Quilts

Rozanne Andrew
Patchwork crazy quilt of late 40s and early 50s. Pieces are from curtains, tablecloth,other kitchen type fabrics in cotton, seersucker and linen. Colours are mainly reds, greens, blues, and pastels, in prints and plain. Herringbone stitch is worked around the edge of each patch. No filling. The backing is calico with one edge in a piece of coloured cotton from the front; the calico was a little small for the top.
2020 x 1400mm
Julie Bos
Crazy patchwork quilt with pieces made from cottons, rayons, silks and taffetas. Each piece is stuffed with kapok and machine sewn to a backing then a wholecloth floral cotton backing has been added.
920 x 164o mms
National Trust of Australia (SA)
Double bed patchwork coverlet of pieced blocks in a pinwheel or dresden plate pattern of prints on a cream ground, each block with a 1 3/4" border or sash. Each pinwheel has 10 pieces, and the quilt is constructed 8 blocks by 6. Cotton fabrics are in florals, checks and stripes, in blues, greens browns, pinks, purple. The quilt was in poor repair and has been reduced in size. Conservation work has been done by the State Conservation Centre.
Backing or filling unknown.
Margery Creek
Cotton quilt in 'Pyramid Charm' pattern. Made in the USA and thought to have come from Louisiana. Hand pieced and hand quilted with the quilting following the triangular shapes. The quilting is quite coarse. The backing is black printed material and there is cotton padding.
1931 x 1855mm
Elizabeth Williams
Cotton quilt of plain and patterned hexagons, 6 joined to make a flower. The flowers are arranged in rows with single motifs filling the spaces. Hand sewn. The backing is heavy red cotton material. There is no padding.
2490 x 1803mm
Agnes Pratten
Thick padding for a wholecloth quilt constructed from pieces of old woollen clothing. The backing is a calico sheet. Originally had a cretonne cover.
Deb Nichol
Rug made from 40 brown fur skins (8 rows by 5), possibly possum. Skins are sewn by machine, with seams covered with white tape. Rug is backed with cream wool felt, and bordered with beige scalloped felt. There is a braid binding along the outer edge of the skins. No padding. 1640 x 1480mm
Mare Carter
Child's Patchwork quilt of pieced repeat blocks in red print and white cotton, in 'Bow Tie' pattern. Qult has cotton backing, and wool filling. Some patches are fraying. The quilt has 'Mary Lactitia Thompson' embroidered on it.
1905 x 1296mm
Annette Gero
The top is mainly squares of flannel machined together with patches of dress materials stitched randomly on top. There is no padding and the backing is calico. The top and backing are held together by a binding only. It is one of a pair.
2010 x 1680mm
Narelle Grieve
Folded log cabin, foundation pieced. Machine constructed. Materials are cotton, wool, rayon, flannelette, silk and twill. There is no padding and the backing is cretonne. 2700 x 2100 mm
Margery Creek for Eugene Creek
Wholecloth polyester and cotton quilt in deep orange with centre frame of Creek family crest. The crest is machine zig zag appliqued to white background and has a black border. The quilt is machine sewn, hand quilted, has a white backing and a thin black binding on the border. The padding is polyester.
2235 x 1854mm
Valinda Gale
Patchwork quilt made from squares of cotton prints in florals, stripes, spots and checks, joined together in rows. Colours are predominantly blues, reds, yellow and pastels. Binding is of turquoise blue fabric. Materials appear to be from the 40s or 50s. Patches caught in the middle with a woollen knot - red, yellow, blue wool. No quilting. Backed in blue fleecy flannel.
Single bed length and width.
Gwenneth Miller
Rabbit skin rug hand stitched. Originally had no backing but a fawn felt backing has been added. 1480 x 1180mm
Barbara McCabe
"A single bed cover made up of squares and recrangles of woollen fabric pieced together by a Vicker Sewing Machine from Myer Melbourne. The fabrics are either new (left over scraps) or used (unpicked woollen garments). The backing is an old (used) candlewick bedspread. There is no padding. It is faded and worn due to being used for other purposes later. There is a 66 cm high clown that ahs been appliqued on mainly by hand using blanket stitch. It is also made from scraps of fabric. The hands were cut from an old felt hat."
2400mm x 1660mm
Alexandra Magloveris
Wholecloth quilt in satin, crimson one side and yellow on the other. Hand quilted in an all over pattern. The padding is wool.
2300 x 1700mm
Susan Shannon
This hand pieced and hand quilted hexagon quilt is in a pattern often called 'Grandmother's Flower Garden'. The background is white and there are concentric rows of double rosettes each with a yellow centre. The colours start in the centre of the quilt with pink and then follow the rainbow. Paper templates were used. The padding is cotton (American) and the backing is cotton floral poplin.
2360 x 1730mm
Irma Whitford
Pieced repeat block in 'Dresden Plate' pattern in a variety of fabrics with pink and pale blue predominating. Scalloped outer edge. Machine pieced and hand quilted, with echo quilting of four petals between the 'Dresden Plates'. The padding is polyester, and the backing is white calico. 2600 x 1630 mm.
With held as requested
Wholecloth quilt with top and backing made from coarsley woven linen. The edges are bound with paisley printed material. The quilting pattern consists of a series of whorls in different sizes. The padding is fleece wool.
1920 x 1756mm
Mare Carter
Patchwork quilt, all cotton including cotton filling. Pink and white. Large plain pink blocks with white pieced blocks in between in arrow type pattern based on rectangles. Hand sewn and hand quilted
1931 x 1728mm
South Australian Museum
Rabbit Skin Cloak. Rectangular pieces stitched together with sinew and later repaired with fishing line.

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