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Quilt of hand stitched cotton hexagon patches, the hexagons are in groups of 7 to form flowers, with white or cream 'paths'. The quilt centre has 19 flowers grouped within a single hexagon border of brown and red patches. In each corner of the quilt there are 6 flowers grouped around a larger flower within a single border of darker print hexagon patches. Backing is cream cotton, machine stitched to the top. There is no padding or quilting. Some fabric patches have deteriorated.
Rectangular quilt with front and back made of rectangles of cotton samples of shirt materials, in checks, stripes and plains. Colours are soft muted reds, greens, blues, yellows and browns, and pastels. Construction is 3 to 4 rows of rectangles joined across the quilt. Padding is probably an old blanket. There is a row of hand quilting approximately the width of one patch in from the edge, holding the layers together.
1870 x 950mm
1870 x 950mm
Padding for a utilitarian quilt that originally had a wholecloth cover. The padding is up to 3 layers of woollen scraps and pieces of used clothing, including hand knitting. White cotton tacking and overcast stitches hold all layers in place. The backing is a cream wool blanket with woven stripes.
1580 x 1200mm
1580 x 1200mm
Taylor's sample quilt made from men's suit swatches, mainly greys and blues. Edging is 6cms wide, of blue flannelette. Padding is an old grey blanket, and the backing is of printed pattern corduroy. 1680 x 920 mm.
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm
1270 x 1160mm
This utility quilt is mainly constructed from long strips of cotton seed sack material. It is machine pieced and quilted by hand in a diagonal pattern. There is a red border. The backing is cotton flannelette and the padding is cotton.
1601 x 1525mm
1601 x 1525mm
Platypus skin rug. Skins are joined in 7 rows with the larger skins on the outside and the smaller ones in the centre. Skins are rich dark brown with yellow/cream sides (the belly fur). The backing is dark brown felt extending beyond the fur and with a stamped scalloped edge.
1720 x 1490mm
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of threads including chenille.
2250 x 2180mm
2250 x 2180mm
Wholecloth cot quilt of pink silk with an overall paisley pattern in grey and black. Pink-purple fringe along one edge.
1677 x 1677mm
1677 x 1677mm
Patchwork quilt of hexagon patches with a large central group of 14 rows, then groups or 'flowers' of 6 patches placed over the rest of the quilt. The colours are red, black, white and blue, in a mixture of stripes, florals and plains. No padding. Backing is a double bed sheet. Hand sewn.
2591 x 2566mm
2591 x 2566mm
Rectangular patchwork crazy quilt pieced in squares (3 across by 4 down), in silks and wool, with red sashing between blocks and red border, quilted. Colours are dark, with red and light blue. Embroidery includes double feather, rope, herringbone, satin, cross, sword edge, buttonhole and coral stitches, and French knots. Embroidered flowers include lily of the valley, rose, daisy, and sunflower, also butterflies. Backing is pieced in the frame style, with a large centre red square, within 10 frames or borders. Embroidered "In Most Loving Memory of My Darling 1883", "V.H.B." Hand sewn.
1900 x 1500mm
1900 x 1500mm
A hand sewn quilt of more than 6,536 hexagon pieces in cottons, silks and polyester mix. There is a centre circular pattern of hexagons within a larger hexagon and small hexagons form larger hexagons in a random pattern on the quilt top. There is no padding and the backing is a plain fawn sheet with a floral edging in hexagons. 2880 x 2550 mm.
Suffolk Puff or puff-ball quilt is made from scraps of dresses and pyjamas, mainly cottons, but also taffeta lining fabric, net, lurex, flocked organdie. The quilt is in bright clear colours, the fabric mostly in small prints, ginghams, different size spots, a few large prints, Chinese brocade, nylon. Puffs are 5cm across, and set 31 puffs across by 45 down. Puffs are squared off when whipstitched together, so corner holes are smaller than usual.
2180 x 1500mm
2180 x 1500mm
Double sided patchwork quilt. One side has small 'Tumbling Block' pattern. The other side has larger pattern of pieced stars. It is made of silks, some printed, some solid colours mainly blues, greens cream and black. There is no padding.
2100 x 1800mm
2100 x 1800mm
" This coverlet is composed of two pieces of dark blue cheese cloth joined with a row of running stitches down the centre of the coverlet (the seam faces the front face of the coverlet but is hidden beneath a row of appliqué).
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket carried by a very large angel. Glass beads, sequins and a button have been used to highlight the appliqué and embroidery.
As with all of Mary Jane Hannaford's quilts, the work is stitched by hand and quite crudely, but the naivety of the images is overwhelming with their charm." [NGA] The quilt is not padded or lined. 1950 x 1690mm
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket carried by a very large angel. Glass beads, sequins and a button have been used to highlight the appliqué and embroidery.
As with all of Mary Jane Hannaford's quilts, the work is stitched by hand and quite crudely, but the naivety of the images is overwhelming with their charm." [NGA] The quilt is not padded or lined. 1950 x 1690mm
Crazy patchwork quilt, mostly velvet, with two rectangular frames or borders of green fabric. All patchwork pieces have embroidery over the seams, mostly herringbone. Quilt is edged with a cream cotton ruffle. Cotton backing.
1625 x 1625mm
1625 x 1625mm
Quuilt constructed from large pieces of used clothing pieced together to form the top. There are layers of under shirts once used by the maker's father and also by her husband Bill. The backing is an old cream blanket.
1700 x 1200mm
1700 x 1200mm
Both sides of this wholecloth quilt are made from different floral cottons with a third pattern used to form borders. It is hand stitched and the quilting pattern is squares. The padding is raw cotton.
1740 x 1240mm
1740 x 1240mm
Utilitarian cot quilt. The padding is layered reused woollen materials, parts of old blankets, part overcoats. These are stitched together with string and knitting wools The top and backing are printed cotton. There is a frill all around and buttons have been used to anchor the padding layers to the outside cover.
1169 x 915mm
1169 x 915mm
Hand sewn cotton cot quilt with pattern of red and white lozenge shaped hexagons measuring approximately 65mm from top to bottom. A centre flower is constructed from 2 circles of 19 hexagons in red and white. This is surrounded by 8 smaller hexagon flowers. Additional single red hexagons are scattered at random on the white background around the rows of flowers. The quilt is not quilted or tied but is attached at all 4 edges. Writing on the back of the quilt (probably added later) reads "Made by Sarah Hodge, Newport, Wales UK for her first child John." There is no padding and the backing is white cotton. 1000 x 1250 mm.