Wholecloth Quilts

National Gallery of Australia
"This is a coverlet of pale blue cotton muslin, highly decorated with appliquéd pieced bands, figures, and embroidery. The edge of the quilt is finished with bands of yellow, white and green cotton attached with ladder stitch.
Down the centre field of the design and 4 poems embroidered in quite crude chain stitch. Each piece of prose is accompanied by an appliquéd illustration. For example a large clock accompanies a poem of time. 'While shepherds watch their flocks at night�.'is illustrated with a beautiful scene of the manger watched by an angel, cows and sheep. The appliqué and embroidery is executed crudely with large stitches in running and overcasting. The quilt is signed, 'M.J.H. aged 84 yrs.1924.' " [NGA] There is no padding or lining. 1640 x 1540mm
Maria Alexakis
Wholecloth quilt. Quilting pattern is a large 'feathered thistle' with thick stem, as the main design feature. The border is a combination of straight and curved parallel lines. Burgundy sateen with damask weave. All quilting is handstitched. Padding is cotton wadding and backing is tomato red cotton. 2150 x 1820 mm.
The Pioneer Women's Hut
The top is a wholecloth piece of twill type cotton and the backing is a wholecloth piece of finer patterned cotton. The padding is a layer of pieces of used clothing stitched together, including part jumpers, some darned. These are inside an old folded blanket.
1540 x 950mm
Ann Kyranis
Traditional Greek quilt. The top is a piece of deep red and gold brocade (in Greek a 'stoffa'). The border and the backing are made from gold brocade woven with a daisy pattern. It is hand quilted in parallel lines.
2150 x 1720mm
Maria Politis
Wholecloth quilt made of deep cherry red satin with backing of sky blue satin. The padding is cotton wadding. It is hand quilted and the pattern is an all over one of four leafed clovers with a border of crescent shapes within straight parallel lines.
2000 x 1700mm
Despina Petridis
Wholecloth quilt made of deep pink satin with a cotton backing in a similar colour. The padding is cotton. It is hand quilted and the pattern is a central motif of a star inside a circle surrounded by parallel lines forming large cable or knot design. The border is of one zig zag and four parallel lines.
1970 x 1770mm
Della Savvas
Wholecloth quilt with one side of mauve coloured cotton sateen and the reverse side of cherry coloured cotton. The hand quilting pattern is a diamond shape in the centre of a large floral motif. Around the edge is a large curvilinear pattern. The padding is raw cotton.
2000 x 1810mm
Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm
June Brown
Reversible wholecloth quilt of floral cotton material with a sateen finish. Machine quilting in rows holds the layers together. Padding appears to be an old blanket, cream wool with grey and pink stripes.
1950 x 1850mm
The Embroiderers' Guild of S.A.Inc Museum
Yellow and white cotton Durham quilt with centre panel of patchwork blocks in counterchange design called 'Plate'. There is a wide yellow border and square white corner blocks. It is padded and there is a yellow backing. It is quilted all over following the patchwork pattern in the centre panel. Feather pattern border.
2120 x 1720mm
Christina Kazaglis
Both sides of this wholecloth quilt are made from different floral cottons with a third pattern used to form borders. It is hand stitched and the quilting pattern is squares. The padding is raw cotton.
1740 x 1240mm
Irene Pascoe
Utilitarian cot quilt. The padding is layered reused woollen materials, parts of old blankets, part overcoats. These are stitched together with string and knitting wools The top and backing are printed cotton. There is a frill all around and buttons have been used to anchor the padding layers to the outside cover.
1169 x 915mm
Sam Genovese
Wholecloth quilt, bright crimson cotton. Hand quilting is in thick cotton with a medallion design in the centre, vases of flowers in each corner, and some cross hatching. Padding is thick flock, possibly compacted fabrics, and backing is yellow cotton. 2250 x 1930 mm.
West Australian Quilters' Ass
Reversible Durham quilt made with nine pieced strips of deep green polished cotton joined together. Very finely hand quilted in an all-over traditional English quilting design. It is padded but the type of padding is unknown. 2220 x 2020mm.
Christine Kable
Durham type wholecloth quilt of cotton sateen, hand sewn and quilted. Apricot on one side and yellow on the other. The padding is possibly coarse cotton.
2465 x 2057mm
Helen Blandford
Bassinet quilt. Pink satin top and backing overlaid with lace. Machine and hand sewn. The padding is possibly a nappy. It is part of a set that includes a pillow cover.
585 x 509mm
Dora Andonaros
Wholecloth quilt made from deep cherry red satin with a backing of red cotton. The padding is cotton wadding. It is hand quilted and the pattern is a central motif of a large diamond with diamond fill. Each corner has a pattern of curved lines and the quilt border is created by four parallel lines.
2070 x 2000mm
The Pioneer Women's Hut
The top is machine pieced patches of used clothing. The backing is large pieces of dress materials and either end patches similar to the top. The padding is a chaff bag or similar with patches of worn, matted children's jumpers sewn directly on to it.
1400 x 1150mm
Santa Maltese
Wholecloth quilt with top of red sateen. Hnad quilted with a large central rosette in a 'gothic' border then square on point border and outer border with rosettes in rectangular corner panel. The backing is cotton sateen with printed floral bouquets. The thick padding is cotton. This type of quilt is called 'cuttunina' in the Sicilian dialect which means 'has cotton inside'.
2360 x 2310mm
Connie Papalazaros
Wholecloth quilt made from floral cotton material with a light green background. Hand stitched quilting pattern of diamonds in the centre and parallel lines radiating out from this. The padding is cotton wadding.
1940 x 1300mm

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