Quilts

National Trust of Australia (NSW)
Pieced patchwork quilt of hexagons in cottons, chintzes and linen. The centre is pieced in 6 point hexagon stars, then radiating out are large hexagons alternating with tumbling blocks, then 6 piece hexagon stars and 4 piece hexagon diamonds. Some pieces have Egyptian patterns dating from 1800 - 1805. The backing is cream linen.
2450 x 2200mm
Annette Gero
This quilt consists of many blocks of different colours with etchings and verse from the bible machine appliqued on to a red backing material. It is a kit quilt.
2580 x 24100mm
The Pyramid Hill Historical Society Inc.
This unfinished cover has a centre frame of a simple block. There are alternating plain and patterned borders including sword tooth, flying geese and squares on point. It is hand pieced with plain and twill weave cottons, variety of stripes, checks, florals and plains. There is no backing.
1800 x 1800mm
Sam Genovese
Wholecloth quilt, bright crimson cotton. Hand quilting is in thick cotton with a medallion design in the centre, vases of flowers in each corner, and some cross hatching. Padding is thick flock, possibly compacted fabrics, and backing is yellow cotton. 2250 x 1930 mm.
Lurline Lydiard
Unfinished crazy patchwork quilt. Materials are mainly silk, velvet, woven ribbons, woven brocades. Hand embroidery using many different stitches also machine embroidery eg frog. Some individual patches have names, initials, dates probably relating to family members. There are also place names several of which may refer to Australia. Apart from the embroidery on individual patches there are overlaid a number of floral displays across parts of the quilt. Backing is flannelette with selvedges of blue and pink. 1300 x 1300mm
Queen Victoria Museum and Art Gallery
Patchwork quilt made from silk and challis and velvet hexagons set to form diamond shapes. The centre shape has 8 hexagons surrounded by a row of 16 hexagons. The outer border of the quilt is 2 rows of 'Tumbling Blocks' set amongst a variety of black silk and satin patches. There is a wide fringe in red, green, blue and yellow. There is no padding and the backing is a recent addition in red cotton, synthetis mix.
1770 x 1740mm
Jillian Towers
Hand pieced patchwork quilt with blue and black checkerboard central frame surrounded by 4 borders of irregular sized rectangles. Mainly dress materials with possibly some furnishing material. It is not quilted or tied. The backing is a large rectangular red check table cloth with 3 borders of irregular shaped pieces down 2 sides and 1 border down 2 sides. There is no padding.
1860 x 1730mm
Wendy Springbett
Patchwork quilt made from alternate squares of light green and medium green cotton headcloth. The light green squares are hand embroidered with Australian native birds, the medium green squares are decorated with pulled thread designs. No padding. Backing and binding of medium green headcloth. Made from patterns published in The Adelaide Chronicle.
2650 x 1573mm
West Australian Quilters' Ass
Reversible Durham quilt made with nine pieced strips of deep green polished cotton joined together. Very finely hand quilted in an all-over traditional English quilting design. It is padded but the type of padding is unknown. 2220 x 2020mm.
Queen Victoria Museum and Art Gallery
Rug made from skins of black quolls. The skins are dark grey-brown with black areas and each skin has cream spots. The skins are mainly machine stitched together with a few roughly hand sewn. The backing is maroon felt and this extends beyond the top with a scalloped edging. There is yellow ric-rac braid hand sewn on the back seam. 1300 x 885mm
Jeanette Marchant
Quilt of hand stitched cotton hexagon patches, the hexagons are in groups of 7 to form flowers, with white or cream 'paths'. The quilt centre has 19 flowers grouped within a single hexagon border of brown and red patches. In each corner of the quilt there are 6 flowers grouped around a larger flower within a single border of darker print hexagon patches. Backing is cream cotton, machine stitched to the top. There is no padding or quilting. Some fabric patches have deteriorated.
Eileen Dinning
Double sided silk quilt. One side is paisley designs and the reverse plain silk . Machine pieced. There is a thin padding possibly sheeting.
2694 x 2287mm
Josephine Curtis
Taylor's sample quilt made from men's suit swatches, mainly greys and blues. Edging is 6cms wide, of blue flannelette. Padding is an old grey blanket, and the backing is of printed pattern corduroy. 1680 x 920 mm.
Barbara Levy
"The quilt is made up of many cotton hexagons of various colours, patterns and designs, finely sewn by hand, making a very attractive bedspread. Each patch is lined with lawn. It is quite a heavy quilt, with its plain border, and backing of home-spun cotton or cesarine. The family always called it a 'cottage design'."
No quilting.
2312 x 1905mm
Helen Blandford
Bassinet quilt. Pink satin top and backing overlaid with lace. Machine and hand sewn. The padding is possibly a nappy. It is part of a set that includes a pillow cover.
585 x 509mm
Diane Kern Hamilton
Dresden plate quilt with pointed pieces set around a white centre. Fabrics are checks, floral patterns and plains of the 1930s. The twenty blocks are sashed with plain mauve fabric which does not meet evenly in some places. The padding is two layers of cotton bedspreads. The backing is open weave rough quality cotton.
1860 x 1550mm.
Gwenneth Miller
Rabbit skin rug hand stitched. Originally had no backing but a fawn felt backing has been added. 1480 x 1180mm
Christine Barnes
Cotton quilt with rosettes of hexagons. There is a centre hexagon with a surround of 6 hexagons in a contrasting pattern and then an outer row of 12 hexagons in a different pattern. Between each rosette is a single row of hexagons in a print common to the whole quilt. The materials are typical of the 60s period. There is a deep aqua border. It is machine quilted. The backing is cotton.
2515 x 1829mm
With held as requested
Wholecloth quilt with top and backing made from coarsley woven linen. The edges are bound with paisley printed material. The quilting pattern consists of a series of whorls in different sizes. The padding is fleece wool.
1920 x 1756mm
South Australian Museum
Rabbit Skin Cloak. Rectangular pieces stitched together with sinew and later repaired with fishing line.

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