Wholecloth Quilts

Denise Frahn
Wholecloth quilt, machine sewn, made from cotton chintz with a pale green background and a floral pattern of bunches of pink roses and blue flowers, reversible. The centre is stitched in a diamond pattern with two outside borders, then filled with feathers, using a broom handle to force the feathers through. Cover made from 36" fabric, the pattern matched exactly. Excellent condition. Feather filling was collected by the makers from backyard poultry, geese, ducks, fowls. Called an eiderdown.
1830 x 1480mm
Narryna Heritage Museum
Cotton applique quilt in 'Kentucky Rose' wreath pattern. Cream background with applique flowers in deep pink with green stems and leaves. The wreaths, each with 4 flowers, are repeated across the quilt. It is extensively hand quilted. The backing is cream finished cotton and the padding is cotton.
2300 x 2250
Maria Alexakis
Wholecloth quilt. Quilting pattern is a large 'feathered thistle' with thick stem, as the main design feature. The border is a combination of straight and curved parallel lines. Burgundy sateen with damask weave. All quilting is handstitched. Padding is cotton wadding and backing is tomato red cotton. 2150 x 1820 mm.
Heather Leonard
This 'Quilt' is made from an army great coat from the second world war. The seams have been unpicked and pieced together by machine zig-zagging the flat edges (with Singer treadle sewing machine). The pocket slits are turned back and seamed rather than being pared off. The outside edges are turned over and blanket stitched in red. It does not have a backing.
1620 x 1180mm
Yvonne Renfree
One side of this wholcloth quilt is a single piece of cretonne or similar with a pattern of autumn leaves. The other side is patched pieces of curtaining. The padding is old clothing, mainly knits, tacked to random pieces of curtain material. The quilt is tacked together to hold all the padding in and machine stitched to the backing.
1850 x 1100mm
Joyce Wynn
Whole cloth traditional Durham quilt in sateen, pink one side and ivory the other. Elaborately hand quilted. It is padded but the type of padding is unknown. 2030 x 2030mm.
Irene Copping
Durham quilt. Hand quilted with Durham Feather Pink on one side and cream on the other. Cotton material with a slightly sheen cotton used for the quilting. Cotton wool padding.
2440 x 2150mm
Julie Atkinson
Reversible wholecloth cotton quilt with elaborate hand quilting. One side is cream patterned material and the other plain pale yellow. It is padded but the type of padding is unknown.
2450 x 2000mm
National Trust of Australia (TAS)
Unfinished small quilt top of pale blue linen with squares of embroidery and silk patches appliqued and embroidered. The centre has embroidered coat of arms of the Baillie (or Bayley)family. Embroidered motifs are flowers, domestic items, anchor, butterfly, fan, basket, gardening implements. Total of 99 patches in silk, linen and cotton.
873 x 845mm
Robert Constable
Hand embroidered pink silk quilt with white embroidery. Wide border of hand made lace thought to be French late 18th century. Cream silk backing and very thin padding.
2700 x 2400mm
June Brown
Reversible wholecloth quilt of floral cotton material with a sateen finish. Machine quilting in rows holds the layers together. Padding appears to be an old blanket, cream wool with grey and pink stripes.
1950 x 1850mm
Sharon Stacy
Wholecloth quilt with white cotton centre, sky blue cotton border and dark blue binding. There are 9 repeat designs of cross stitched flowers and leaves in the centre section. Around the blue border there are 18 cross stitched flowers. Blue on blue and white on white cotton quilting of diagonal lines and curls pattern the quilt. The backing is white cotton and there is a very light padding.
2338 x1981mm
National Gallery of Australia
"This all white quilt has a front face of fine white plain weave cotton. The quilt is lined with brushed cotton twill. The two layers are quilted with white cotton thread across the entire surface with rows of zigzag stitching 16-20mm apart.
The edges of the quilt have been cut to form scallops and the raw edges here are secured with a binding of fabric similar to that used on the front face of the quilt. All work on the quilt appears to be hand sewn." [NGA] The quilt is not padded. 2655 x 2150mm
Ann Kyranis
Traditional Greek quilt. The top is a piece of deep red and gold brocade (in Greek a 'stoffa'). The border and the backing are made from gold brocade woven with a daisy pattern. It is hand quilted in parallel lines.
2150 x 1720mm
 Cynthia Mayes
Wholecloth quilt of fine cream homespun embroidered with red and white stranded cotton. It is a cross stitch design of roses pre stamped on the material. The quilting consists of a fern pattern medallion in the centre, straight lines and a fern pattern border. The padding is fine wadding and the backing is white sheeting with a small floral pattern,
2160 x 1650mm
Mare Carter
Patchwork quilt made for a child. All cotton with cotton padding. White blocks have embroidery depicting different nursery rhymes eg Mary, Mary, Quite Contrary ; Old Mother Goose. These blocks are separated by rectangular strips of teal cotton. The quilt is hand stitched and heavily quilted.
1677 x 1271mm
Dora Andonaros
Wholecloth quilt made from deep cherry red satin with a backing of red cotton. The padding is cotton wadding. It is hand quilted and the pattern is a central motif of a large diamond with diamond fill. Each corner has a pattern of curved lines and the quilt border is created by four parallel lines.
2070 x 2000mm
Gilgandra Historical Society
Wholecloth quilt of natural coloured cotton material. Two thousand two hundred and twenty six names have been embroidered on the top in red stranded cotton. The backing is red and white cotton material.
2033 x 1474mm
Verna Doak
Cot quilt made in rows of crochet in treble clusters. Backed with blue cotton fabric. Backing replaced with another backing of blue fabric in 1970. Colours of rows are green,yellow, blue, pink and red.
Santa Maltese
Wholecloth quilt with top of red sateen. Hnad quilted with a large central rosette in a 'gothic' border then square on point border and outer border with rosettes in rectangular corner panel. The backing is cotton sateen with printed floral bouquets. The thick padding is cotton. This type of quilt is called 'cuttunina' in the Sicilian dialect which means 'has cotton inside'.
2360 x 2310mm

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