Quilts

West Tamar Historical Committee
Wholecloth quilt with both sides of floral cotton. The padding is thought to be hessian bags.
2060 x 1300mm
Tasmanian Museum and Art Gallery
Small possum skin rug with the centre area greyish skins and 2 narrow borders of reddish brown and dark brown pelts. The skins are hand sewn with white thread. The backing is woollen material, light brown with dark brown woven stripe. 1380 x 1040mm
Maria Politis
Wholecloth quilt made of deep cherry red satin with backing of sky blue satin. The padding is cotton wadding. It is hand quilted and the pattern is an all over one of four leafed clovers with a border of crescent shapes within straight parallel lines.
2000 x 1700mm
Elsie Shephard
Double sided patchwork quilt/rug. Mainly squares machined together in strips (8 across). Average square 22 to 24cms. One side has a large piece of dark grey woollen material. The materials for the squares include tweed, mohair,many woollens, tartans and cream blanketing all of which were scraps or from used clothing.
1820 x 1680mm
Jan Tregoweth
Patchwork quilt of cotton hexagon patches grouped in 'flowers', comprising 4 rings of patches around a central hexagon. Prints and plains are used, the colours mainly browns, greens, yellows, dark blue and dark pink. The 'paths' are in a yellow-brown cotton. Cotton backing. The padding is probably an old blanket. The quilt is an irregular shape, and is tied.
2550 x 1870mm
Fiona Gavens
Hexagon quilt constructed over papers; all seams oversewn with featherstitch embroidery. Materials are vyella and clydella scraps from childhood dresses of the maker's first four children, augmented with scraps from a dressmaker and a book of samples. There is no padding; backing is plain, pale blue, brushed cotton.
2200 x 1720 mm.
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Annette Gero
Frame quilt or coverlet with centre frame surrounded by floral printed panels. The centre is cotton chintz block printed material in madder colours. It is hand quilted.
2700 x 2700mm
Joyce Lannin
The centre of the quilt is a small blue 6 pointed star surrounded by a larger blue star. Blue stars also form a border to the quilt. The background material is a multicoloured small floral pattern on white cotton. The quilt is all hand worked over templates. The padding is cotton and the backing is polyester sheeting with a border of stars.
2650 x 2475 mm
National Trust of Australia (WA)
Patchwork quilt in Grandmother's Flower Garden pattern consisting of groups of 7 rosettes and single rosettes with white filler hexagons and a border of rosettes alternating with 'bow tie' shapes of 5 patches in the middle of the quilt. Hand sewn in cotton dress and shirting materials , the colours mostly blues, pinks, reds, brown and white. The quilt top is covered in netting. There is no padding and the backing is cream cotton twill.
2270 x 2080mm
Queen Victoria Museum and Art Gallery
Platypus skin rug, 63 pelts in 7 rows by 9. Skins are small, rectangular and worn down. The colour is greyish brown with a darker centre. The skins are machine stitched then the rug is hand sewn to dark brown felt which extends to form a wide border and this has 3 rows of machine stitching. 1780 x 1425mm
Christine Kable
Durham type wholecloth quilt of cotton sateen, hand sewn and quilted. Apricot on one side and yellow on the other. The padding is possibly coarse cotton.
2465 x 2057mm
Val Ireland
Utilitarian quilt. The top and backing are machine pieced scraps of curtain material and clothing pieces. The centre is an old blanket and possibly clothing pieces.
2033 x 1525mm
Ann Cuthbert
Patchwork quilt of hexagons in pattern known as 'Grandmother's flower garden'. All cotton. Rosettes are set in a white 'path' with the centre and first ring in solid colours and the second ring prints. There is a yellow border and an outer border in pink. It is hand pieced and hand quilted. The padding is cotton and the backing is white cotton with 2 border edges in light and dark blue. These borders were originally part of the top. There is an inscription "Dear daughter from Mother".
2390 x 1880mm
Mrs. L. M. Chick
Hexagon quilt made by hand from a wide variety of cotton materials. There is no padding and the backing is calico.
2286 x 915mm
National Trust of Australia (TAS)
Child's quilt, reversible, top and ruffle of cotton patterned with pink and off white roses on a green background. The reverse has had a large piece of red and green paisley printed cotton hand sewn over the rose print. Machine stitched in rectangles in 5 rows with pink cotton. The padding is cotton or kapok.
1150 x 840mm
Kereake Wray
Wholecloth Greek quilt. "The fabric is a beautiful silk satin with a formal pattern of soft yellows and pinks on a turquoise background. Surrounding this is a 40cm wide border also of silk satin (cerise coloured). The quilt is machine pieced but hand quilted. The method of quilting is very interesting. A thick cream twist has been used and at first glance it seems that the quilt is tied as there are long pairs of stitches with gaps of about 4cm between them. However, either a long needle was used to make a pair of stitches OR each side may have been quilted separately with the needle only going half way into the wadding which is about 2 cms thick." [Kereake Wray] The padding is kapok approx 2 cm thick and the backing is deep coral pink satin. 2200 x 1960 mm.
The Pioneer Women's Hut
The top is machine pieced patches of used clothing. The backing is large pieces of dress materials and either end patches similar to the top. The padding is a chaff bag or similar with patches of worn, matted children's jumpers sewn directly on to it.
1400 x 1150mm
Doncaster-Templestowe Historical Society
Patchwork quilt made of hexagons in silks, satins and brocades. Colours are soft, mainly creams and pastels, with some deep pink, yellow, dark grey and bright blue. Quilt is bordered with a wide band of light navy moire or faille. Padded, possibly with a blanket. Backed with cotton twill.
2420 x 1900mm
Ida Blenkiron
Patchwork quilt of square and rectangular patches, mainly in cotton fabrics, in plains and prints. Colours are predominantly yellow, pinks, blues and prints on white. Backing is the same except there is a piece of patterned curtaining material as a patch across the middle width. Padding is old blanketing.
1830 x 1140mm

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