons of Chinese silk brocades in different designs and colourways. The seams of the hexagons have been overstitched in black thread in herringbone stitch. There is a wool padding and a backing of silk.
1931 x 1524mm
Annette Gero
Strips of mainly patterned cotton dress materials joined to form 3 blocks to make the quilt top. Each block is outlined with a plain deep blue border. The backing is calico. There is no padding and it is not quilted.
2300 x 1520mm
Julene Robbins
Frame quilt made from taffetas, satins, chinese type brocades and some silks. The central square is a checkerboard pattern and the radiating borders are mainly squares. It is machine pieced and machine quilted. The padding is cotton and the backing is rectangles joined together.
2327 x 2150mm
The Embroiderers' Guild of S.A.Inc Museum
Incomplete quilt top not padded or backed. Variously patterned chintzes and cottons, assembled as patchworked borders to centre frame. There are hexagons and assorted appliqued shapes on calico. There is a small amount of surface embroidery.
2160 x 2500mm
Benall & District Historical Society
Crazy patchwork quilt in mostly dark colours made from velvet and silk. Centre panel has a circular piece made from 9 triangles. This panel is in a grey [velvet] frame or border. Seams are stitched over with herringbone stitch in different coloured threads, and some other decorative stitches are used. Quilt is dotted with 'stars'. Backing is a cotton fabric printed with bunches of pink roses on a blue and white ground. Padded, and qulted with widely spaced rows of machine stitching. Quilt is edged with bias.
1520 x 1460mm
Russell McNickle
Pieced kangaroo skin rug. Centre square set on edge with radiating squares of rectangles of different coloured skins. This rug is one of a pair. The skins were from the big red, the blue flyer, the black scrubber and the grey. The backing is red felt with the traditional scalloped edge that extends beyond the fur. 1800 x 1500mm
Margaret Eisenhauer
Wholecloth quilt covered with floral cretonne both sides, deep pink and yellow flowers on cream background. Padding is hessian/jute type bags joined.
One of a pair but the other one is smaller.
1800 x 1325mm
Miles Historical Village & Museum
Patchwork crazy quilt with patches of cotton, rayon, velvet and cotton blends. Colours are predominantly pastels. Red herringbone stitch joins each patch and also stitches it to the calico backing. No padding.
2261 x 1525mm
Max Robertson
This traditional Wagga rug is made from 4 jute wheat bags joined lengthwise (upopened) by sewing with a bag needle and twine. It did not have a cover. In the 1950s it was covered with striped cottage twill on both sides. Originally there was no padding and now the bags are the padding.
1950 x 1130mm
Bruce Wright
Skin rug made from 40 rabbit skins, stitched in strips and then sewn to make 5 rows down the length of the rug. Three skins are missing. Tanned by hand with wattle bark, and hand sewn. No padding or backing. 1400 x 1100mm
Kristine Gray
The original quilt has had 3 covers, 2 of which are still on it. The first quilt, a domestic Wagga, is made from pea seed bags and an old sheet covered with red paisley cretonne. This has been recovered with a red/yellow/brown paisley cotton twill in a pillow slip construction. One side of the next outer cover has a strong vibrant loosley floral pattern with a black background and a border in black, yellow and aqua. The other side is a large piece of cotton with a pattern of abstract rectangles and there are other floral and geometric cotton pieces. There was a fourth layer, a slip cover that is no longer on the quilt.
Amanda Smith
Quilt pieced from scraps machine sewn on to calico pieces including printed bags. The backing is wholecloth, cretonne.
1423 x 1347mm
Di Tement
Crazy patchwork piece, probably a table runner. Each end is pieced differently. The backing is an open weave cotton. There is no padding.
900 x 435mm
Dulcie Williams
Wholecloth quilt has a top of green, blue, yellow and white check cotton flannelette. The backing is calico with washed crossbreed fleece stitched to it in rows. Sewn on a treadle machine. A calico flap extends from the base and was used to tuck in the quilt to prevent slipping.
2135 x 1271mm
Pat Stevenson
Double sided quilt constructed from large irregular shaped pieces of dress materials from the fifties. They are machine sewn onto old sheeting and there is a turquoise and white print binding 45mm wide. The padding is cotton wadding.
1245 x 712mm
Miles Historical Village & Museum
Patchwork quilt made from hexagon patches and pieces cut to the shape of a rosette of 7 hexagons. Fabrics are cottons and crimplene, all hand sewn. Quilt is reversible. Colours are a mixture of dark and light, with plain fabrics, and florals, stripes, spots and geometrics. No padding. The back is the same as the front.
2007 x 1499mm
The Embroiderers' Guild of S.A.Inc Museum
An Adelaide Chronicle bird quilt. Alternate squares of green and fawn headcloth embroidered with native birds in fawn squares, butterflies in outline, beige threads, in green squares. Bordered and backed with the same green fabric. It is padded.
2390 x 1530mm
Fran Williams
Mainly cotton top and backing, some silks and satins. Machine construction. Patches, mainly rectangles, joined in strips and then the strips joined to form the top. The back is a similar construction but larger pieces. The padding is made from lots of hand and machine knitted woollen pieces, including jumpers. It is very heavy. It is not quilted. It is not used. The owner calls it a Wagga.
1200 x 1630mm
Miles Historical Village & Museum
Patchwork quilt made from rectangles of brightly coloured cottons in floral, striped, checked and geometric patterns. The rectangles are sewn in strips and then pieced in rows. Machine sewn.
2515 x 2413mm
Win Groves
Wholecloth quilt with front and back of green and white check gingham. The filling is made from jumpers, suitings, warm skirts etc. Machine sewn.
1800 x 1050mm

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