Quilts

Queen Victoria Museum and Art Gallery
Rug made from skins of black quolls. The skins are dark grey-brown with black areas and each skin has cream spots. The skins are mainly machine stitched together with a few roughly hand sewn. The backing is maroon felt and this extends beyond the top with a scalloped edging. There is yellow ric-rac braid hand sewn on the back seam. 1300 x 885mm
Gundagai Historical Museum
Patchwork cot or pram quilt made of diamond patches in the Tumbling Block pattern. Patches are made from cotton, corduroy and velvet, with red, black, teal blue, green, brown and cream predominating. No padding. Backing is of green wool and the quilt is bound with dark red crushed velvet.
780 x 560mm
Inverell Pioneer Village
Wholecloth quilt made of red floral crinoline cotton material. Quilting is in vertical rows, alternating cables with orange peel patterns. Padding is of cotton flock. Backing is of white cotton. Quilt is edged with a self fabric ruffle on three sides. Hand sewn.
2236 x 2236mm
Army Museum Victoria Barracks
Almost square top made of military colour patches of woollen material machine sewn on to blanket pieces, then each piece hand stitched together. The top is a frame style with central group of patches in a star motif with colour patches set in borders around the centre. There is no padding and the backing is the blanket pieces.
2143 x 2090mm
Diana Cameron
Small patchwork piece possibly made from salesman's samples. There is no opening in the back so it is not a cushion cover. There is no padding. The backing is green polished cotton. There is a 40mm fringe around the edge.
520 x 520mm
Christine Barnes
Cotton quilt . Blue squares with evry alternate square cream with an appliqued butterfly. Blue border. Completely hand quilted. Light weight padding and cotton backing .
2743 x 1829mm
Kerrie Maloney
Double sided quilt made from woollen suiting pieces some of which have hand worked eyelets. Many of the rectangles are irregular. Both sides use similar pieces but arranged in different patterns. There is no padding.
2160 x 1524mm
Helen Blandford
Bassinet quilt. Pink satin top and backing overlaid with lace. Machine and hand sewn. The padding is possibly a nappy. It is part of a set that includes a pillow cover.
585 x 509mm
Santa Maltese
Wholecloth quilt with top of red sateen. Hnad quilted with a large central rosette in a 'gothic' border then square on point border and outer border with rosettes in rectangular corner panel. The backing is cotton sateen with printed floral bouquets. The thick padding is cotton. This type of quilt is called 'cuttunina' in the Sicilian dialect which means 'has cotton inside'.
2360 x 2310mm
Amanda Smith
Unfinished crazy parchwork quilt using a wide variety of mainly cotton scraps in patterns and plains. Machine sewn on to calico base.
1956 x 1677mm
Art Gallery of South Australia
Patchwork quilt or table covering dark and light silks in bright colours, pieced from diamond shapes into stars with black patches between the stars. Plain and patterned silks are used for the stars. Border is made from a single row of Tumbling Blocks in plain silks with an edging on each side of truncated black diamonds on blue on the inside, orange on the outer edge. There is a star pieced of diamonds in each corner. Hand sewn.
1830 x 1800mm
Jillian Towers
Hand pieced patchwork quilt with 10 diamonds consisting of hexagons with white and black rows as edging. Materials include furnishing and dress materials and a type of linen. It is not quilted or tied. The backing is a small floral print in flannelette.
2180 x 1830mm
National Pioneer Women's Hall of Fame
Patchwork top made in the Log Cabin pattern in cotton fabrics, 10 x 10 squares. Hand sewn. Most fabrics are patterned, colours in darks and lights include blues, red and pink, greys, browns. The wide border is made from 3 rows of blunt ended triangles (tumbler), the edge is bound with a narrow strip of patterned grey and white fabric. Each corner of the border has 3 chequered squares set on the diagonal. Hand sewn, the binding is machine sewn. No padding or backing.
2360 x 2340mm
Yass & District Historical Society
Patchwork quilt made of approx. 730 Suffolk Puffs, using mainly cotton materials in florals and plains. Each puff is 45mm diameter. The quilt centre has a square of 16 pink puffs outlined with a single row of blue puffs. Each corner of the quilt has a square of 9 puffs in a single colour. No padding. Quilt is edged and backed with a red and white tartan cotton.
With held as requested
Wholecloth quilt with top and backing made from coarsley woven linen. The edges are bound with paisley printed material. The quilting pattern consists of a series of whorls in different sizes. The padding is fleece wool.
1920 x 1756mm
Annette Gero
This quilt consists of many blocks of different colours with etchings and verse from the bible machine appliqued on to a red backing material. It is a kit quilt.
2580 x 24100mm
Margery Creek
Cotton quilt made in the USA. The pattern is called 'Turkey Tracks'. It has a cotton backing and a bottle green binding. The red patches have faded to pink. The quilt is hand pieced and hand quilted. Two names are written on tape sewn on the back viz: Cora Phelps and M.Hoover.
2135 x 1727mm
South Australian Museum
Rabbit Skin Cloak. Rectangular pieces stitched together with sinew and later repaired with fishing line.
The Pyramid Hill Historical Society Inc.
This unfinished cover has a centre frame of a simple block. There are alternating plain and patterned borders including sword tooth, flying geese and squares on point. It is hand pieced with plain and twill weave cottons, variety of stripes, checks, florals and plains. There is no backing.
1800 x 1800mm
Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm

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