Quilts

Bob Sloan
Double sided quilt made from all wool worsted suiting samples. Machine construction. There is no padding.
1840 x 1330mm
Pauline Munro
Quilt of woollen rectangles, probably tailors' samples. Machine pieced. The backing is floral cotton similar to curtain material.The backing has a french seam down the centre back and is folded over to the front to form a binding. There is no padding.
1440 x 1260
Helen Blandford
Bassinet quilt. Pink satin top and backing overlaid with lace. Machine and hand sewn. The padding is possibly a nappy. It is part of a set that includes a pillow cover.
585 x 509mm
Kaniva District Historical Society
Quilt of crocheted squares (sometimes known as Granny squares) in pinks, blues, greens and brown, with a green crocheted border edged in brown. Quilt is backed. A cot quilt or a knee rug.
Queen Victoria Museum and Art Gallery
Quilt with alternate red and white diamonds in cotton, with wide border of white cotton and a white cotton crochet edging. All diamond patches and edging were joined to white border decorated with feather stitch. White border edged with zig-zag white feather stitch. Centre rectangle of white has 4 red petals edged with white feather stitch and 4 red diamonds each embroidered in white clockwise: '1898', 'R', 'L', 'K'. Diamonds edged with feather stitch. There is no padding and the backing is white cotton.
2420 x 1740mm
National Trust of Australia (VIC)
Hand stitched silk quilt in mosaic patchwork based on triangles. Pieces include dress materials and some embroidered linings fom men's waist coats. Paper templates. The backing is cotton.
2200 x 2000mm
Alice Lemon
Patchwork quilt made from hexagon patches on one side, and squares and rectangles on the reverse. Cottons are used, mostly from dressmaking, in bright and light colours. The hexagons form an indented edge on all sides; on the back the rectangles have been cut at the edge to match the hexagon shapes. Hand sewn, the edge machine sewn.
No padding.
1551 x 1373mm
Diana Cameron
Small patchwork piece possibly made from salesman's samples. There is no opening in the back so it is not a cushion cover. There is no padding. The backing is green polished cotton. There is a 40mm fringe around the edge.
520 x 520mm
Mare Carter
Friendship Quilt'. All cotton with thick cotton padding. Each of the large panels of patchwork is different and many are signed by the makers who belonged to the Rebecca Lodge in Linwood California. Dates on the squares with signatures are 1933. Wide variety of colours and patterned and plain fabrics. The quilt is now in 2 pieces.
1981 x 1727mm
Kim and Melissa L'Estrange
Fox skin rug of exceptionally fine skins with brushes incorporated into the design. It is backed with brown felt with traditional stamped scalloped edge. 1800 x 1500mm
Margaret Wilson
Hand stitched appliqued quilt or banner. Different hand stitching indicates applique was probably done by several people. There is no padding. The backing is calico.
2230 x 2140mm
Margaret Lyons
Padding for a utilitarian quilt that originally had a wholecloth cover. The padding is up to 3 layers of woollen scraps and pieces of used clothing, including hand knitting. White cotton tacking and overcast stitches hold all layers in place. The backing is a cream wool blanket with woven stripes.
1580 x 1200mm
Jean Winchester
Patchwork quilt in the Log Cabin pattern, made from cotton fabrics in prints and plains in bright colours. There are 185 squares, all sewn on to check gingham. No padding. Backing is of black cotton.
2718 x 2540mm
Mare Carter
Patchwork quilt with diagonal arrangement. All cotton including cotton padding. Hand sewn and quilted.
2109 x 1702mm
National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm
Narelle Grieve
English pieced hexagonal star quilt in silks, velvets and satins. Commercially made fringe in cotton maroon twill. Some motifs have herringbone stitching around them. There is no padding and the backing is polished cotton twill. 1840 x 1660 mm
Gloria Martin
Double sided quilt machine made from clothing scraps. Shapes are mainly rectangles in corduroy and wool blend. The padding is an old grey blanket.
1524 x 1372mm
Yass & District Historical Society
Patchwork quilt made of approx. 730 Suffolk Puffs, using mainly cotton materials in florals and plains. Each puff is 45mm diameter. The quilt centre has a square of 16 pink puffs outlined with a single row of blue puffs. Each corner of the quilt has a square of 9 puffs in a single colour. No padding. Quilt is edged and backed with a red and white tartan cotton.
Beth Hoskins
Fox skin rug made from centre backs of pelts. 16 skins running the width of the rug and a 40mm fur border. The backing is tan felt with a pinked edge (traditional in this type of fur rug) and this is joined to the rug with a doubled blue felt binding. The skins are very fine quality winter skins.
Win Adcock
The quilt on longer exists, just the label, but the quilt was squares of flannelette shirt material, velvets and woollen pieces. The backing was calico. The label was sewn to the backing and it reads: 'Red Cross Killarney Manitoba'. It is embroidered in red and is on a white piece of sheeting.

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