Wholecloth Quilts

Julie Atkinson
Reversible wholecloth cotton quilt with elaborate hand quilting. One side is cream patterned material and the other plain pale yellow. It is padded but the type of padding is unknown.
2450 x 2000mm
Dora Andonaros
Wholecloth quilt made from deep cherry red satin with a backing of red cotton. The padding is cotton wadding. It is hand quilted and the pattern is a central motif of a large diamond with diamond fill. Each corner has a pattern of curved lines and the quilt border is created by four parallel lines.
2070 x 2000mm
Gilgandra Historical Society
Wholecloth quilt of natural coloured cotton material. Two thousand two hundred and twenty six names have been embroidered on the top in red stranded cotton. The backing is red and white cotton material.
2033 x 1474mm
Verna Doak
Cot quilt made in rows of crochet in treble clusters. Backed with blue cotton fabric. Backing replaced with another backing of blue fabric in 1970. Colours of rows are green,yellow, blue, pink and red.
Elsie Roberts
Quilt made of white cotton with a diamond set applique pattern of brown tipped pink dogwood blossoms with green leaves in the centre. Hand appliquéd. The centre is hand quilted with cross hatching and the borders are quilted with feathered cables and circular patterns. Padding is Mountain Mist polyester, the backing is of white cotton. The quilt edges are bound with pink bias binding.
2180 x 1860mm
Sophia Haskas
Wholecloth quilt with one side of blue satin and the other of red cotton or sateen. Overall intricate quilting pattern with each part based on a symbol of Rhodes. On the blue side the quilting stitches outlining the deer have been over embroidered in gold braid. The padding is raw cotton.
2040 x 1750mm
Margaret Eisenhauer
Wholecloth quilt covered with floral cretonne both sides, deep pink and yellow flowers on a cream background. The padding is hessian/jute type bags joined.
One of a pair but the other quilt is larger.
1800 x 900mm
Agnes Pratten
Wholecloth quilt covered front and back with the least worn parts of old curtains. The padding is a carded wool sheet from Ipswich Woollen Mills placed between layers of cheesecloth.
1800 x 1225mm
Red Cliffs Historical Society
Garland with berries appliqued on wholecloth quilt of off white cotton. The backing is whole cloth in soft green. The garland (ribbon appearance) is in floral patterned green. The red berries are padded. It is machine quilted. Dacron type padding.
1820 x 1500mm
National Trust of Australia (WA)
Wholecloth Durham quilt of white cotton sateen front and backing. Handsewn. Padding is wool. Quilting patterns include a centre of 8 petalled flower within a double circle with radiating palmettes on a cross hatched background and borders of leaves and branches.
2330 x 19400mm
National Gallery of Australia
"The coverlet is of cream cheesecloth, highly decorated with applied figures and pieced fabric bands. The appliqué bands follow the edge of the coverlet for some time and then become circles radiating from the centre. The bands form two framed circular areas that carry appliquéd images. A smaller area lower centre of the cloth depicts birds and insects. In the centre of the work is a bordered oval with two aboriginal figures, an angel, kangaroo, emu and kookaburra, with the words 'Advance Australia Fair' embroidered in black thread. The stitching and construction of the coverlet is quite crude." [NGA] The quilt is not padded or lined. 1640 x 1550mm
Dorothy Stevens
Utilitarian quilt. Padding consists of recycled hand knitted jumper pieces (mainly 3 ply crepe and 8 ply) tacked to a layer of cotton material with strong buttonhole twist thread. The top is a piece of cotton fabric. Machine quilted in rows approximately 70mm apart.
1827 x 1423mm
Efthimia Toubakaris
Wholecloth quilt of golden brown cotton satin, the reverse side of pink cotton satin. Central quilting pattern of interlaced curves, within 3 rows of parallel stitching, then a border pattern of an interlaced knot design, the edge finished with 2 rows of parallel quilting. Filling of cotton. 2010 x 1920 mm.
2010 x 1920mm
National Gallery of Australia
" The quilt is a patchwork of red cotton fabric. Each piece is decorated with embroidery in thick white cotton thread and with cotton appliqué. The edge of the quilt is decorated with a red cotton unlined border strip decorated with cutwork daisies, producing a scalloped edge. The images and inscriptions carried on each of the pieces of various sizes are a time capsule to notions and everyday life at the turn of the century.
In the centre is Queen Victoria surrounded by a garland of floral emblem of the Empire. (This square is dated 1901) Other squares carry scenes of daily life, farm animals and mottoes. "When a woman throws herself at a man head she seldom hit the mark." There are several spelling errors within the inscriptions. The latest dated piece is 'Dec 1903'. The embroidery is quite crude and large, and shows the work of two hands." [NGA]
The quilt is not padded. It is lined with pink cotton flannelette. 2230 x 1910mm
Jenny Martin
Welsh flannel quilt in fine wool wholecloth. Red on one side and turquoise on the other. Hand quilted in a traditional Welsh pattern. The padding is carded wool and the backing is flannel. 1970 x 1910mm.
Narelle Grieve
Wholecloth silk Welsh quilt. "The overall design containing the border, the central motif and corner motifs within lines of quilting is also typically Welsh. The bent leaf and leaf motifs used as mirror image pairs between the tulips in the outer border and inner border help to distinguish this Welsh quilt from those made in other parts of Britain. The scroll patterns contained within the inner border also help to establish this as a Welsh quilt." [Extract from unidentified magazine article supplied by the quilt owner.] 2560 x 2240 mm
Dorothy Kinloch
Miniature eiderdown or quilt made for a doll's bed. Wholecloth in polished cotton medium pink floral with rose pink plain frill. Machine made. The front is a floral rectangle with mitred corners and a floral border finished with a plain frill. The back is all floral including the frill. The quilt is filled with feathers. It is quilted. 4350 x 6150mm
Joyce Lacey
Wholecloth utility quilt, the top made of good quality cotton printed with posies of pink, blue and green flowers and leaves, the backing of plain cream cretonne, with a flap of plain cretonne, coming over the top side. Padding is made from blanket and jumper pieces stitched to a blanket base. Cretonne has signs of wear, and the cream backing has some staining. Top and backing machine sewn.
1840 x 1220mm
Mavis Roberts
Wholecloth quilt, with applique patterns in printed coloured cottons, of a entral flower basket in an oval leaf border, appliqued leaf and flower branches, a twisted cable border, wider band of leaf and flower branches, and a final border of applique Greek key motif.The base material is linen or similar with all applique very finely hand sewn. As the quilt grew the background material has been extended with tiny hand stitches.
Annette Gero
Machine sewn wholecloth quilt with padding of several layers of part army blankets. The cover has been made from fabric widths of 700mm. Machine quilted.
2100 x 1800mm

Pages