Wholecloth Quilts

Despina Petridis
Wholecloth quilt made of deep pink satin with a cotton backing in a similar colour. The padding is cotton. It is hand quilted and the pattern is a central motif of a star inside a circle surrounded by parallel lines forming large cable or knot design. The border is of one zig zag and four parallel lines.
1970 x 1770mm
The Pioneer Women's Hut
The top is machine pieced patches of used clothing. The backing is large pieces of dress materials and either end patches similar to the top. The padding is a chaff bag or similar with patches of worn, matted children's jumpers sewn directly on to it.
1400 x 1150mm
Annette Gero
Double sided cretonne quilt, red floral one side, green floral the other. The padding is layers of blanket pieces and pieces of woollen clothes tacked flat. It is machine quilted in squares from the centre outwards.
1270 x 1060mm
Sam Genovese
Wholecloth quilt, bright crimson cotton. Hand quilting is in thick cotton with a medallion design in the centre, vases of flowers in each corner, and some cross hatching. Padding is thick flock, possibly compacted fabrics, and backing is yellow cotton. 2250 x 1930 mm.
West Australian Quilters' Ass
Reversible Durham quilt made with nine pieced strips of deep green polished cotton joined together. Very finely hand quilted in an all-over traditional English quilting design. It is padded but the type of padding is unknown. 2220 x 2020mm.
Christine Kable
Durham type wholecloth quilt of cotton sateen, hand sewn and quilted. Apricot on one side and yellow on the other. The padding is possibly coarse cotton.
2465 x 2057mm
Helen Blandford
Bassinet quilt. Pink satin top and backing overlaid with lace. Machine and hand sewn. The padding is possibly a nappy. It is part of a set that includes a pillow cover.
585 x 509mm
Guna Naoumidis
Wholecloth quilt made of gold satin with a backing of beige coloured cotton. The padding is wool. The quilting pattern is an all over diamond pattern, framed in a border of straight and wavy parallel lines. It is hand quilted.
2000 x 1820mm
With held as requested
Wholecloth quilt with top and backing made from coarsley woven linen. The edges are bound with paisley printed material. The quilting pattern consists of a series of whorls in different sizes. The padding is fleece wool.
1920 x 1756mm
Alysoun Ryves
Red Applique on an off white background. All applique is by hand using herringbone stitch. Three different red materials are used for the applique each printed with a different tiny all over pattern. There are 3 different applique shapes: the 9 major shapes have 8 points; the daisy pattern has 8 petals; the edge pattern is used along the top, left and half of the bottom edge of the quilt and sometimes has 4 points, sometimes 3 and sometimes 2. There is a tiny red piping around the quilt along the bottom and both sides. It is hand quilted in 100mm long zig zags 12mms apart all over the quilt. The quilt is signed twice on the front, once in ink and once in embroidery. It is signed 'Anna Edwards Jan 1858'. There is no padding and the backing material is similar to the off white background material of the top.
2270 x 2180mm
Santa Maltese
A 'foot' quilt, "copri piedi" used on the bed. Pink satin top and blue satin backing. The pink top is hand embroidered in a trellis pattern in shadow stitch and within each section there are hand embroidered sprigs of flowers in silk threads. The whole top is elaborately quilted. The silk cord binding is twisted into four decorative loops at each corner. There is a thick padding of cotton grown locally in Sicily.
1260 x 650mm
Connie Papalazaros
Wholecloth quilt made from floral cotton material with a light green background. Hand stitched quilting pattern of diamonds in the centre and parallel lines radiating out from this. The padding is cotton wadding.
1940 x 1300mm
Tasmanian Museum and Art Gallery
Wholecloth cot quilt, reversible, both sides pale pink rayon printed with small bunches of pink roses, blue flowers and green leaves. Outside edge is machine sewn except for opening for filling which is slip stitched. Quilted by hand with large stitches in pink thread along width and length of quilt. The padding is wool.
815 x 570mm
Agnes Pratten
Thick padding for a wholecloth quilt constructed from pieces of old woollen clothing. The backing is a calico sheet. Originally had a cretonne cover.
Muriel Hartmann
Old jute wool pack opened out and joined together selvedge to selvedge. Ends bound with recycled curtain material.
1550 x 1321mm
Margery Creek for Eugene Creek
Wholecloth polyester and cotton quilt in deep orange with centre frame of Creek family crest. The crest is machine zig zag appliqued to white background and has a black border. The quilt is machine sewn, hand quilted, has a white backing and a thin black binding on the border. The padding is polyester.
2235 x 1854mm
Christina Kazaglis
Wholecloth quilt with one side blue satin with a red satin border and the reverse side wholecloth floral cotton. The quilting is parallel lines and squares. It is all hand stitched. The padding is raw cotton.
1740 x 1240mm
Effie Kalenderidis
Wholecloth quilt made from blue satin with turquoise blue cotton backing. The padding is cotton wadding. The quilting pattern is a large central motif of a daisy with a fan design in each corner. The in fill pattern is of curved and straight parallel lines and the border straight parallel lines. It is all hand quilted.
2000 x 1660mm
Ida Blenkiron
Wholecloth quilt made from turquoise and red plaid brushed cotton, with a filling of a marcella bedspread with cut up pieces of knitted and crocheted garments stitched on top by hand and machine. Garment pieces are pink, red, yellow, black and pastels. Sleeves, collar and pockets can be clearly seen. Backing is an old blanket.
Berry & District Historical Society
It is a plain white linen double-bed sheet or bed-cover on which have been embroidered (over autographed signatures) the names of members of various associations and clubs, local MPs, visiting dignitaries etc associated with the Berry Agricultural Show of 1906. There are badges and emblems also embroidered in red or pale gold thread including the central Berry Agricultural Society Association motif surrounded by a wreath of lillipilly leaves and berries, a rebus on the name 'Berry'.

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