Wholecloth Quilts

Gilgandra Historical Society
Wholecloth quilt of natural coloured cotton material. Two thousand two hundred and twenty six names have been embroidered on the top in red stranded cotton. The backing is red and white cotton material.
2033 x 1474mm
Verna Doak
Cot quilt made in rows of crochet in treble clusters. Backed with blue cotton fabric. Backing replaced with another backing of blue fabric in 1970. Colours of rows are green,yellow, blue, pink and red.
West Tamar Historical Committee
Wholecloth quilt with both sides of floral cotton. The padding is thought to be hessian bags.
2060 x 1300mm
Anastasia Penklis
Traditional hand stitched Greek quilt, the top piece (in Greek a 'Stoffa') is of blue brocade with a gold pattern of roses and leaves. The border and backing are made from gold brocade woven with a daisy pattern (the same material as is in sister Ann Kyranis' quilt). The padding is cotton wool.
2100 x 1740mm
Dorothy Stevens
Utilitarian quilt. Padding consists of recycled hand knitted jumper pieces (mainly 3 ply crepe and 8 ply) tacked to a layer of cotton material with strong buttonhole twist thread. The top is a piece of cotton fabric. Machine quilted in rows approximately 70mm apart.
1827 x 1423mm
Bundaberg & District Historical & Museum Soc. Inc.
World' quilt of linen squares , autographed, embroidered in stranded cotton and the squares sewn together.
2000 x 2000mm
Efthimia Toubakaris
Wholecloth quilt of golden brown cotton satin, the reverse side of pink cotton satin. Central quilting pattern of interlaced curves, within 3 rows of parallel stitching, then a border pattern of an interlaced knot design, the edge finished with 2 rows of parallel quilting. Filling of cotton. 2010 x 1920 mm.
2010 x 1920mm
The Embroiderers' Guild of S.A.Inc Museum
4 Pieces of a patchwork quilt which was formerly a whole quilt. It is pieced in cottons in blues reds and browns in many prints. There are whole circles and pieced circles against a plain cream calico background. It is wool lined and is quilted. There are the initials 'A.B.' and '1828' on a central piece. The 4 pieces are various sizes.
National Gallery of Australia
"The coverlet is of cream cheesecloth, highly decorated with applied figures and pieced fabric bands. The appliqué bands follow the edge of the coverlet for some time and then become circles radiating from the centre. The bands form two framed circular areas that carry appliquéd images. A smaller area lower centre of the cloth depicts birds and insects. In the centre of the work is a bordered oval with two aboriginal figures, an angel, kangaroo, emu and kookaburra, with the words 'Advance Australia Fair' embroidered in black thread. The stitching and construction of the coverlet is quite crude." [NGA] The quilt is not padded or lined. 1640 x 1550mm
Margaret Lyons
Padding for a utilitarian quilt that originally had a wholecloth cover. The padding is up to 3 layers of woollen scraps and pieces of used clothing, including hand knitting. White cotton tacking and overcast stitches hold all layers in place. The backing is a cream wool blanket with woven stripes.
1580 x 1200mm
Ida Blenkiron
Wholecloth cot quilt of floral cotton in a pattern of pink roses, green leaves, and blue ribbons. Paddiong is old blanketing, and backing is a soft fawn twill. The cotton was the same fabric as the bedroom curtains. No quilting.
1010 x 840mm
National Gallery of Australia
" This coverlet is composed of two pieces of dark blue cheese cloth joined with a row of running stitches down the centre of the coverlet (the seam faces the front face of the coverlet but is hidden beneath a row of appliqué).
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket carried by a very large angel. Glass beads, sequins and a button have been used to highlight the appliqué and embroidery.
As with all of Mary Jane Hannaford's quilts, the work is stitched by hand and quite crudely, but the naivety of the images is overwhelming with their charm." [NGA] The quilt is not padded or lined. 1950 x 1690mm
Kereake Wray
Wholecloth Greek quilt. "The fabric is a beautiful silk satin with a formal pattern of soft yellows and pinks on a turquoise background. Surrounding this is a 40cm wide border also of silk satin (cerise coloured). The quilt is machine pieced but hand quilted. The method of quilting is very interesting. A thick cream twist has been used and at first glance it seems that the quilt is tied as there are long pairs of stitches with gaps of about 4cm between them. However, either a long needle was used to make a pair of stitches OR each side may have been quilted separately with the needle only going half way into the wadding which is about 2 cms thick." [Kereake Wray] The padding is kapok approx 2 cm thick and the backing is deep coral pink satin. 2200 x 1960 mm.
Betty Gray
Hand appliqued, embroidered and quilted, 1940s. Cotton quilt with yellow, pink and purple tulips and green leaves, has scalloped edging with green piping. Hand quilted.
2240 x 885mm
 Hilary Williams
Wholecloth quilt of fine cream homespun embroidered with stranded cotton in 2 shades, brown and buff, with gold highlights. It is a cross stitch floral pattern which was stamped on the homespun. The self coloured quilting is mostly in straight lines with a fern design border. The quilt has a bound edge.
2460 x 1670mm
Maria Alexakis
Wholecloth quilt. Quilting pattern is a large 'feathered thistle' with thick stem, as the main design feature. The border is a combination of straight and curved parallel lines. Burgundy sateen with damask weave. All quilting is handstitched. Padding is cotton wadding and backing is tomato red cotton. 2150 x 1820 mm.
National Trust of Australia (TAS)
Child's quilt, reversible, top and ruffle of cotton patterned with pink and off white roses on a green background. The reverse has had a large piece of red and green paisley printed cotton hand sewn over the rose print. Machine stitched in rectangles in 5 rows with pink cotton. The padding is cotton or kapok.
1150 x 840mm
Stavroula Ioannou
Rose pink satin wholecloth quilt with lighter pink cotton backing. Hand quilting forms large diamond pattern in the centre with a border of parallel lines.
2000 x 1800mm
Alexandra Magloveris
Wholecloth quilt in satin, crimson one side and yellow on the other. Hand quilted in an all over pattern. The padding is wool.
2300 x 1700mm
Denise Frahn
Wholecloth quilt, machine sewn, made from cotton chintz with a pale green background and a floral pattern of bunches of pink roses and blue flowers, reversible. The centre is stitched in a diamond pattern with two outside borders, then filled with feathers, using a broom handle to force the feathers through. Cover made from 36" fabric, the pattern matched exactly. Excellent condition. Feather filling was collected by the makers from backyard poultry, geese, ducks, fowls. Called an eiderdown.
1830 x 1480mm

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