Quilts

N.S.W. Parks and Wildlife Service
Double sided quilt. Side 1 has a central patch of small rectangles and borders of half square triangles. Seamed construction. Side 2 is crazy patch in wools and cottons on to a backing material. There is one round segmented circle in the centre. Machine pieced and quilted.
2050 x 1610mm
Gladys V. Williams
Grandmother's Flower Garden, also known as French Bouquet. The quilt comprises 181 flowers. No padding is used. Each flower has seven hexagonal patches, cut from a metal template pattern. Floral and plain silk materials are used and mounted on pale blue moire taffeta.
3050 x 2031mm
Wendy McPhail
Repeat block in Ohio star pattern. Wide border of triangles, pieced blocks and stripes. Stars are in greens, pinks, mauves (all now very faded) and white. Wreath quilting in squares with smaller wreath quilting in triangles. There is padding and the backing is a poly/cotton sheet. 2500 x 2450mm
With held as requested
Wholecloth quilt with top and backing made from coarsley woven linen. The edges are bound with paisley printed material. The quilting pattern consists of a series of whorls in different sizes. The padding is fleece wool.
1920 x 1756mm
Red Cliffs Historical Society
Garland with berries appliqued on wholecloth quilt of off white cotton. The backing is whole cloth in soft green. The garland (ribbon appearance) is in floral patterned green. The red berries are padded. It is machine quilted. Dacron type padding.
1820 x 1500mm
Red Cliffs Historical Society
Large hexagon rosettes in a variety of plain colours. 6 form a flower and each hexagon has a contrasting colour for the centre. Machined smaller hexagons give a ruffled effect. Colours of flowers include teal, burnt orange, pink, lime and mauve. The material is nylon and the backing is a single piece of pink bubble nylon. The padding is a single piece of calico.
2050 x 1530mm
South Australian Museum
Rabbit Skin Cloak. Rectangular pieces stitched together with sinew and later repaired with fishing line.
Win Oliver
Crazy patchwork quilt made from silk, brocade and velvet pieces, the seams covered with feather stitching in yellow silk. Fabrics are plain, and patterned with tartans, woven spots, stripes and floral brocade. Colours are rich, mainly red, pink, blue, green and cream. Quilt has a patterned velvet or velour border with urns and flowers in pale olive green and black, edged with a fringe in these colours.
1090 x 1040mm
Margery Creek
Cotton quilt in 'Pyramid Charm' pattern. Made in the USA and thought to have come from Louisiana. Hand pieced and hand quilted with the quilting following the triangular shapes. The quilting is quite coarse. The backing is black printed material and there is cotton padding.
1931 x 1855mm
Art Gallery of South Australia
Patchwork quilt in the Tumbling Block pattern in light and dark silks in bright colours. On both sides and at the bottom is a wide border in Tumbling Blocks, the pattern vertical at the sides and forming a triangle centre bottom, with an edge on both sides of two black bands with pieced diamonds between. Made for a poster bed. Hand sewn.
1790 x 1750mm
Elizabeth Williams
Cotton quilt of plain and patterned hexagons, 6 joined to make a flower. The flowers are arranged in rows with single motifs filling the spaces. Hand sewn. The backing is heavy red cotton material. There is no padding.
2490 x 1803mm
Mare Carter
Patchwork quilt, all cotton including cotton filling. "Wedding Ring" pattern in variety of materials in plains and patterned, many pinks and blues.
Hand sewn and hand quilted.
2236 x 1804mm
Beth Hoskins
Fox skin rug made from centre backs of pelts. 16 skins running the width of the rug and a 40mm fur border. The backing is tan felt with a pinked edge (traditional in this type of fur rug) and this is joined to the rug with a doubled blue felt binding. The skins are very fine quality winter skins.
Heather Leonard
This 'Quilt' is made from an army great coat from the second world war. The seams have been unpicked and pieced together by machine zig-zagging the flat edges (with Singer treadle sewing machine). The pocket slits are turned back and seamed rather than being pared off. The outside edges are turned over and blanket stitched in red. It does not have a backing.
1620 x 1180mm
Pam Clifford
Large squares, alternate brown check and blue check, of men's dressing gown material. "Everyone's father had one in 40s and 50s". [Pam Clifford]. No padding. Backing is smaller random shapes of men's grey suiting material. Machine construction. There is no quilting.
2236 x 1550mm
Anne Gardener
Quilt made from woollen dressmaking scraps, sewn to an army demob issue blanket, grey with blue stripes. Patches are feather stitched in red broder cotton thread. Quilt is edged with red cotton material zig zagged into place. Colours are pink, blue, brown, black and grey, in plain cloth, weaves and checks.
1462 x 966mm
National Trust of Australia (WA)
Wholecloth Durham quilt of white cotton sateen front and backing. Handsewn. Padding is wool. Quilting patterns include a centre of 8 petalled flower within a double circle with radiating palmettes on a cross hatched background and borders of leaves and branches.
2330 x 19400mm
Una Braby
Frame quilt pieced from square, rectangular and triangular pieces from plain and patterned cotton. The central motif of the rooster is appliqued in red cotton on white background with a border of red triangles. There is a white cotton backing.
2000 x 1925mm
Connie Papalazaros
Wholecloth quilt made from floral cotton material with a light green background. Hand stitched quilting pattern of diamonds in the centre and parallel lines radiating out from this. The padding is cotton wadding.
1940 x 1300mm
Yvonne Renfree
One side of this wholcloth quilt is a single piece of cretonne or similar with a pattern of autumn leaves. The other side is patched pieces of curtaining. The padding is old clothing, mainly knits, tacked to random pieces of curtain material. The quilt is tacked together to hold all the padding in and machine stitched to the backing.
1850 x 1100mm

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