Quilts

Nancy Dunlap
Quilt top in block design based on hexagons in a variety of patterned cotton with a plain pink hexagon in the centre. The hexagons are linked by triangles of pink cotton. Cottons include florals, stripes, checks, tartans and novelty prints. 2080 x 2300mm
National Gallery of Australia
" A coverlet of 7 pieces of cream muslin. The edges of the work are secured at the top and sides with bands of green and floral strips. The lower edge has been turned and hemmed. The 'quilt' is highly decorated with bands and diamonds of appliqué fabric. The upper centre field is appliquéd with images depicting Adam and Eve in the Garden of Eden surrounded by trees and a variety of animals and insects. In the centre is a smaller appliquéd image of the manger with mangel and cows. The quilt is not signed or dated, but each of the imaged areas is accompanied by a descriptive text. The writing is executed in black chain stitch. Beads and sequins have been used to depict the eyes of some of the animals in the Garden of Eden. As with all of Mary Jane Hannaford's quilts all work is hand sewn and quite crude and coarse in execution. The quilt is not padded or lined." [NGA] 1810 x 1590mm
Margaret Knoop
Quilt top of cottons including shirting materials constructed in kaleidoscope pattern with star border. Hand pieced over papers, some papers remain at edges. There is no padding and no backing.
2440 x 1720mm
Brenda Bird
Suffolk Puff quilt made from a variety of scraps of dress materials including cottons and terylene. It is backed with white cotton sheeting and edged with a frill of white terylene. There is a matching pillow sham.
1740 x 1300 mm.
Muriel Hartmann
Reused parts of hand knitted woollen jumpers patched together. Wide crocheted edge from wool unravelled from jumpers retrieved from the tip.
1905 x 1525mm
Ella Jarvis
Quilt made with a rectangular centre panel of cotton fabric printed with red poppies and black flowers in a japanese style. The panel is surrounded by a wide black satin border. The backing is of black cotton, covering a previous backing of green floral cotton fabric. The padding is feathers.
1700 x 1370mm
N.S.W. Parks and Wildlife Service
Double sided quilt. Side 1 has an off centre frame based on a hexagon and including triangles and squares in a concentric pattern. The borders are all small rectangles with a single strip of large rectangles at one end. Side 2 has a central patch of pieced shapes appliqued to the background. The borders are squares and rectangles many in striped shirting cotton. Side 1 has minimal quilting to the interlining but it does not go through to side 2. The padding is a thin sheet.
The circle (sometimes pieced hexagons) is common to other 'Craigmoor' quilts.

1450 x 1230mm
National Gallery of Australia
" This well worn quilt is of pieced diamonds set into squares (221 make up the quilt). Thick woollen fabric has been used for the pieces. These are with plain dyed fabrics or tartans and checks. All work on the quilt is hand sewn. The quilt was lined with a fine blue cotton." [NGA] The quilt is not padded. 1835 x 1400mm
Angela Smith
Durham quilt made of cotton sateen, mainly gold on one side and yellow green on the other. Top, pillow fold, has been removed. The straight sides have tiny pin stripe added border. The quilting pattern is large tree of life (palm like), swags and cable on top and bottom border. Fill in is slightly elongated diamonds. 1880 x 1520mm
Historical Society of Cockburn
Handmade quilt in off centre log cabin pattern. Pieces are floral furnishing and dress fabrics, in twenty blocks. There is no padding, and backing is of bright floral cotton. 1900 x 1500 mm.
Name withheld
Wallaby skin rug backed with checked cotton material. 1220 x 610mm
Catherine Llewelyn-Smith
Quilt remnant. This piece of the top is hand embroidered in gold thread on a background of burgundy silk in a traditional style still practised by Greek women today. The backing is white and probably cotton or linen.
940 x 430mm
National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
Christine Barnes
Cotton quilt with rosettes of hexagons. There is a centre hexagon with a surround of 6 hexagons in a contrasting pattern and then an outer row of 12 hexagons in a different pattern. Between each rosette is a single row of hexagons in a print common to the whole quilt. The materials are typical of the 60s period. There is a deep aqua border. It is machine quilted. The backing is cotton.
2515 x 1829mm
National Trust of Australia (NSW)
Pieced patchwork quilt of hexagons in cottons, chintzes and linen. The centre is pieced in 6 point hexagon stars, then radiating out are large hexagons alternating with tumbling blocks, then 6 piece hexagon stars and 4 piece hexagon diamonds. Some pieces have Egyptian patterns dating from 1800 - 1805. The backing is cream linen.
2450 x 2200mm
Robert O'Hara Burke Memorial Museum
Miniature crazy quilt either for a baby or a doll. Plain and patterned materials including velvet, satin, sateen and brocade. 4 patches are embroidered and the central patch has a hand painted flower. Each patch is embroidered around the edge with a variation of feather stitch. It has a brown binding and lace edge. The backing is twill cotton.
490 x 390mm
The Pioneer Women's Hut
Utility patchwork quilt made up of mainly squares of furnishing material machine pieced. It is backed with machine pieced patches of woollen jumpers, mainly machine not hand knitted. The back is possibly the top. There is no padding.
1950 x 1270mm
Lurline Lydiard
Unfinished crazy patchwork quilt. Materials are mainly silk, velvet, woven ribbons, woven brocades. Hand embroidery using many different stitches also machine embroidery eg frog. Some individual patches have names, initials, dates probably relating to family members. There are also place names several of which may refer to Australia. Apart from the embroidery on individual patches there are overlaid a number of floral displays across parts of the quilt. Backing is flannelette with selvedges of blue and pink. 1300 x 1300mm
Euroa Historical Society
Crazy patchwork quilt with patches of velvet, satin and silk joined in 12 blocks. Each seam is embroidered and many patches have embroidered flowers. There is a 140mm maroon velvet border. The backing is maroon silk. There is a sachet that belongs with the quilt.
1800 x 1400mm
Nancy Dunlap
Repeat block in wedding ring pattern. All cottons with cream background and mainly pale mauve and green dressmaking prints in wedding rings. Green border and cream calico backing. The padding is cotton. 1800 x 210mm.

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