Quilts

Marjorie Treasy
Machine sewn quilt made from 125mm squares of scraps left over from dressmaking joined in strips and then the strips joined. There is a border of fawn cotton and the backing is the same material. The padding is an old blanket and the border is padded with sheep's wool.
1400 x 925mm
Queen Victoria Museum and Art Gallery
Skin rug made from feral cat skins and probably some wallaby pelts. There are 28 individual skins and colours are dark brown, creamy yellow and striped and spotted light and dark brown and cream. One cat pelt measures 495mm. The striped and spotted skins indicate tabby cats. The backing is maroon felt extended to form a pinked and scalloped edge. The top is attached to the backing with hand stitching incorporating faded red ric-rac braid along the seamline on the back. 1680 x 1300mm
Alison Barlow
Quilt in traditional design called 'Seven Sisters'. Seven stars, each of six diamonds are set against a cream background, surrounded by bright pink triangles. Hand pieced and hand quilted. Padding is cotton, and backing is cream calico. 2100 x 1850 mm.
Dorothy Stevens
Utilitarian quilt. Padding consists of recycled hand knitted jumper pieces (mainly 3 ply crepe and 8 ply) tacked to a layer of cotton material with strong buttonhole twist thread. The top is a piece of cotton fabric. Machine quilted in rows approximately 70mm apart.
1827 x 1423mm
Tricia Bowdler
Small patchwork piece in crazy patchwork in silks, satins, and velvets. Embroidered initials 'A.N' also an embroidered crest, the date 1869 with initials 'A.W.N'. There is also decorative stitching over the joins of most pieces. It is not padded. The backing is Jacquard.
661 a 649mm
Fran Williams
Crazy quilt made from a lot of light wools including gabardine types. Patches are outlined in embroidery stitches and there is additional embroidery on some patches. It is worked in 3 ply wool thought to be Patonyle (early blend of nylon and wool). The backing is a floral print mainly black with a cream flowers, brought to the front as a binding. Occasional stitches holding front to back by way of quilting. There is no padding.
1600 x 2100mm
Win Adcock
The quilt on longer exists, just the label, but the quilt was squares of flannelette shirt material, velvets and woollen pieces. The backing was calico. The label was sewn to the backing and it reads: 'Red Cross Killarney Manitoba'. It is embroidered in red and is on a white piece of sheeting.
Bruce Wright
Skin rug made from 50-60 rabbit skins in various colours, pieced in a diamond pattern. Dark diamond in centre, a diamond of dark honey colour, then a band of dark, another of dark honey, a band of grey, a band of honey, with corner triangles of grey. Rug is backed with blue felt, and has a scalloped edge of blue felt. Hand sewn. Skins tanned with wattle bark tanning solution. 1550 x 1300mm
National Trust of Australia (WA)
Quilt of pale yellow cotton sateen with a centre star motif with 8 points in pink cotton sateen. A border of pink cotton sateen has pink triangles on each side. The quilt is machine sewn and elaborately hand quilted with designs including fleur-de-lys shape, feathers, vine pattern, clam shells, 8 petalled flower and cable pattern with the main ground cross hatched. The backing is pale yellow cotton sateen.
2235 x 2065mm
The Queensland Women's Historical Assoc.
Wool patches in large Tumbling Block pattern. Plain colours, blues, orange, gree, red. Seams are over embroidered with silk thread in herringbone stitch. Backing is 'Molleton', red with yellow pansy design.
2490 x 2236mm
Mildura and District Historical Society
Quilt of 2025 hexagons stitched together to form diamond patterns. Hand sewn using paper templates. Materials are cottons and plains typical of the thirties period. The backing is blue cotton and the quilt is bound with many rows of coloured bias binding through which is treaded window cord. There is no padding. The quilt is called 'Grandmothers' Flower Garden quilt'.
2439 x 1829mm
Diana Cameron
Square quilt top. Floral centre piece with borders of squares set in a diamond pattern. Squares are in plain colours and patterns. There is no padding or backing.
920 x 920mm
Mare Carter
Patchwork quilt made for a doll's bed or possibly as an infant's quilt. All cotton. The owner calls the pattern a variation of 'Bow Ties'. Hand sewn and quilted. This quilt is new.
534 x 382mm
National Gallery of Australia
"This all white quilt has a front face of fine white plain weave cotton. The quilt is lined with brushed cotton twill. The two layers are quilted with white cotton thread across the entire surface with rows of zigzag stitching 16-20mm apart.
The edges of the quilt have been cut to form scallops and the raw edges here are secured with a binding of fabric similar to that used on the front face of the quilt. All work on the quilt appears to be hand sewn." [NGA] The quilt is not padded. 2655 x 2150mm
Julie Bos
Allover pattern in woollen dress materials in blue, grey, navy, black and pink. Hand stitched. The owner suggests it was made in the 1950s or earlier. It is not used.
910 x 1250mm
Lyn Cottingham
Single bed quilt hand pieced from silk hexagons using the English method. The border, backing and central rosette of hexagons are black. All other hexagons are a mixture of plain colours, stripes and florals. They are randomly placed. It is quilted in a diamond pattern. The padding is a thin cotton woven material.
1550 x 1330mm
Glenda Wilkinson
Quilt consisting of 30 blocks 360 x 360mm each (5 x 6). Each block consists of squares and rectangles arranged diagonally and edged with triangles. Each block is made from 2 or 3 different cotton materials, different colours but mainly pastels. It has not been quilted but tied with pink wool with 5 ties per block. Machine sewn with a folded and machine stitched edge. Padding appears to be coarse open weave cotton. The backing is printed flannelette.
2210 x 1850mm
Thelma Lithgow
Repeat block quilt top based on hexagons, each 350 mm diameter. Six hexagons and a centre one make a 'flower' and these are set in rows against a plain calico background. Patterned cotton fabrics are used for the hexagons, small prints, fine stripes and tiny flowers. As it is a quilt top only, there is no lining or padding. 2100 x 1800 mm
Queen Victoria Museum and Art Gallery
Frame quilt, hand and machine sewn, centre square of squares (7 rows by 7 rows) of 2 triangles, with red border. Alternate rows of triangles, rectangles, 'flying geese' border, squares, squares set on point with triangles, wide red border. Hand quilted throughout in chevrons, single cables and single scallops. The padding is a hand woven cream wool blanket and the backing is cream cotton twill.
2330 x 2030mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm

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