Quilts

National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
 Cynthia Mayes
Wholecloth quilt of fine cream homespun embroidered with red and white stranded cotton. It is a cross stitch design of roses pre stamped on the material. The quilting consists of a fern pattern medallion in the centre, straight lines and a fern pattern border. The padding is fine wadding and the backing is white sheeting with a small floral pattern,
2160 x 1650mm
Museum Victoria
Possum skin cloak. Possum skins sewn together with vegetable fibre or kangaroo sinew. Designs incised into the skins, some of which are decorated with ochres. 2070 x 1540mm
Win Adcock
The quilt on longer exists, just the label, but the quilt was squares of flannelette shirt material, velvets and woollen pieces. The backing was calico. The label was sewn to the backing and it reads: 'Red Cross Killarney Manitoba'. It is embroidered in red and is on a white piece of sheeting.
Colleen Whitaker
Quilt top, all cotton. Center frame is 600mm square of calico on to which is appliqued red material in an elaborate cut out design. Radiating rows of mainly red and blue triangles. Other materials include, white with abstract plants scattered across it, pink with pin print white dots, white and maroon herringbone with small white flowers with maroon leaf sprays spread 25mm apart. The border is a strip of red not hemmed but with selvedges on the long sides. The quilt is all hand sewn with small back stitch, running stitch and hemming.
Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm
Mare Carter
Patchwork quilt made for a child. All cotton with cotton padding. White blocks have embroidery depicting different nursery rhymes eg Mary, Mary, Quite Contrary ; Old Mother Goose. These blocks are separated by rectangular strips of teal cotton. The quilt is hand stitched and heavily quilted.
1677 x 1271mm
Giuliana Bond
Log cabin quilt, machine pieced and assembled. Some fabrics are pieces from family dresses, with mauve crepe used throughout. The pale side of each block is silk taffeta and other silk pieces. Padding is flannelette, and backing is cream muslin from a petticoat of the present owner, worn when she was bridesmaid to an aunt and uncle. 1000 x 630 mm.
National Museum of Australia
Platypus skin rug. Skins are joined in 7 rows with the larger skins on the outside and the smaller ones in the centre. Skins are rich dark brown with yellow/cream sides (the belly fur). The backing is dark brown felt extending beyond the fur and with a stamped scalloped edge. 1720 x 1490mm
Helen Sparkman
Hexagon quilt made from dressmaking scraps from one neice. The quilt top only is complete and a few papers are still attached.
2250 x 2000mm
Mare Carter
Patchwork quilt made for a doll's bed or possibly as an infant's quilt. All cotton. The owner calls the pattern a variation of 'Bow Ties'. Hand sewn and quilted. This quilt is new.
534 x 382mm
Doncaster-Templestowe Historical Society
Patchwork quilt made of hexagons in silks, satins and brocades. Colours are soft, mainly creams and pastels, with some deep pink, yellow, dark grey and bright blue. Quilt is bordered with a wide band of light navy moire or faille. Padded, possibly with a blanket. Backed with cotton twill.
2420 x 1900mm
National Trust of Australia (NSW)
Hand sewn quilt comprising 263 rosettes of hexagons in chintz. 6 hexagons around a centre one form a rosette. Between these are plain off white hexagons. There is a mark on one corner on cream material, possibly a stamp. The crochet lace border is on three sides only.
2850 x 2720mm
Beryl Warne
The quilt's construction is cotton patches about 170mm square joined in strips and then the strips joined. The border and backing are pale lemon coloured cotton lawn. The padding is an old woollen blanket. There is ric-rac braid around the border of the top.
2180 x 1420mm
National Trust of Australia (TAS)
Unfinished small quilt top of pale blue linen with squares of embroidery and silk patches appliqued and embroidered. The centre has embroidered coat of arms of the Baillie (or Bayley)family. Embroidered motifs are flowers, domestic items, anchor, butterfly, fan, basket, gardening implements. Total of 99 patches in silk, linen and cotton.
873 x 845mm
Sharlene Rogers (for Nadia Brookes)
Pieced squares, each square with a cross and 4 small squares in red. Crosses are in rows alternating 2 shades of blue and 2 of brown. Cream background. Now unlined but remnant blanket like material in corners. Originally had a cotton frill. Quilt was made from scraps of material used for making children's clothes.
The Pioneer Women's Hut
Patchwork quilt, machine construction in pink and white twill cotton, log cabin pattern. Each log cabin block was constructed with the backing in place, in groups of 4 blocks placed together. Each block 200mm in size.
2300 x 2050mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Red Cliffs Historical Society
Hexagonal log cabin quilt. Hexagons constructed of strips with half hexagon dark and half light. These hexagons are then joined to form diagonal light and dark stripes. Machine and hand sewn. Materials are wools, printed cottons, velvets, corduroys, rayons, flannelettes, brocades, pique and taffetas. The backing is a single piece of brocatelle (rayon brocade). There is probably a thin layer of padding.
1400 x 1200mm
June Loewenthal
Hand made cotton quilt in repeat block with appliqued Iris pattern. It is a kit quilt. "The Iris, Design "R" of the 'Mountain Mist Series' of Quilt Patterns" from The Stearns & Foster Company, Lockland, Cincinnati, Ohio. Copyright 1930. The backing is cotton and the filling also.
2439 x 1981mm

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