Quilts

National Pioneer Women's Hall of Fame
Patchwork top made in the Log Cabin pattern in cotton fabrics, 10 x 10 squares. Hand sewn. Most fabrics are patterned, colours in darks and lights include blues, red and pink, greys, browns. The wide border is made from 3 rows of blunt ended triangles (tumbler), the edge is bound with a narrow strip of patterned grey and white fabric. Each corner of the border has 3 chequered squares set on the diagonal. Hand sewn, the binding is machine sewn. No padding or backing.
2360 x 2340mm
Diana Cameron
Small patchwork piece possibly made from salesman's samples. There is no opening in the back so it is not a cushion cover. There is no padding. The backing is green polished cotton. There is a 40mm fringe around the edge.
520 x 520mm
Mare Carter
Patchwork cradle quilt of pieced repeat blocks. All cotton including cotton filling. Pattern is in faded greens and pinks,"4 pointed star" in circles. There are 20 blocks.
991 x 788mm
National Gallery of Australia
" This coverlet is composed of two pieces of dark blue cheese cloth joined with a row of running stitches down the centre of the coverlet (the seam faces the front face of the coverlet but is hidden beneath a row of appliqué).
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket carried by a very large angel. Glass beads, sequins and a button have been used to highlight the appliqué and embroidery.
As with all of Mary Jane Hannaford's quilts, the work is stitched by hand and quite crudely, but the naivety of the images is overwhelming with their charm." [NGA] The quilt is not padded or lined. 1950 x 1690mm
Val Ireland
The top of this utility quilt is machine pieced rectangles of woollen materials joined in strips. It includes corduroys and velveteens and woollen tartan. The backing is an Indian cotton blanket.
1651 x 1271mm
Old Government House
Patchwork quilt in Log Cabin pattern made from silks, velvet, cottons and taffetas, in prints and plain, around a centre squares of black velvet. Colours are, in the dark sections, blues, greens, browns, yellow and pinks. The base of the blocks is blue and white ticking. The padding is probably cotton. Backing is of green cotton. There is an attached frill on all sides of green cotton, faded to dull light brown.
1630 x 1350mm
Mary Robertson
Suffolk puff quilt with each puff approximately 4cm x 4cm. The puffs are small squares rather than the more usual circles. Materials are mainly cottons and satins in a wide variety of colours and patterns. The backing is striped flannelette and is hand stitched to the top.
1660 x 1140mm
Margery Creek
Cotton quilt made in the USA. The pattern is 'Turkey Tracks'. It is machine pieced and very finely hand quilted. The backing is calico and the padding is cotton.
1880 x 1753mm
Rozanne Andrew
Quilt, single bed size, made from reused clothing roughly handstitched on to a backing of a wool/linen blanket type fabric in green, cream and brown stripes. Clothing is fronts and backs of old jumpers, vests etc as well as opened out sleeves in red, brown and grey. They are stitched together in several layers with long stitches. Another top may have been intended to cover the stitched down layers of clothing.
1500 x 1040mm
June Brown
Pieces of heavy woollen material have been strip pieced and then joined. The joined pieces have then been folded over and restitched along the sides to make a double sided quilt. It is very heavy.
1830 x 1400mm
Muriel Hartmann
Domestic Wagga made from sugar bags joined together and covered with army blankets. Machine construction. Patching evident. Sugar miller's brand visible on one bag: " M--AQUIN, 70lbs, --- SUGAR, BUNDABERG"
1753 X 1347mm
Yass & District Historical Society
Patchwork quilt made of approx. 730 Suffolk Puffs, using mainly cotton materials in florals and plains. Each puff is 45mm diameter. The quilt centre has a square of 16 pink puffs outlined with a single row of blue puffs. Each corner of the quilt has a square of 9 puffs in a single colour. No padding. Quilt is edged and backed with a red and white tartan cotton.
Patricia Roche
Opossum pelts cut into rectangles and joined. The top is piped in red felt and the backing is red felt with a double scalloped edge. 1640 x 1210mm
Bob Sloan
Double sided quilt made from all wool worsted suiting samples. Machine construction. There is no padding.
1840 x 1330mm
Gloria Martin
Double sided quilt machine made from clothing scraps. Shapes are mainly rectangles in corduroy and wool blend. The padding is an old grey blanket.
1524 x 1372mm
National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm
Tasmanian Museum and Art Gallery
Machine sewn reversible quilt. Side 1 is rectangles of men's suiting samples in mainly grey, navy and black, stripes and self patterns. Side 2 is men's suiting samples but also includes woollen rectangular pieces in plain blue and deep pink. There is a hand sewn binding of fine orange-brown wool. The padding is hessian and cotton.
1460 x 1100mm
Western Australian Quilters' Association
Quilt made from furnishing materials, mostly velour type or uncut moquette. The colours are dusty pinks and beige/camel/blue. It has been put together by making wide strips of various sized rectangles sewn together and any missing piece in a rectangle added by using another piece of material to complete the shape. There is no padding and the backing is winter cotton.
2000 x 1650mm
Queen Victoria Museum and Art Gallery
Platypus skin rug, 63 pelts in 7 rows by 9. Skins are small, rectangular and worn down. The colour is greyish brown with a darker centre. The skins are machine stitched then the rug is hand sewn to dark brown felt which extends to form a wide border and this has 3 rows of machine stitching. 1780 x 1425mm
Queen Victoria Museum and Art Gallery
Quilt with alternate red and white diamonds in cotton, with wide border of white cotton and a white cotton crochet edging. All diamond patches and edging were joined to white border decorated with feather stitch. White border edged with zig-zag white feather stitch. Centre rectangle of white has 4 red petals edged with white feather stitch and 4 red diamonds each embroidered in white clockwise: '1898', 'R', 'L', 'K'. Diamonds edged with feather stitch. There is no padding and the backing is white cotton.
2420 x 1740mm

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