Quilts

Powerhouse Museum
"A quilt or coverlet of natural cotton sheeting with appliqueed motifs cut from a variety of crimson cotton damask. The quilt is hand sewn and nearly square and has a 12 cm border made from the same crimson damasks. The applique motifs consist of a range of hexagons, rosettes, flowers, hearts and stars that radiate outwards from a large centrally placed star shape. All are the same shade of crimson red which suggests they were dyed in the same dye pot. The fabrics are now quite thin and soft which suggests that the quilt, or the fabric it was made from, was well used." [PHM]
1960 x 1950mm
Sharon Stacy
Wholecloth quilt of white cotton with hand appliqued flowers in 3 shades of red. The centre of the quilt has 6 separate flowers radiating from a circle and each corner has a separate arrangement of flowers. The white cotton quilting is in diagonal lines and a daisy pattern. There is a narrow red border widely scalloped. The backing is white cotton. There is no padding.
2236 x 1905mm
Win Adcock
The quilt on longer exists, just the label, but the quilt was squares of flannelette shirt material, velvets and woollen pieces. The backing was calico. The label was sewn to the backing and it reads: 'Red Cross Killarney Manitoba'. It is embroidered in red and is on a white piece of sheeting.
West Australian Quilters' Association
The quilt is a repeat block in the Ohio Star pattern in turkey red and cream. Quilted in squares in the cream block and diagonal lines in the star block. The fabric border is disintegrating. The backing is cream calico and the padding is cotton, badly degraded. 1940 x 1760mm.
Christina Kazaglis
Wholecloth quilt with one side blue satin with a red satin border and the reverse side wholecloth floral cotton. The quilting is parallel lines and squares. It is all hand stitched. The padding is raw cotton.
1740 x 1240mm
National Gallery of Australia
"This is a coverlet of pale blue cotton muslin, highly decorated with appliquéd pieced bands, figures, and embroidery. The edge of the quilt is finished with bands of yellow, white and green cotton attached with ladder stitch.
Down the centre field of the design and 4 poems embroidered in quite crude chain stitch. Each piece of prose is accompanied by an appliquéd illustration. For example a large clock accompanies a poem of time. 'While shepherds watch their flocks at night�.'is illustrated with a beautiful scene of the manger watched by an angel, cows and sheep. The appliqué and embroidery is executed crudely with large stitches in running and overcasting. The quilt is signed, 'M.J.H. aged 84 yrs.1924.' " [NGA] There is no padding or lining. 1640 x 1540mm
Mare Carter
Patchwork quilt, all cotton including cotton padding filler. The design is 'Dresden Plate' or 'Friendship Circle'. Background is white with multicoloured and patterned triangular pieces forming circles. Hand stitched and heavily quilted.
2235 x 1778mm
Mare Carter
Patchwork quilt made for a doll's bed or possibly as an infant's quilt. All cotton. The owner calls the pattern a variation of 'Bow Ties'. Hand sewn and quilted. This quilt is new.
534 x 382mm
National Trust of Australia (NSW)
Hand sewn quilt comprising 263 rosettes of hexagons in chintz. 6 hexagons around a centre one form a rosette. Between these are plain off white hexagons. There is a mark on one corner on cream material, possibly a stamp. The crochet lace border is on three sides only.
2850 x 2720mm
Helen Sparkman
Hexagon quilt made from dressmaking scraps from one neice. The quilt top only is complete and a few papers are still attached.
2250 x 2000mm
Wangaratta Historical Society
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of threads including chenille.
2250 x 2180mm
Gloria Martin
Double sided quilt machine made from clothing scraps. Shapes are mainly rectangles in corduroy and wool blend. The padding is an old grey blanket.
1524 x 1372mm
Bill & Barbara Meynink
Patchwork quilt made from brightly coloured printed cotton fabrics in hexagon patches hand sewn together in rosettes, and stitched by machine onto a border of green moire taffeta. No padding. Backing is green cotton satin curtain lining. There is a matching pillow sham.
2591 x 2540mm
The Pioneer Women's Hut
The top is a wholecloth piece of twill type cotton and the backing is a wholecloth piece of finer patterned cotton. The padding is a layer of pieces of used clothing stitched together, including part jumpers, some darned. These are inside an old folded blanket.
1540 x 950mm
N.S.W. Parks and Wildlife Service
Large centre rectangle of hexagons in various colours of patterned and plain cottons. It is surrounded by a wide border in a checkerboard of red and white cottons. There is a wholecloth cotton backing. The front and the back have been turned under at the edge and machined. There is no padding.
1829 x 1372mm
June Loewenthal
Hand made cotton quilt in repeat block with appliqued Iris pattern. It is a kit quilt. "The Iris, Design "R" of the 'Mountain Mist Series' of Quilt Patterns" from The Stearns & Foster Company, Lockland, Cincinnati, Ohio. Copyright 1930. The backing is cotton and the filling also.
2439 x 1981mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Alyce Wright
Cotton scrap quilt in a pattern known as 'Grandmothers Fan'. It is hand quilted. The padding is hand carded cotton and the backing is muslin.
2235 x 1880mm
National Trust of Australia (NSW)
Quilt in frame style patchwork with applique and broderie Perse applique in printed cottons and linens with silk embroidery. The centre frame has an octagonal shape of floral printed material appliqued on to cream linen surrounded by pieced and appliqued triangles and sashing of printed cotton. Above the frame is embroidered in dull gold silk in cross stitch 'Mary Moxey 1818 Emma Tremlett Born Decr 16th 1837'. Outer borders are pieced and appliqued diamonds and hexagons separated by printed sashing. The quilt is backed with cream linen.
2405 x 2373mm
Julianne Humphris
Patchwork quilt of hand sewn hexagons in a variety of print and plain cotton fabrics from 1950-1960. Colours are mainly pinks, blues, greens and yellow, with some red, and white. Quilt has a wide border of yellow poplin, which also forms the backing. No padding.
2280 x 1520mm

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