Quilts

Melinda Smith
Wholecloth cover in synthetic rayon. Centre plain, drop slightly gathered, edging border is large saw tooth appliqued pieces in flannelette, striped seersucker, crepe de chine. Materials typical of the 30s through to the 50s. The appliqued triangles are chain stitched in yellow thread which also anchors them to the backing.
2450 x 1940mm
Wendy McPhail
Repeat block in Ohio star pattern. Wide border of triangles, pieced blocks and stripes. Stars are in greens, pinks, mauves (all now very faded) and white. Wreath quilting in squares with smaller wreath quilting in triangles. There is padding and the backing is a poly/cotton sheet. 2500 x 2450mm
National Trust of Australia (WA)
Hand sewn quilt (possibly child's or table top) of crazy patchwork in silk, silk ribbon and cotton velvet. The top has surface decoration of embroidery on all seams, feather stitch and blanket stitch variations. Many of the crazy patches are also embroidered. The centre patch has a rooster embroidered in lame thread. Embroidered motifs are hearts, butterflies, guitar, cow, Little Red Riding Hood, horseshoes, crown, clover leaf. Stitches are feather, stem, satin and blanket. Embroidered initials are 'B', 'R', and 'S'. The backing is dark grey silk.
840 x 840mm
Win Adcock
The quilt on longer exists, just the label, but the quilt was squares of flannelette shirt material, velvets and woollen pieces. The backing was calico. The label was sewn to the backing and it reads: 'Red Cross Killarney Manitoba'. It is embroidered in red and is on a white piece of sheeting.
Romsey/Lancefield & Districts Historical Society
Wholecloth quilt made of royal blue satin, squares around a central panel. Seam lines are covered with a faggoting stitch. All names are embroidered in satin stitch, the central motif is hand painted. The border is quilted with a repeat scroll ing pattern in hellow thread, and edges are trimmed with a fringe of small pom-poms in burgundy, gold, blue and yellow, the colours mixed in each pom-pom. Quilt is backed with yellow satin cotton. Centre has embroidered: "Lancefield/ Presbyterian/ Sale of Gifts/ February, 1896'.
1880 x 1330mm
Mare Carter
Quilt of alternate green and fawn squares (100mm) in knitted fabric, originally swatches of sample fabrics. Padding is a piece of old blanket. Backing is fawn flannelette, and the quilt is finished with a flannelette ruffle.
1423 x 1124mm
Mildura and District Historical Society
Quilt of 2025 hexagons stitched together to form diamond patterns. Hand sewn using paper templates. Materials are cottons and plains typical of the thirties period. The backing is blue cotton and the quilt is bound with many rows of coloured bias binding through which is treaded window cord. There is no padding. The quilt is called 'Grandmothers' Flower Garden quilt'.
2439 x 1829mm
Margaret Wilson
Hand stitched appliqued quilt or banner. Different hand stitching indicates applique was probably done by several people. There is no padding. The backing is calico.
2230 x 2140mm
Mare Carter
Patchwork quilt made for a doll's bed or possibly as an infant's quilt. All cotton. The owner calls the pattern a variation of 'Bow Ties'. Hand sewn and quilted. This quilt is new.
534 x 382mm
Margaret Lyons
Padding for a utilitarian quilt that originally had a wholecloth cover. The padding is up to 3 layers of woollen scraps and pieces of used clothing, including hand knitting. White cotton tacking and overcast stitches hold all layers in place. The backing is a cream wool blanket with woven stripes.
1580 x 1200mm
National Trust of Australia (NSW)
Hand sewn quilt comprising 263 rosettes of hexagons in chintz. 6 hexagons around a centre one form a rosette. Between these are plain off white hexagons. There is a mark on one corner on cream material, possibly a stamp. The crochet lace border is on three sides only.
2850 x 2720mm
Sandra Jones
Crazy patchwork quilt in silks and velvets. Centre circle of embroidered flowers and outer border of diamonds in tunbling block pattern. Most pieces have embroidered flowers and all joins are embroidered in fancy stitches. The owner's mother had a pink silk quilted backing and a thick edge cord added to the quilt by Rocke's of Collins street Melbourne c.1960
1620 x 1595mm
Una Braby
Frame quilt pieced from square, rectangular and triangular pieces from plain and patterned cotton. The central motif of the rooster is appliqued in red cotton on white background with a border of red triangles. There is a white cotton backing.
2000 x 1925mm
Irma Whitford
Pieced repeat block, in what the owner calls 'Our Village Green' pattern. Wide variety of patterned and plain materials. Finely quilted. Padding is cotton and the backing is white calico. 2180 x 1890 mm.
Bud and Patricia Ford
Kangaroo skin rug backed on to a brown checked fringed rug. 1931 x 1525mm
Oakey Historical Museum Society Inc
This quilt consists of rows of pieced blocks approximately 280mm square sewn directly on to a foundation square. The design is really a version of 'log cabin' set on the diagonal. The backing squares are made from flour bags including a number stamped in blue ink "The Defiance Milling Company��..Toowoomba NET 3 lbs". Another is stamped in green ink "Parsons Rolled Oats". Two short sides and one long side of the quilt are bound in apricot coloured cotton.
1960 x 1700mm
Kaniva District Historical Society
Wholecloth cot quilt of pink silk with an overall paisley pattern in grey and black. Pink-purple fringe along one edge.
1677 x 1677mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting in grey, blue, navy, maroon and brown. The fabrics appear to be new tailor's sample pieces (the sizing is still present on the fabric, signifying it has never been washed). The patches are rectangular and vary in size. Both sides have different designs. The front of the quilt has 4 rows of 12 vertical rectangles then below this are 4 rows of 7 horizontal rectangles followed below by 4 rows of 11 vertical rectangles. The reverse of the quilt has a section at the top and bottom composed of 5 rows of 9 horizontal rectangles. The central area is made up of a centre section of 6 rows of 5 vertical rectangles; flanked on either side by a column of 10 horizontal rectangles and two columns of 8 smaller vertical rectangles.
The patchwork layers are joined at the edges with machine stitching. The patchwork layers and padding are machine quilted on the front down 2 vertical lines following joins in the patchwork; therefore not being totally straight. The lines are more noticeable on the reverse as the 2 sides do not match. The front face is displayed at the NGA.
Between the patchwork layers is a striped cotton blanket in black, sky blue, white and cream." [NGA]
2082 x 1386mm
June Loewenthal
Hand made cotton quilt in repeat block with appliqued Iris pattern. It is a kit quilt. "The Iris, Design "R" of the 'Mountain Mist Series' of Quilt Patterns" from The Stearns & Foster Company, Lockland, Cincinnati, Ohio. Copyright 1930. The backing is cotton and the filling also.
2439 x 1981mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm

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