Quilts

Margaret Williams
Frame quilt with central square of fabric around which the borders or frames have been added in strips. The fabrics are mostly floral, a heavy weight similar to damask or curtaining. The colours are mainly beige, brown, green and red. The original backing was a red paisly design. A second backing, of red, brown and yellow leaves on white (possibly dating from 1930s), has been added at a later date. Quilt is bound with brown fabric.
2200 x 2000mm
 Cynthia Mayes
Wholecloth quilt of fine cream homespun embroidered with red and white stranded cotton. It is a cross stitch design of roses pre stamped on the material. The quilting consists of a fern pattern medallion in the centre, straight lines and a fern pattern border. The padding is fine wadding and the backing is white sheeting with a small floral pattern,
2160 x 1650mm
Teona Smith
Suffolk Puff or puff-ball quilt is made from scraps of dresses and pyjamas, mainly cottons, but also taffeta lining fabric, net, lurex, flocked organdie. The quilt is in bright clear colours, the fabric mostly in small prints, ginghams, different size spots, a few large prints, Chinese brocade, nylon. Puffs are 5cm across, and set 31 puffs across by 45 down. Puffs are squared off when whipstitched together, so corner holes are smaller than usual.
2180 x 1500mm
Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm
Colleen Whitaker
Quilt top, all cotton. Center frame is 600mm square of calico on to which is appliqued red material in an elaborate cut out design. Radiating rows of mainly red and blue triangles. Other materials include, white with abstract plants scattered across it, pink with pin print white dots, white and maroon herringbone with small white flowers with maroon leaf sprays spread 25mm apart. The border is a strip of red not hemmed but with selvedges on the long sides. The quilt is all hand sewn with small back stitch, running stitch and hemming.
National Museum of Australia
Platypus skin rug. Skins are joined in 7 rows with the larger skins on the outside and the smaller ones in the centre. Skins are rich dark brown with yellow/cream sides (the belly fur). The backing is dark brown felt extending beyond the fur and with a stamped scalloped edge. 1720 x 1490mm
Mare Carter
Patchwork quilt made for a child. All cotton with cotton padding. White blocks have embroidery depicting different nursery rhymes eg Mary, Mary, Quite Contrary ; Old Mother Goose. These blocks are separated by rectangular strips of teal cotton. The quilt is hand stitched and heavily quilted.
1677 x 1271mm
Ruth Hansen
Quuilt constructed from large pieces of used clothing pieced together to form the top. There are layers of under shirts once used by the maker's father and also by her husband Bill. The backing is an old cream blanket.
1700 x 1200mm
Busselton Historical Society
The strip quilt is handsewn and quilted. Quilt top has 13 panels or strips of 3 different cotton lawn floral prints. Some fabrics are now wearing. Backing is of plain white cotton. The padding is wool. Quilting features a triple row cable design with flower motifs.
2100 x 1800mm
Valda Mentjox
Rug made from 12 large kangaroo skins. There are 4 'reds' ,one in each corner and the rest are 'greys'. The backing is green felt with the traditional scalloped edge extending beyond the fur. There is also black rat tail braid outlining the actual rug on the backing. 1850 x 1520mm
The Pioneer Women's Hut
American quilt in 'Dresden Plate' pattern. Hand stitched, Wide variety of cotton materials used in plain and patterned materials. The backing is cream cotton. It is hand quilted. This quilt was made from an American McCalls pattern consisting of transfers for the pieces and for the quilting design.
2400 x 1700mm
Mare Carter
Patchwork quilt, all cotton including cotton padding filler. The design is 'Dresden Plate' or 'Friendship Circle'. Background is white with multicoloured and patterned triangular pieces forming circles. Hand stitched and heavily quilted.
2235 x 1778mm
Gilgandra Historical Society
Wholecloth quilt of natural coloured cotton material. Two thousand two hundred and twenty six names have been embroidered on the top in red stranded cotton. The backing is red and white cotton material.
2033 x 1474mm
Nancy Dunlap
Grandmother's flower garden pattern. All cottons with plain centres to 'flowers' then row of prints and outer row of plains. One hexagon flower has been repaired. Scalloped edges bound with yellow. Hand quilting around the hexagons. The backing is cream cotton and the padding is thin cotton. 2140 x 1780mm.
Joyce Lannin
Hand sewn patchwork quilt with a pattern of blue stars. Each star consists of hexagons in the centre with part diamonds forming the star shape. The quilt is made from scraps. It is not padded and the backing is cotton and has a hexagon star border. 2660 x 2470 mm
Queen Victoria Museum and Art Gallery
Quilt has a centre panel of white velvet roses and green leaves with embroidered spider webs, on red velvet. Two side panels are in crazy patchwork in plain and patterned silks and velvets. All patches are edged with feather, herringbone or blanket stitch. Many patches are embroidered, including 'Minnie', 'Good Luck', birds, flowers, anchor, boat, fish, shell, spider web, crown,, 2 crossed flags, tennis racquets, Australian motifs including wattle. The centre panel has a row of ruched olive green ribbon each side and the whole quilt has a border of dark blue velvet. The padding is cotton wadding and the backing is cream cotton printed with red and pink chrysanthemums and green leaves.
2113 x 1995mm
Powerhouse Museum
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm
Sam Genovese
Wholecloth quilt, bright crimson cotton. Hand quilting is in thick cotton with a medallion design in the centre, vases of flowers in each corner, and some cross hatching. Padding is thick flock, possibly compacted fabrics, and backing is yellow cotton. 2250 x 1930 mm.
Kay Jones
Quilt top with English piecing in a star in polygon pattern. English and French cotton fabrics in a wide variety of patterns and plains constructed over papers with the tacking still in tact. Papers are mainly part envelopes some with stamps and post dated 1898. 2200 x 1800mm
Bill & Barbara Meynink
Patchwork quilt made from brightly coloured printed cotton fabrics in hexagon patches hand sewn together in rosettes, and stitched by machine onto a border of green moire taffeta. No padding. Backing is green cotton satin curtain lining. There is a matching pillow sham.
2591 x 2540mm

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