Quilts

Name withheld
Quilt top in postage stamp pattern typical of military quilts. 5 x 5 blocks each 280 x 280mm. Colours are predominantly red, black and cream. Thought to have been made using uniform material from the Crimean war
1350 x 1350mm
Illawarra Historical Society Inc
Wholecloth quilt, both sides cretonne in different rose patterns. 120mm double frill matches each side. Padding is possibly hessian bags. It is hand quilted in large stitches in white/cream cotton in strips with circles, diamonds and scrolls repeated.
2070 x 2030mm
National Trust of Australia (QLD)
Quilt made of tailors' swatches, machine constructed around a central frame that is mainly mid brown pieces. This is surrounded by rectangles of mainly charcoal greys and the outer border is navy blues. The backing is a heavy cotton with random green and cream and grey stripes.
1651 x 1220mm
West Australian Quilters' Association
The quilt is a repeat block in the Ohio Star pattern in turkey red and cream. Quilted in squares in the cream block and diagonal lines in the star block. The fabric border is disintegrating. The backing is cream calico and the padding is cotton, badly degraded. 1940 x 1760mm.
Helen Cornish
Patchwork quilt in the Log Cabin pattern, each square 14cm x 14cm, made of used cotton fabrics with a fine wool fabric as the centre square of each. Colours are mainly reds, blues, greens and maroon, and pastels, in prints and plains. Quilt has a wide border of dark blue cotton with mitred corners. The padding is black and white mattress ticking, and the backing is the same dark blue cotton as the border. Machine stitched.
1770 x 1170mm
Shirley Maywald
Patchwork crazy quilt in velvets and silks, no pieces over 4" long. Colours are black, maroon, pinks, blues and pastels, and all seams embroidered with coloured silks in herringbone stitch. Backing is green, there is no padding. Quilt is bound with black velvet 1/2" wide. A patch near the centre is embroidered: '1909' and '1948'.
940 x 915mm
Annette Gero
The top is mainly squares of flannel machined together with patches of dress materials stitched randomly on top. There is no padding and the backing is calico. The top and backing are held together by a binding only. It is one of a pair.
2010 x 1680mm
Maria Patounas
The cotton quilt top is blue featuring a floral design in the centre and a matching border. The main quilting pattern relates to this. There is a wide gold cotton border with a quilting pattern of parallel lines and diamonds. The backing is plain red cotton. The padding is cotton wadding.
2040 x 1750mm
Sharon Stacy
Wholecloth quilt of white cotton with hand appliqued flowers in 3 shades of red. The centre of the quilt has 6 separate flowers radiating from a circle and each corner has a separate arrangement of flowers. The white cotton quilting is in diagonal lines and a daisy pattern. There is a narrow red border widely scalloped. The backing is white cotton. There is no padding.
2236 x 1905mm
Narelle Grieve
Folded log cabin, foundation pieced. Machine constructed. Materials are cotton, wool, rayon, flannelette, silk and twill. There is no padding and the backing is cretonne. 2700 x 2100 mm
Margery Smith
Patchwork quilt made from hexagons 63mm across in a variety of cotton prints and plains. The bright coloured patches came from children's clothes and dressmaking scraps. The 'set included a large cot cover, a pillow cover and a circular stool cover. No padding. Backing of unbleached calico. Hand sewn.
2300 x 1840mm
Joan McGregor
One side of this quilt is large pieces of check and striped material surrounding a small patterned supper cloth with a border of scrap pieces. The other side is small, floral, check, spotted, striped and plain cotton pieces surrounding a tablecloth. It is machine sewn and is not quilted. The padding is an old woollen blanket.
1825 x 1625mm
Mrs. F.A.C.Clemons
Quilt made from blocks in a fan pattern, 5 blocks across by 6 down. Fans are set on a black background, materials are wool and cotton in a mixture of plains and patterns. Edges of fans are decorated with cream herringbone stitch. Machine pieced with hand stitched repairs.Cream cotton backing folded over to make binding, stitched with pink herringbone stitch. Tied regularly with pink thread. The quilt is padded with wool.
2000 x 1720mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Wangaratta Historical Society
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of threads including chenille.
2250 x 2180mm
National Trust of Australia (NSW)
Handsewn quilt pieced in red, blue, green and yellow print cottons in 'Lone Star' pattern, with diamond shaped patches. The main star is edged with a red and cream sawtooth border. In each corner is a star made up of 4 rows of diamonds, surrounded by small 8 point stars in red and green. The background material is a cream and brown spot print. The backing is a printed cotton in a small all over purple leaf and bud print on cream. Quilting is in an all over wave pattern.
2320 x 2320mm
Nancy Stinson
The padding consists of layers of pieced used clothing including; part of machine knitted child's wool dress (Nancy had this when she was 3 or 4); part of father's cardigan; parts of 'neck to knee' bathers in light green and dark green wool. The padding is all hand pieced and machined around the edge. There have been 2 wholecloth cotton covers to this quilt. It is one of a pair.
1870 x 1020mm
Irma Whitford
Pieced repeat block in 'Dresden Plate' pattern in a variety of fabrics with pink and pale blue predominating. Scalloped outer edge. Machine pieced and hand quilted, with echo quilting of four petals between the 'Dresden Plates'. The padding is polyester, and the backing is white calico. 2600 x 1630 mm.
Mare Carter
Patchwork quilt, all cotton including cotton filling. Pink and white. Large plain pink blocks with white pieced blocks in between in arrow type pattern based on rectangles. Hand sewn and hand quilted
1931 x 1728mm
Pauline Munro
Quilt of woollen rectangles, probably tailors' samples. Machine pieced. The backing is floral cotton similar to curtain material.The backing has a french seam down the centre back and is folded over to the front to form a binding. There is no padding.
1440 x 1260

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