Quilts

Julie Treacy
Animal skin rug made from rough rectangles of kangaroo skins, hand sewn together with leather thonging. Backing is woollen blankets. 2135 x 2057mm
Diane Kern Hamilton
Dresden plate quilt with pointed pieces set around a white centre. Fabrics are checks, floral patterns and plains of the 1930s. The twenty blocks are sashed with plain mauve fabric which does not meet evenly in some places. The padding is two layers of cotton bedspreads. The backing is open weave rough quality cotton.
1860 x 1550mm.
Wangaratta Centre Quilters Inc
Irregularly patched from a variety of cotton dress prints, checks, plains and mattress ticking. 1920s and 30s fabrics. Both top and back are similar. Hessian padding. Originally two single quilts, now stitched together.
1850 x 1720mm
Sharon Lord
Cotton quilt, machine sewn and hand quilted. Pattern similar to Double Irish Chain. The background is white and the small squares mainly patterned in pinks, blues, lilacs and greens. The backing is plain white cotton and the padding, which is lumpy, could be some type of cotton.
2057 x 1220mm
Joan Bradford
Utility quilt with wholecloth top and backing of twill upholstery material. Machine construction. Padding is 2 layers of wool blanket. Stitched through all 4 layers.
1474 x 1093mm
Leila Craig
Patchwork quilt of hexagon patches in a variety of colours and fabrics, including cottons, wool, lace, nylon. Edging is of yellow cotton. It is backed but there is no filling or padding.
2470 x 2100mm
Bud and Patricia Ford
Round rug of whip tail wallaby skins pieced into centre circle. Skins have been joined and then stitched on to maroon baize backing which has traditional punched scalloped edge. The skins are wattle bark tanned. Diameter 1449mm
The Pioneer Women's Hut
Double sided utility quilt made from machine pieced squares of tailors' samples and men's and boy's suitings. The padding is 5 or 6 layers of pieced used clothing including darned, threadbare socks, part jumpers, blanket pieces etc.
2090 x 1340mm
Queen Victoria Musuem and Art Gallery
Quilt with log cabin blocks forming centre rectangle with border of crazy patchwork, in silks and velvets, handsewn on to backing of blue, beige, white woven cotton. Log cabin blocks are in rich dark and light rows forming diagonal stripes. The crazy patchwork has edges decorated with yellow and cream feather stitch. Mostly plain materials with some checks and stripes. The quilt appears to have had the edges cut down. The outer border is a dark blue figured velvet. There is no padding and the backing is maroon silk with a woven yellow motif.
1655 x 1215mm
N.S.W. Parks and Wildlife Service
The top has a segmented circle in the centre surrounded by a border of small rectangles. The circle is featherstitched on to the background. Materials are wools and cottons and it is hand pieced. The other side appears to have been originally men's suiting materials strip pieced. It is now covered with a children's print in light cotton joined in long rectangles. The padding is coarse heavyweight cotton.
1410 x 1080mm
June Brown
Reversible wholecloth quilt of floral cotton material with a sateen finish. Machine quilting in rows holds the layers together. Padding appears to be an old blanket, cream wool with grey and pink stripes.
1950 x 1850mm
Marjorie Treasy
Machine sewn quilt made from 125mm squares of scraps left over from dressmaking joined in strips and then the strips joined. There is a border of fawn cotton and the backing is the same material. The padding is an old blanket and the border is padded with sheep's wool.
1400 x 925mm
Jean Cameron
White cotton quilt with blue embroidery. There is a lattice grid embroidered with 30 squares one way and 24 the other and in each square there is an embroidered signature or initial. In one is "The Home Missions Fete 1923" and in the centre "D.A.Cameron, Moderator" the date 1921-22 and 24 signatures within a more heavily embroidered rectangle. There is no padding and the backing is white cotton.
2120 x 1680mm
Lyn Uppill
Scrap quilt made of vertical strips of rectangles alternating with narrow strips of pieced triangles. Colours are subdued, blues, pinks, red, browns and black, in small patterns and stripes. Fabrics are suiting, rayon, crepe, gaberdine, taffeta and blazer wool. The padding or middle layer is pieced from hessian and suiting fabric, knitted cotton. and khaki and brown twill (uniform material). The middle layer is then handsewn to the back.
1550 x 870mm
Betty Johnson
Pieced wool quilt, machined. Rectangles and squares, from a wide variety of materials including tartans, checks, tweeds, herringbones, joined in strips and then the strips joined. The backing is scraps of woollen material with a seal motif aookiqued on. There is no padding.
1350 x 800mm
Alison Barlow
Quilt in traditional design called 'Seven Sisters'. Seven stars, each of six diamonds are set against a cream background, surrounded by bright pink triangles. Hand pieced and hand quilted. Padding is cotton, and backing is cream calico. 2100 x 1850 mm.
Albury Regional Museum
Patchwork cot quilt, machine pieced, rectangular, 5 x 4 squares. Assorted fabrics including seersucker, corduroy, printed and plain cottons. White ric-rac braid and zigzag machine stitching accentuate rows. Edge of white cotton tape. Backing is single flour bag, calico, with maker's printing visible through patchwork: 'Tiger. Best Australian Roller Flour. Mala Foot. Sole Supply. Part of Kuala Lumper' and Chinese characters.
674 x 540mm
Tricia Bowdler
Small patchwork piece in crazy patchwork in silks, satins, and velvets. Embroidered initials 'A.N' also an embroidered crest, the date 1869 with initials 'A.W.N'. There is also decorative stitching over the joins of most pieces. It is not padded. The backing is Jacquard.
661 a 649mm
Fran Williams
Crazy quilt made from a lot of light wools including gabardine types. Patches are outlined in embroidery stitches and there is additional embroidery on some patches. It is worked in 3 ply wool thought to be Patonyle (early blend of nylon and wool). The backing is a floral print mainly black with a cream flowers, brought to the front as a binding. Occasional stitches holding front to back by way of quilting. There is no padding.
1600 x 2100mm
Yiota Grigorakis
Wholecloth quilt. Top is gold sateen and the backing is gold cotton. Hand quilted in an overall large shell pattern within a border of three parallel lines spaced at 1000, 800, 700mms respectively. The padding is cotton wadding. 2000 x 1800mm

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