Quilts

Shelley Cameron
Cotton scrap quilt with shapes of squares and diamonds and strips. There is no padding and the backing is calico.
2125 x 1440mm
National Pioneer Women's Hall of Fame
Patchwork top made in the Log Cabin pattern in cotton fabrics, 10 x 10 squares. Hand sewn. Most fabrics are patterned, colours in darks and lights include blues, red and pink, greys, browns. The wide border is made from 3 rows of blunt ended triangles (tumbler), the edge is bound with a narrow strip of patterned grey and white fabric. Each corner of the border has 3 chequered squares set on the diagonal. Hand sewn, the binding is machine sewn. No padding or backing.
2360 x 2340mm
West Tamar Historical Committee
Wholecloth quilt with both sides of floral cotton. The padding is thought to be hessian bags.
2060 x 1300mm
Jan Tregoweth
Square patchwork quilt made from rectangles of woollen tailors' samples, each patch outlined with machine fancy stitch using red thread. Machine sewn. The backing is a green and white check fabric. No filling.
Mr. K.Green
Crazy patchwork quilt made from silk, cotton and velvet in pastels and rich dark colours with a wide border of dark burgundy silk velvet. Decorative embroidery stitches including straight, herringbone and feather edge each piece. Most pieces have embroidered motifs including crown, flowers, horseshoe and Australian motifs of wattle and emu. Date '1891' worked in cross stitch on one piece. The padding is wool and the backing dark red satin and these are joined by diagonal machine stitching in yellow thread.
1750 x 1100mm
Christine Taylor
Autograph quilt consisting of 372 x 100mm calico squares with signatures worked in green thread. There is a scalloped border. The backing is green paisley flannelette and the padding is an old twill sheet.
2200 x 1840mm
Maria Politis
Wholecloth quilt made of deep cherry red satin with backing of sky blue satin. The padding is cotton wadding. It is hand quilted and the pattern is an all over one of four leafed clovers with a border of crescent shapes within straight parallel lines.
2000 x 1700mm
Margaret Perrott
Cotton quilt top in patter, the owner calls 'Tumblers'. Approximately 590 pieces, with one exception, all different patterns and colours. 2181 x 1980
Bev Johnston
Patchwork quilt made from squares and rectangles of pink, blue and white fabric set with a frame of pink and white print around a centre rectangle made of 4 pink triangles. Four corner squares of blue and white stripes, Many squares are pieced from smaller scraps. The Material is a crepe type, possibly used for underwear. Handsewn and machined. Backing is made from cotton scraps, possibly lawn or similar. Padding is flanellete or similar. Edges are bound in a striped material. Quilt shows signs of wear.
620mm x 520mm
Helen Sparkman
Hexagon quilt made from dressmaking scraps, nearly all woollen. The hexagons measure 150mm. It is hand stitched.
1170 x 1100mm
Barbara McCabe
Patchwork quilt made of squares and rectangles in woollen fabric, stitched together without any particular pattern. Colours are mainly green, grey, blue, black, pink and some yellow. Fabrics are plain, checks and stripes. No padding, quilting or binding. Backing is a remnant of synthetic fabric. The quilt has been well sued and is very worn with fabric torn and marked in some places.
1400 x 400mm
Irene Treneman
Cotton quilt, checks, plains and patterns. Machine construction. Rectangles stitched together in strips and then strips joined. The backing is a cotton print. There is no padding and no quilting.
2420 x 1220
Fran Williams
Frame quilt with the centre frame featuring stars. These are English pieced and then appliqued on to the background using straight stitch on the machine. Borders are squares, rectangles and truangles. Mainly cottons. There is no padding. The backing is an old white bedspread similar to a Marcella.
1900 x 1930mm
Romsey/Lancefield & Districts Historical Society
Wholecloth quilt made of royal blue satin, squares around a central panel. Seam lines are covered with a faggoting stitch. All names are embroidered in satin stitch, the central motif is hand painted. The border is quilted with a repeat scroll ing pattern in hellow thread, and edges are trimmed with a fringe of small pom-poms in burgundy, gold, blue and yellow, the colours mixed in each pom-pom. Quilt is backed with yellow satin cotton. Centre has embroidered: "Lancefield/ Presbyterian/ Sale of Gifts/ February, 1896'.
1880 x 1330mm
Christine Kable
Durham type wholecloth quilt of cotton sateen, hand sewn and quilted. Apricot on one side and yellow on the other. The padding is possibly coarse cotton.
2465 x 2057mm
Fleur Margaret Lehane
Unfinished cotton frame quilt. The centre square is 4 triangles and this is surrounded by a border of smaller triangles. Most of the other borders are of triangles in a wide variety of materials, printed and plain.
2286 x 1829mm
Tasmanian Museum and Art Gallery
Machine sewn reversible quilt. Side 1 is rectangles of men's suiting samples in mainly grey, navy and black, stripes and self patterns. Side 2 is men's suiting samples but also includes woollen rectangular pieces in plain blue and deep pink. There is a hand sewn binding of fine orange-brown wool. The padding is hessian and cotton.
1460 x 1100mm
Joyce Lannin
A frame quilt with a pattern using hexagons from crepe de chine and silk material. The centre frame consists of a blue rosette of hexagons surrounded by six rosettes or flowers all with black centres. These are surrounded by rows of hexagons and then a row of flowers and then more hexagon borders. The owner refers to the pattern as 'Grandma's Garden'. 2550 x 2550 mm
Kereake Wray
Wholecloth Greek quilt. "The fabric is a beautiful silk satin with a formal pattern of soft yellows and pinks on a turquoise background. Surrounding this is a 40cm wide border also of silk satin (cerise coloured). The quilt is machine pieced but hand quilted. The method of quilting is very interesting. A thick cream twist has been used and at first glance it seems that the quilt is tied as there are long pairs of stitches with gaps of about 4cm between them. However, either a long needle was used to make a pair of stitches OR each side may have been quilted separately with the needle only going half way into the wadding which is about 2 cms thick." [Kereake Wray] The padding is kapok approx 2 cm thick and the backing is deep coral pink satin. 2200 x 1960 mm.
Yvonne Hore
Reversible quilt. Both sides are small squares of cotton scraps mainly left over from children's clothes. Plain and patterned pieces in a wide variety of colours. Hand stitched. Padding is pieced men's clothing, jumpers, cardigans, trousers. The present owner zig zagged over the seams, bound the edges and 'clouted' (her term) it in circles and squares.
2080 x 1570mm

Pages