Quilts

Eileen Dinning
Quilt of over 6000 suffolk puffs (also called yo yos) in a mix of cotton and synthetic materials. The top is hand stitched on to a satin backing.
2413 x 1626mm
Powerhouse Museum
Reversible cot quilt, hand pieced, in the log cabin pattern; the blocks measure 150mm square. The patches have been cut from plain and patterned dress, pyjama and men's shirt fabrics. Strong diagonals were created in the overall design through using light and dark colours, often a strong red, to divide the log cabin blocks in half diagonally. The back is made from rectangles of striped men's shirt fabrics in pastel blues, pinks and browns with a large 'flowe' in each corner, each pieced from six hexagon patches around a central seventh hexagon. There is no padding.
[PHM] 1720 x 1150mm
Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
Art Gallery of South Australia
Patchwork quilt or table covering dark and light silks in bright colours, pieced from diamond shapes into stars with black patches between the stars. Plain and patterned silks are used for the stars. Border is made from a single row of Tumbling Blocks in plain silks with an edging on each side of truncated black diamonds on blue on the inside, orange on the outer edge. There is a star pieced of diamonds in each corner. Hand sewn.
1830 x 1800mm
Elsie Shephard
Double sided patchwork quilt/rug constructed from squares machined together in strips and then the strips joined. It is made in one piece and then doubled over. The materials are mainly wool, worsted, part cream machine made jumper, pink and blue mohair, blue and white spotted flannelette and cream blanket and all are scraps or from worn clothing.
1690 x 1370mm
E Shuttle
Wholecloth quilt made from orange cotton cretonne for back and front. Padding is made from old blankets stitched together. The quilt weighs 16 lb.
1423 x 1118mm
Ruth Nash Allen
Quilt based on 70mm block. Cottons and rayon's with some reused materials. Machine pieced, hand quilted. Backing is mid blue cotton brought over to the front and machined to form a binding. Padding is probably cotton.
2510 x 1850mm
Tasmanian Museum and Art Gallery
Rug made from 54 Platypus skins; 6 rows of 9 rectangular pelts, brown with creamy yellow edges, machined together. The backing is red felt or baize and extends beyond the top with a punched scalloped border. The backing is hand stitched to the top and has a centre motif of a flower outlined in black braid within a large black rectangle. 1890 x 1635mm
Mr. Michael and Mrs. Mary Dilworth
Pieced repeat block, hand pieced over papers in a diamond pattern. Blue patterned border. There is no padding and the quilt has been recently backed with calico. The 2 layers are tied together. 2240 x 1830 mm.
Margery Creek
Snow Ball' cotton quilt made in the USA. Feed bag materials and dress materials. Hand pieced and hand quilted. Calico border and backing.
2058 x 2007mm
National Trust of Australia (WA)
Frame quilt in cottons with a centre motif of pieced 8 point star surrounded by borders, 2 from red/white material printed to represent Tumbling Block patchwork. The remaining borders are, one plain, one of pieced squares, one of pieced large triangles with squares in the corner. The outer border is plain. The padding is wool and the backing is cream cotton. It is elaborately quilted.
2400 x 2260mm
Guna Naoumidis
Wholecloth quilt made of gold satin with a backing of beige coloured cotton. The padding is wool. The quilting pattern is an all over diamond pattern, framed in a border of straight and wavy parallel lines. It is hand quilted.
2000 x 1820mm
Celia Dolley
Cotton scrap quilt with shapes of diamonds, strip and squares. The quilt has been repaired using machine zig zag in white cotton. There is no padding and the backing is calico.
2175 x 1625mm
Mary Robertson
Domestic Wagga made from 3 bags joined (the bags feel lighter than the jute wheat or flour bags) and covered back and front with floral cotton featuring large roses in red and oranges. The cover is machined.
1750 x 840mm
Illawarra Historical Society Inc
Wholecloth quilt, both sides cretonne in different rose patterns. 120mm double frill matches each side. Padding is possibly hessian bags. It is hand quilted in large stitches in white/cream cotton in strips with circles, diamonds and scrolls repeated.
2070 x 2030mm
Margaret Williams
Frame quilt with central square of fabric around which the borders or frames have been added in strips. The fabrics are mostly floral, a heavy weight similar to damask or curtaining. The colours are mainly beige, brown, green and red. The original backing was a red paisly design. A second backing, of red, brown and yellow leaves on white (possibly dating from 1930s), has been added at a later date. Quilt is bound with brown fabric.
2200 x 2000mm
Red Cliffs Historical Society
Crazy patchwork quilt pieced from velvets, satins, braids, taffetas, cottons with some decorative stitching. A ruffle and the backing are in ruby red satin. There is a dacron type padding.
1620 x 1200mm
National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm
Red Cliffs Historical Society
Large hexagon rosettes in a variety of plain colours. 6 form a flower and each hexagon has a contrasting colour for the centre. Machined smaller hexagons give a ruffled effect. Colours of flowers include teal, burnt orange, pink, lime and mauve. The material is nylon and the backing is a single piece of pink bubble nylon. The padding is a single piece of calico.
2050 x 1530mm
Alysoun Ryves
Red Applique on an off white background. All applique is by hand using herringbone stitch. Three different red materials are used for the applique each printed with a different tiny all over pattern. There are 3 different applique shapes: the 9 major shapes have 8 points; the daisy pattern has 8 petals; the edge pattern is used along the top, left and half of the bottom edge of the quilt and sometimes has 4 points, sometimes 3 and sometimes 2. There is a tiny red piping around the quilt along the bottom and both sides. It is hand quilted in 100mm long zig zags 12mms apart all over the quilt. The quilt is signed twice on the front, once in ink and once in embroidery. It is signed 'Anna Edwards Jan 1858'. There is no padding and the backing material is similar to the off white background material of the top.
2270 x 2180mm

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