Wholecloth Quilts

Guna Naoumidis
Wholecloth quilt made of gold satin with a backing of beige coloured cotton. The padding is wool. The quilting pattern is an all over diamond pattern, framed in a border of straight and wavy parallel lines. It is hand quilted.
2000 x 1820mm
National Gallery of Australia
" A coverlet of 7 pieces of cream muslin. The edges of the work are secured at the top and sides with bands of green and floral strips. The lower edge has been turned and hemmed. The 'quilt' is highly decorated with bands and diamonds of appliqué fabric. The upper centre field is appliquéd with images depicting Adam and Eve in the Garden of Eden surrounded by trees and a variety of animals and insects. In the centre is a smaller appliquéd image of the manger with mangel and cows. The quilt is not signed or dated, but each of the imaged areas is accompanied by a descriptive text. The writing is executed in black chain stitch. Beads and sequins have been used to depict the eyes of some of the animals in the Garden of Eden. As with all of Mary Jane Hannaford's quilts all work is hand sewn and quite crude and coarse in execution. The quilt is not padded or lined." [NGA] 1810 x 1590mm
Alysoun Ryves
Red Applique on an off white background. All applique is by hand using herringbone stitch. Three different red materials are used for the applique each printed with a different tiny all over pattern. There are 3 different applique shapes: the 9 major shapes have 8 points; the daisy pattern has 8 petals; the edge pattern is used along the top, left and half of the bottom edge of the quilt and sometimes has 4 points, sometimes 3 and sometimes 2. There is a tiny red piping around the quilt along the bottom and both sides. It is hand quilted in 100mm long zig zags 12mms apart all over the quilt. The quilt is signed twice on the front, once in ink and once in embroidery. It is signed 'Anna Edwards Jan 1858'. There is no padding and the backing material is similar to the off white background material of the top.
2270 x 2180mm
Angela Smith
Durham quilt made of cotton sateen, mainly gold on one side and yellow green on the other. Top, pillow fold, has been removed. The straight sides have tiny pin stripe added border. The quilting pattern is large tree of life (palm like), swags and cable on top and bottom border. Fill in is slightly elongated diamonds. 1880 x 1520mm
Christina Kazaglis
Wholecloth quilt with one side blue satin with a red satin border and the reverse side wholecloth floral cotton. The quilting is parallel lines and squares. It is all hand stitched. The padding is raw cotton.
1740 x 1240mm
Griffith Pioneer Park Museum
Wholecloth quilt, yellow sateen both sides. Hand quilted in geometric and curvilinear patterns. Edges turned in, hand finished. Stuffed with flock-like material said by the donor to be wool. Approximately 2.5cm thick.
2500 x 2000mm.
Yiota Grigorakis
Wholecloth quilt. Top is gold sateen and the backing is gold cotton. Hand quilted in an overall large shell pattern within a border of three parallel lines spaced at 1000, 800, 700mms respectively. The padding is cotton wadding. 2000 x 1800mm
Ella Jarvis
Wholecloth quilt of pink satin with machine qulting in squares across the main part of the quilt, and two rows of two lots of stitching around the wide border. The quare pattern on the quilt top is overlaid with a grid of applied thick white braid. Backing of cotton. Padding appears to be enclosed in white cotton. Fragile condition.
1650 x 1370mm
Effie Kalenderidis
Wholecloth quilt made from pink satin, with similar pink cotton backing. The padding is cotton wadding. It is hand quilted and the pattern is a large central circular motif of a leaf pattern. There is a fan design in each corner and the in-fill pattern is of curved and straight parallel lines. The external border is four parallel lines.
2030 x 2000mm
Mary and Max Robertson
Traditional Wagga rug made from 3 wheat bags joined along the long side by sewing with bag needle and twine. Machined twill cover was put on later in the 1960s. Originally no padding but now the bags are the padding. One of a pair(identical).
1790 x 1160mm
Robyn Oliver
Wholecloth quilt, yellow sateen both sides. Hand quilted, geometric designs; centre square cross hatch, corner spaces filled with diagonal lines, border of 4 lines of parallel quilting. Flock padding visible in holes - said to be wool. 5 cms thick.
2290 x 1950mm
Joan Bradford
Utility quilt with wholecloth top and backing of twill upholstery material. Machine construction. Padding is 2 layers of wool blanket. Stitched through all 4 layers.
1474 x 1093mm
Jean Cameron
White cotton quilt with blue embroidery. There is a lattice grid embroidered with 30 squares one way and 24 the other and in each square there is an embroidered signature or initial. In one is "The Home Missions Fete 1923" and in the centre "D.A.Cameron, Moderator" the date 1921-22 and 24 signatures within a more heavily embroidered rectangle. There is no padding and the backing is white cotton.
2120 x 1680mm
National Gallery of Australia
" The quilt is a patchwork of red cotton fabric. Each piece is decorated with embroidery in thick white cotton thread and with cotton appliqué. The edge of the quilt is decorated with a red cotton unlined border strip decorated with cutwork daisies, producing a scalloped edge. The images and inscriptions carried on each of the pieces of various sizes are a time capsule to notions and everyday life at the turn of the century.
In the centre is Queen Victoria surrounded by a garland of floral emblem of the Empire. (This square is dated 1901) Other squares carry scenes of daily life, farm animals and mottoes. "When a woman throws herself at a man head she seldom hit the mark." There are several spelling errors within the inscriptions. The latest dated piece is 'Dec 1903'. The embroidery is quite crude and large, and shows the work of two hands." [NGA]
The quilt is not padded. It is lined with pink cotton flannelette. 2230 x 1910mm
Jenny Martin
Welsh flannel quilt in fine wool wholecloth. Red on one side and turquoise on the other. Hand quilted in a traditional Welsh pattern. The padding is carded wool and the backing is flannel. 1970 x 1910mm.
Narelle Grieve
Wholecloth silk Welsh quilt. "The overall design containing the border, the central motif and corner motifs within lines of quilting is also typically Welsh. The bent leaf and leaf motifs used as mirror image pairs between the tulips in the outer border and inner border help to distinguish this Welsh quilt from those made in other parts of Britain. The scroll patterns contained within the inner border also help to establish this as a Welsh quilt." [Extract from unidentified magazine article supplied by the quilt owner.] 2560 x 2240 mm
Dorothy Kinloch
Miniature eiderdown or quilt made for a doll's bed. Wholecloth in polished cotton medium pink floral with rose pink plain frill. Machine made. The front is a floral rectangle with mitred corners and a floral border finished with a plain frill. The back is all floral including the frill. The quilt is filled with feathers. It is quilted. 4350 x 6150mm
Joyce Lacey
Wholecloth utility quilt, the top made of good quality cotton printed with posies of pink, blue and green flowers and leaves, the backing of plain cream cretonne, with a flap of plain cretonne, coming over the top side. Padding is made from blanket and jumper pieces stitched to a blanket base. Cretonne has signs of wear, and the cream backing has some staining. Top and backing machine sewn.
1840 x 1220mm
Annette Gero
Machine sewn wholecloth quilt with padding of several layers of part army blankets. The cover has been made from fabric widths of 700mm. Machine quilted.
2100 x 1800mm
Mavis Roberts
Wholecloth quilt, with applique patterns in printed coloured cottons, of a entral flower basket in an oval leaf border, appliqued leaf and flower branches, a twisted cable border, wider band of leaf and flower branches, and a final border of applique Greek key motif.The base material is linen or similar with all applique very finely hand sewn. As the quilt grew the background material has been extended with tiny hand stitches.

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