Quilts

Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm
Joan McGregor
One side of this quilt is large pieces of check and striped material surrounding a small patterned supper cloth with a border of scrap pieces. The other side is small, floral, check, spotted, striped and plain cotton pieces surrounding a tablecloth. It is machine sewn and is not quilted. The padding is an old woollen blanket.
1825 x 1625mm
National Museum of Australia
Platypus skin rug. Skins are joined in 7 rows with the larger skins on the outside and the smaller ones in the centre. Skins are rich dark brown with yellow/cream sides (the belly fur). The backing is dark brown felt extending beyond the fur and with a stamped scalloped edge. 1720 x 1490mm
Billie Briggs
Hand pieced crazy quilt in a variety of plain coloured velvets. All seams are over embroidered in a variety of stitches. There is no padding and the backing is heavy black cotton. 1900 x 1630mm.
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
The Embroiderers' Guild of S.A.Inc Museum
4 Pieces of a patchwork quilt which was formerly a whole quilt. It is pieced in cottons in blues reds and browns in many prints. There are whole circles and pieced circles against a plain cream calico background. It is wool lined and is quilted. There are the initials 'A.B.' and '1828' on a central piece. The 4 pieces are various sizes.
Wangaratta Historical Society
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of threads including chenille.
2250 x 2180mm
National Trust of Australia (NSW)
Handsewn quilt pieced in red, blue, green and yellow print cottons in 'Lone Star' pattern, with diamond shaped patches. The main star is edged with a red and cream sawtooth border. In each corner is a star made up of 4 rows of diamonds, surrounded by small 8 point stars in red and green. The background material is a cream and brown spot print. The backing is a printed cotton in a small all over purple leaf and bud print on cream. Quilting is in an all over wave pattern.
2320 x 2320mm
Irma Whitford
Pieced repeat block in 'Dresden Plate' pattern in a variety of fabrics with pink and pale blue predominating. Scalloped outer edge. Machine pieced and hand quilted, with echo quilting of four petals between the 'Dresden Plates'. The padding is polyester, and the backing is white calico. 2600 x 1630 mm.
Art Gallery of South Australia
Rectangular patchwork crazy quilt pieced in squares (3 across by 4 down), in silks and wool, with red sashing between blocks and red border, quilted. Colours are dark, with red and light blue. Embroidery includes double feather, rope, herringbone, satin, cross, sword edge, buttonhole and coral stitches, and French knots. Embroidered flowers include lily of the valley, rose, daisy, and sunflower, also butterflies. Backing is pieced in the frame style, with a large centre red square, within 10 frames or borders. Embroidered "In Most Loving Memory of My Darling 1883", "V.H.B." Hand sewn.
1900 x 1500mm
Mare Carter
Patchwork quilt, all cotton including cotton filling. Pink and white. Large plain pink blocks with white pieced blocks in between in arrow type pattern based on rectangles. Hand sewn and hand quilted
1931 x 1728mm
Joyce Lannin
A hand sewn quilt of more than 6,536 hexagon pieces in cottons, silks and polyester mix. There is a centre circular pattern of hexagons within a larger hexagon and small hexagons form larger hexagons in a random pattern on the quilt top. There is no padding and the backing is a plain fawn sheet with a floral edging in hexagons. 2880 x 2550 mm.
West Tamar Historical Committee
Wholecloth quilt with both sides of floral cotton. The padding is thought to be hessian bags.
2060 x 1300mm
Lyn Uppill
Patchwork quilt in crazy pattern, with pieces of silks, corded silks and velvets in prints, plaids and plains. Nearly all pieces are edged with embroidery, and many pieces have embroidered names and motifs. There are a variety of embroidery stitches. The backing is of slub cotton in a plaid pattern in yellow, grey, red and white. No padding. Quilt has a gathered edging of dark red organdy and silk. Names and dates embroidered are: Bert, Milly, Toots, Verdi, Ida, and 1893, 1895, 1894.
1550 x 1420mm
Mrs Joan McGregor
Large and small pieces, mainly rectangles and mainly cottons, machine sewn. One side has replacement materials in red check, brown, tan, blue and pink materials. The padding is an old woollen blanket.
1950 x 1327mm
Charlotte Nattey
Cotton quilt of pieced hexagons and some diamonds made for a baby's basket. Colours are mainly blue and pink and two 'Punch and Judy's' are appliqued in the centre. There is no padding and the backing is a cotton floral in blues and greens.
760 x 660mm
Sam Genovese
Wholecloth quilt, bright crimson cotton. Hand quilting is in thick cotton with a medallion design in the centre, vases of flowers in each corner, and some cross hatching. Padding is thick flock, possibly compacted fabrics, and backing is yellow cotton. 2250 x 1930 mm.
Cobram Shire Historical Society
Patchwork quilt in Log Cabin pattern, arranged in 'furrows', and made from cottons, wool and suiting fabrics. Centres of blocks are pastel or dark; dark colours are black, brown, purple blue and red. Pastel side of blocks includes a bright pink. Quilt backing is pieced, with a centre rectangle of cotton surrounded by 5 borders of plain and alternate rectangular pieced strips, in wool and suiting fabrics. Colours are black, dark blue, brown, green, grey and pastels. Inner lining is of cotton pieces, to which the Log Cabin blocks have been machined.
1620 x 1360mm
Kathryn Thompson
Crazy patchwork quilt in a variety of cotton materials. There is no padding. The backing is old flour bags.
2000 x 2000mm
Rita Fiddian
Grandmother's Flower Garden quilt. Hexagons are from cotton and polyester material mostly from 'Reverse Garbage' Melbourne. Hand pieced by Rita Fiddian, the owner. Hand quilted. The padding is wool and the backing cotton.
3049 x 2109mm

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