Quilts

Nancy Dunlap
Grandmother's flower garden pattern. All cottons with plain centres to 'flowers' then row of prints and outer row of plains. One hexagon flower has been repaired. Scalloped edges bound with yellow. Hand quilting around the hexagons. The backing is cream cotton and the padding is thin cotton. 2140 x 1780mm.
Lyn Uppill
Patchwork quilt of hexagons, handsewn, in print and plain cottons and rayon. Central star group has diamond shaped groups of patches, with smaller flower shapes, an inner border of a star shape in yellow hexagons, and an outer border of hexagons in vertical bands. Colours are mainly blues, reds, greens and yellow, the 'paths' and border are a pink print. The backing is herringbone stitched to the border or sashing, which has mitred corners.
2400 x 2340mm
June Loewenthal
Hand made cotton quilt in repeat block with appliqued Iris pattern. It is a kit quilt. "The Iris, Design "R" of the 'Mountain Mist Series' of Quilt Patterns" from The Stearns & Foster Company, Lockland, Cincinnati, Ohio. Copyright 1930. The backing is cotton and the filling also.
2439 x 1981mm
Sharon Stacy
Wholecloth quilt of white cotton with hand appliqued flowers in 3 shades of red. The centre of the quilt has 6 separate flowers radiating from a circle and each corner has a separate arrangement of flowers. The white cotton quilting is in diagonal lines and a daisy pattern. There is a narrow red border widely scalloped. The backing is white cotton. There is no padding.
2236 x 1905mm
Powerhouse Museum
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm
 Cynthia Mayes
Wholecloth quilt of fine cream homespun embroidered with red and white stranded cotton. It is a cross stitch design of roses pre stamped on the material. The quilting consists of a fern pattern medallion in the centre, straight lines and a fern pattern border. The padding is fine wadding and the backing is white sheeting with a small floral pattern,
2160 x 1650mm
The Queensland Women's Historical Assoc.
Quilt top of plain, floral and printed cotton hexagons in a diamond pattern, separated by plain white hexagons. Hand written letters have been used as templates and some are still in position but the ink is faded and the writing now illegible. Tacking stitches are still in place.
3048 x 2210mm
Pauline Hunter
Patchwork quilt made from hexagon patches in satin and nylon, the nylon overlaid on satin. Fabrics are plain, in a mixture of dark and light colours. No padding. Backing is of pink satin with pink satin ribbon covering the joining seams. Hand sewn with some machine stitching. Feather stitching along the edge. There is no padding.
2211 x 1752mm
Kay Bruce-Smith
Quilt top. The centre piece is appliqued with cross strips and triangles with 'Chester 4 �.' printed on a centre blue strip. The last letters are difficult to read. The borders are triangles, rectangles and squares in cottons (including dimity) and some chenilles.
1860 x 1760mm
Nancy Stinson
The padding consists of layers of pieced used clothing including; part of machine knitted child's wool dress (Nancy had this when she was 3 or 4); part of father's cardigan; parts of 'neck to knee' bathers in light green and dark green wool. The padding is all hand pieced and machined around the edge. There have been 2 wholecloth cotton covers to this quilt. It is one of a pair.
1870 x 1020mm
Colleen Whitaker
Quilt top, all cotton. Center frame is 600mm square of calico on to which is appliqued red material in an elaborate cut out design. Radiating rows of mainly red and blue triangles. Other materials include, white with abstract plants scattered across it, pink with pin print white dots, white and maroon herringbone with small white flowers with maroon leaf sprays spread 25mm apart. The border is a strip of red not hemmed but with selvedges on the long sides. The quilt is all hand sewn with small back stitch, running stitch and hemming.
Kapunda Historical Society
Patchwork quilt made from cotton fabrics in stripes, small prints, and plains. Centre block is pieced red and white triangles within a blue and white striped frame, with a row above and below of triangles in a flying geese pattern. Two rows of triangles in the flying geese pattern are on either side the full length of the quilt. Quilt is bordered with red cotton. Colours are red, white, pink, blue and yellow. Padding is probably a woollen blanket, the backing is linen. Closely quilted all over.
2180 x 1930mm
N.S.W. Parks and Wildlife Service
The top is strips of mainly wools in blue, maroon and purple. The backing is imitation fur in brown and grey. They is no quilting. The padding appears to be a double sided pieced quilt from men's suitings or tailors' samples.
1500 x 1130mm
Mare Carter
Patchwork quilt made for a child. All cotton with cotton padding. White blocks have embroidery depicting different nursery rhymes eg Mary, Mary, Quite Contrary ; Old Mother Goose. These blocks are separated by rectangular strips of teal cotton. The quilt is hand stitched and heavily quilted.
1677 x 1271mm
King Cottage Museum
Hand sewn hexagons over paper templates in a pattern known as 'Grandmother's Flower Garden'. Materials are printed dress cottons, patterned and plain, mainly in pinks, blues and browns. The border and backing is grey linen and is machine stitched on. There is no padding. 2060 x 1579 mm.
Marjorie Treasy
Machine sewn quilt made from 125mm squares of scraps left over from dressmaking, joined in strips and then the strips joined. There is a border of fawn cotton and the backing is the same material. The padding is an old blanket and the border is padded with sheep's wool.
1400 x 925mm
Val Ireland
Utilitarian quilt. The padding is pieced used clothing and possibly reused blanket. The top and backing are machine pieced cotton scraps in a wide variety of pattern and colours.
1626 x 1601mm
Beryl Warne
The quilt's construction is cotton patches about 170mm square joined in strips and then the strips joined. The border and backing are pale lemon coloured cotton lawn. The padding is an old woollen blanket. There is ric-rac braid around the border of the top.
2180 x 1420mm
Maria Kirke
Wholecloth quilt made from deep pink satin. The quilting pattern is a centre circle with a stylised flower surrounded by crescent shapes. This is set in a square and there is a fan design in each corner. Parallel lines create a border. There is a frill on all sides of the quilt. The padding is raw cotton.
2000 x 1770 mm
National Trust of Australia (TAS)
Unfinished small quilt top of pale blue linen with squares of embroidery and silk patches appliqued and embroidered. The centre has embroidered coat of arms of the Baillie (or Bayley)family. Embroidered motifs are flowers, domestic items, anchor, butterfly, fan, basket, gardening implements. Total of 99 patches in silk, linen and cotton.
873 x 845mm

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