Quilts

Gabrielle Carter
Crazy quilt of velvet upholstery fabrics, and cigar ribbons with surface embroidery. Patches are outlined in embroidery stitches, and one patch has 'Dec 12 1886' on it. There is no padding, and the backing is cotton. 1720 x 1580 mm.
Julie Pearce
Rectangular quilt of print and plain cottons pieced in squares and rectangles, the centre group of pieces surround a larger piece of pale blue fabric, within a frame or border, of bright pink material, then 3 rows of squares and rectangles. Backing of plain fabric. Machine stitched on a treadle machine.
The Pioneer Women's Hut
Double sided utility quilt made from machine pieced squares of tailors' samples and men's and boy's suitings. The padding is 5 or 6 layers of pieced used clothing including darned, threadbare socks, part jumpers, blanket pieces etc.
2090 x 1340mm
National Trust of Australia (VIC)
Double sided patchwork quilt. One side has small 'Tumbling Block' pattern. The other side has larger pattern of pieced stars. It is made of silks, some printed, some solid colours mainly blues, greens cream and black. There is no padding.
2100 x 1800mm
The Pioneer Women's Hut
Patchwork top with a centre frame of a mauve cross outlined in black within a square bordered with pink. The rest of the top is rectangles and squares in a wide variety of materials. There is no padding. The backing is brown, possibly curtain material.
1910 x 1480mm
Stavroula Ioannou
Rose pink satin wholecloth quilt with lighter pink cotton backing. Hand quilting forms large diamond pattern in the centre with a border of parallel lines.
2000 x 1800mm
Kaniva District Historical Society
Patchwork quilt of hexagons in 'Grandmother's Flower Garden' pattern, consisting of a dark centre hexagon, a row of light patches, then a second row of dark patches in the same colour as the centre. Each group of patches or 'flower' is joined by white paths. Colours are predominantly red, blue, brown and pale or faded colours. Some fading; some dark colour fabrics have deteriorated. Backing. Hand sewn. Border of quilt and backing sewn edge to edge.
2236 x 1829mm
National Trust of Australia (WA)
Hexagon quilt in dress and shirting cottons constructed in frame style with a centre rosette of 7 patches surrounded by 4 borders of patterned hexagons alternating with cream patches. The quilt has an inner border of triangles then rows of rosettes alternating with cream patches. The outer border is triangles. There is no padding. The backing is cream linen and has had a 20th century white cotton sateen slipstitched to it.
2045 x 1940mm
Julie Treacy
Animal skin rug made from rough rectangles of kangaroo skins, hand sewn together with leather thonging. Backing is woollen blankets. 2135 x 2057mm
Annette Gero
This domestic Wagga is two layers of woollen army blankets with the top layer in rectangles joined in rows. The backing is hessian bags that originally contained meat meal.
11650 x 1130mm
The Pioneer Women's Hut
Single bed quilt made up entirely of hexagons in 'Granny's Flower Garden' pattern. The rosettes are made up of 8 hexagons and a central one. Native flower prints, including wattle, on a white background. Plain hexagons in white, yellow and blue form a scalloped border. Hexagons are hand stitched and the 2 layers are quilted in running stitch. The backing is a pieced sheet.
2400 x 1500mm
National Gallery of Australia
" A coverlet of 7 pieces of cream muslin. The edges of the work are secured at the top and sides with bands of green and floral strips. The lower edge has been turned and hemmed. The 'quilt' is highly decorated with bands and diamonds of appliqué fabric. The upper centre field is appliquéd with images depicting Adam and Eve in the Garden of Eden surrounded by trees and a variety of animals and insects. In the centre is a smaller appliquéd image of the manger with mangel and cows. The quilt is not signed or dated, but each of the imaged areas is accompanied by a descriptive text. The writing is executed in black chain stitch. Beads and sequins have been used to depict the eyes of some of the animals in the Garden of Eden. As with all of Mary Jane Hannaford's quilts all work is hand sewn and quite crude and coarse in execution. The quilt is not padded or lined." [NGA] 1810 x 1590mm
National Trust of Australia (SA)
Double bed patchwork coverlet of pieced blocks in a pinwheel or dresden plate pattern of prints on a cream ground, each block with a 1 3/4" border or sash. Each pinwheel has 10 pieces, and the quilt is constructed 8 blocks by 6. Cotton fabrics are in florals, checks and stripes, in blues, greens browns, pinks, purple. The quilt was in poor repair and has been reduced in size. Conservation work has been done by the State Conservation Centre.
Backing or filling unknown.
Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm
Muriel Thompson
Hexagon quilt in pattern known as 'Grandmother's flower garden'. Hexagons of prints and plains with yellow centre to each flower, and plain pink outlines. It is hand pieced and hand quilted. Padding is cotton, backing is cream cotton. 2200 x 2000 mm.
Peter and Jan Newman
Suffolk Puff quilt with puffs mainly in patterned cotton pieces saved from 60 years of household sewing. Puffs are formed into rosettes and the holes are on the top making a decorative feature. It is hand sewn.
2700 x 2400mm.
Alicia Murdoch
Cotton quilt with central frame and radiating borders mainly in squares in pinks and blues, printed materials and plain. The padding is cotton wool and the backing is off white cotton.
2040 x 1800mm
Angela Smith
Durham quilt made of cotton sateen, mainly gold on one side and yellow green on the other. Top, pillow fold, has been removed. The straight sides have tiny pin stripe added border. The quilting pattern is large tree of life (palm like), swags and cable on top and bottom border. Fill in is slightly elongated diamonds. 1880 x 1520mm
Annette Gero
The top is mainly squares of flannel machined together with patches of dress materials stitched randomly on top. There is no padding and the backing is calico. The top and backing are held together by a binding only. It is one of a pair.
2010 x 1680mm
Alexandra Magloveris
Wholecloth quilt in satin, crimson one side and yellow on the other. Hand quilted in an all over pattern. The padding is wool.
2300 x 1700mm

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