Wholecloth Quilts

National Gallery of Australia
" A coverlet of 7 pieces of cream muslin. The edges of the work are secured at the top and sides with bands of green and floral strips. The lower edge has been turned and hemmed. The 'quilt' is highly decorated with bands and diamonds of appliqué fabric. The upper centre field is appliquéd with images depicting Adam and Eve in the Garden of Eden surrounded by trees and a variety of animals and insects. In the centre is a smaller appliquéd image of the manger with mangel and cows. The quilt is not signed or dated, but each of the imaged areas is accompanied by a descriptive text. The writing is executed in black chain stitch. Beads and sequins have been used to depict the eyes of some of the animals in the Garden of Eden. As with all of Mary Jane Hannaford's quilts all work is hand sewn and quite crude and coarse in execution. The quilt is not padded or lined." [NGA] 1810 x 1590mm
Angela Smith
Durham quilt made of cotton sateen, mainly gold on one side and yellow green on the other. Top, pillow fold, has been removed. The straight sides have tiny pin stripe added border. The quilting pattern is large tree of life (palm like), swags and cable on top and bottom border. Fill in is slightly elongated diamonds. 1880 x 1520mm
National Trust of Australia (SA)
Quilt made of white cotton net, embroidered or 'voided', with an all-over pattern of parrots perched on branches and flying around a flowering tree. There is a tufted effect on the edges of figures. The top has a centre panel with 2 side panels attached to match the pattern. Quilt is lined with white cotton, and edged with a white cotton fringe. There are 2 matching pillowshams. Handsewn.
11920 x 1830mm
Maria Ahilas
The quilt top is of rose-pink satin and the backing is a lighter pink cotton. The quilting pattern is a large central 'wheel' motif repeated from each corner like a fan. The centre 'wheel' is surrounded by a single feathered wreath and diamond fill pattern. Hand quilted. The padding is cotton wadding from cotton grown on Lesvos island.
2000 x 1600mm
Mary and Max Robertson
Traditional Wagga rug made from 3 wheat bags joined along the long side by sewing with bag needle and twine. Machined twill cover was put on later in the 1960s. Originally no padding but now the bags are the padding. One of a pair(identical).
1790 x 1160mm
The Embroiderers' Guild of S.A.Inc Museum
4 Pieces of a patchwork quilt which was formerly a whole quilt. It is pieced in cottons in blues reds and browns in many prints. There are whole circles and pieced circles against a plain cream calico background. It is wool lined and is quilted. There are the initials 'A.B.' and '1828' on a central piece. The 4 pieces are various sizes.
Robyn Oliver
Wholecloth quilt, yellow sateen both sides. Hand quilted, geometric designs; centre square cross hatch, corner spaces filled with diagonal lines, border of 4 lines of parallel quilting. Flock padding visible in holes - said to be wool. 5 cms thick.
2290 x 1950mm
Joan Bradford
Utility quilt with wholecloth top and backing of twill upholstery material. Machine construction. Padding is 2 layers of wool blanket. Stitched through all 4 layers.
1474 x 1093mm
West Tamar Historical Committee
Wholecloth quilt with both sides of floral cotton. The padding is thought to be hessian bags.
2060 x 1300mm
Jean Cameron
White cotton quilt with blue embroidery. There is a lattice grid embroidered with 30 squares one way and 24 the other and in each square there is an embroidered signature or initial. In one is "The Home Missions Fete 1923" and in the centre "D.A.Cameron, Moderator" the date 1921-22 and 24 signatures within a more heavily embroidered rectangle. There is no padding and the backing is white cotton.
2120 x 1680mm
Anastasia Penklis
Traditional hand stitched Greek quilt, the top piece (in Greek a 'Stoffa') is of blue brocade with a gold pattern of roses and leaves. The border and backing are made from gold brocade woven with a daisy pattern (the same material as is in sister Ann Kyranis' quilt). The padding is cotton wool.
2100 x 1740mm
Griffith Pioneer Park Museum
Wholecloth quilt, yellow sateen both sides. Hand quilted in geometric and curvilinear patterns. Edges turned in, hand finished. Stuffed with flock-like material said by the donor to be wool. Approximately 2.5cm thick.
2500 x 2000mm.
Yiota Grigorakis
Wholecloth quilt. Top is gold sateen and the backing is gold cotton. Hand quilted in an overall large shell pattern within a border of three parallel lines spaced at 1000, 800, 700mms respectively. The padding is cotton wadding. 2000 x 1800mm
Bundaberg & District Historical & Museum Soc. Inc.
World' quilt of linen squares , autographed, embroidered in stranded cotton and the squares sewn together.
2000 x 2000mm
Ella Jarvis
Wholecloth quilt of pink satin with machine qulting in squares across the main part of the quilt, and two rows of two lots of stitching around the wide border. The quare pattern on the quilt top is overlaid with a grid of applied thick white braid. Backing of cotton. Padding appears to be enclosed in white cotton. Fragile condition.
1650 x 1370mm
Effie Kalenderidis
Wholecloth quilt made from pink satin, with similar pink cotton backing. The padding is cotton wadding. It is hand quilted and the pattern is a large central circular motif of a leaf pattern. There is a fan design in each corner and the in-fill pattern is of curved and straight parallel lines. The external border is four parallel lines.
2030 x 2000mm
Heather Leonard
This 'Quilt' is made from an army great coat from the second world war. The seams have been unpicked and pieced together by machine zig-zagging the flat edges (with Singer treadle sewing machine). The pocket slits are turned back and seamed rather than being pared off. The outside edges are turned over and blanket stitched in red. It does not have a backing.
1620 x 1180mm
Yvonne Renfree
One side of this wholcloth quilt is a single piece of cretonne or similar with a pattern of autumn leaves. The other side is patched pieces of curtaining. The padding is old clothing, mainly knits, tacked to random pieces of curtain material. The quilt is tacked together to hold all the padding in and machine stitched to the backing.
1850 x 1100mm
Joyce Wynn
Whole cloth traditional Durham quilt in sateen, pink one side and ivory the other. Elaborately hand quilted. It is padded but the type of padding is unknown. 2030 x 2030mm.
Irene Copping
Durham quilt. Hand quilted with Durham Feather Pink on one side and cream on the other. Cotton material with a slightly sheen cotton used for the quilting. Cotton wool padding.
2440 x 2150mm

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