Quilts

Tasmanian Museum and Art Gallery
Machine sewn reversible quilt. Side 1 is rectangles of men's suiting samples in mainly grey, navy and black, stripes and self patterns. Side 2 is men's suiting samples but also includes woollen rectangular pieces in plain blue and deep pink. There is a hand sewn binding of fine orange-brown wool. The padding is hessian and cotton.
1460 x 1100mm
Heather Roobol
Patchwork quilt has three centre squares, one in blue/white/brown in a cross pattern, one in framed square, one with diagonal strips in a pink frame. The rest of the quilt is made from strips of rectangles in different sizes sewn in rows. There is a narrow pieced frame, then an outer border of pieced rectangles. Mostly pastel colours. No padding. Backing is calico. There is a little embroidery.
2160 x 1601mm
Mildura and District Historical Society
Quilt of 2025 hexagons stitched together to form diamond patterns. Hand sewn using paper templates. Materials are cottons and plains typical of the thirties period. The backing is blue cotton and the quilt is bound with many rows of coloured bias binding through which is treaded window cord. There is no padding. The quilt is called 'Grandmothers' Flower Garden quilt'.
2439 x 1829mm
Despina Petridis
Wholecloth quilt made of deep pink satin with a cotton backing in a similar colour. The padding is cotton. It is hand quilted and the pattern is a central motif of a star inside a circle surrounded by parallel lines forming large cable or knot design. The border is of one zig zag and four parallel lines.
1970 x 1770mm
Lora Busellato
Machine pieced cotton quilt, in random design of geometric pieces. Materials used are cotton sheeting, dress fabrics, broderie anglaise, and seersucker. There is no padding, and backing is white curtain lining.
1540 x 1150 mm.
Wendy McPhail
Repeat block in Ohio star pattern. Wide border of triangles, pieced blocks and stripes. Stars are in greens, pinks, mauves (all now very faded) and white. Wreath quilting in squares with smaller wreath quilting in triangles. There is padding and the backing is a poly/cotton sheet. 2500 x 2450mm
Irma Whitford
Pieced repeat block, in what the owner calls 'Our Village Green' pattern. Wide variety of patterned and plain materials. Finely quilted. Padding is cotton and the backing is white calico. 2180 x 1890 mm.
Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
Oakey Historical Museum Society Inc
This quilt consists of rows of pieced blocks approximately 280mm square sewn directly on to a foundation square. The design is really a version of 'log cabin' set on the diagonal. The backing squares are made from flour bags including a number stamped in blue ink "The Defiance Milling Company��..Toowoomba NET 3 lbs". Another is stamped in green ink "Parsons Rolled Oats". Two short sides and one long side of the quilt are bound in apricot coloured cotton.
1960 x 1700mm
Cressida Mary Webb Challis
Quilt of machine pieced squares and rectangles using a wide variety of materials in plain colours and patterns. It is one of a pair. There is no padding and the backing is 90cm strips of calico.
2500 x 2130mm
Museum Victoria
Possum skin cloak. Possum skins sewn together with vegetable fibre or kangaroo sinew. Designs incised into the skins, some of which are decorated with ochres. 2070 x 1540mm
Lyn Cottingham
Single bed quilt hand pieced from silk hexagons using the English method. The border, backing and central rosette of hexagons are black. All other hexagons are a mixture of plain colours, stripes and florals. They are randomly placed. It is quilted in a diamond pattern. The padding is a thin cotton woven material.
1550 x 1330mm
Red Cliffs Historical Society
Quilt with hexagons forming lozenge or honeycomb pattern. Predominantly greens and pinks in brocatelle (rayon brocade). All hand stitched. The backing is lime green rayon. The padding is probably dacron.
1800 x 1630mm
Guna Naoumidis
Wholecloth quilt made of gold satin with a backing of beige coloured cotton. The padding is wool. The quilting pattern is an all over diamond pattern, framed in a border of straight and wavy parallel lines. It is hand quilted.
2000 x 1820mm
Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm
Mary Robertson
Domestic Wagga made from 3 bags joined (the bags feel lighter than the jute wheat or flour bags) and covered back and front with floral cotton featuring large roses in red and oranges. The cover is machined.
1750 x 840mm
National Museum of Australia
Platypus skin rug. Skins are joined in 7 rows with the larger skins on the outside and the smaller ones in the centre. Skins are rich dark brown with yellow/cream sides (the belly fur). The backing is dark brown felt extending beyond the fur and with a stamped scalloped edge. 1720 x 1490mm
Dubbo Museum & Historical Society Inc
"English patchwork pieces. 1110mm x 1500mm. Hand pieced by at least two people. Made from scraps, cut down clothing and sheeting. Backing made from shirtings, dress fabrics, furnishing fabric and ticking. No synthetics. Machine quilted. Condition, fragile�.." [Dubbo Museum]
National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm
Margery Creek
Double Wedding Ring' cotton pieced quilt. Machine constructed and hand quilted. Padding is Mountain Mist cotton. The backing is unbleached calico.
2160 x 1855mm

Pages