Quilts

Brenda Bird
Suffolk Puff quilt made from a variety of scraps of dress materials including cottons and terylene. It is backed with white cotton sheeting and edged with a frill of white terylene. There is a matching pillow sham.
1740 x 1300 mm.
Santa Maltese
A 'foot' quilt, "copri piedi" used on the bed. Pink satin top and blue satin backing. The pink top is hand embroidered in a trellis pattern in shadow stitch and within each section there are hand embroidered sprigs of flowers in silk threads. The whole top is elaborately quilted. The silk cord binding is twisted into four decorative loops at each corner. There is a thick padding of cotton grown locally in Sicily.
1260 x 650mm
Sharon Stacy
Wholecloth quilt of white cotton with hand appliqued flowers in 3 shades of red. The centre of the quilt has 6 separate flowers radiating from a circle and each corner has a separate arrangement of flowers. The white cotton quilting is in diagonal lines and a daisy pattern. There is a narrow red border widely scalloped. The backing is white cotton. There is no padding.
2236 x 1905mm
Sue Batzloff
Patchwork quilt for a child made from suiting pieces from the Castlemaine Woollen Mills in Victoria. One side has dark rectangles in greys and navy, the other side uses pieces in light browns, cream and rust, with dark grey. The edging is also made from suiting. No padding Machine sewn.
1347 x 1271mm
June Brown
Rectangular cot quilt of green floral cretonne with pleated frill. Machine made. The backing is the same material. It is tied not quilted. The padding is old woollen jumpers.
1050 x 610mm
Wendy Springbett
Patchwork quilt made from alternate squares of light green and medium green cotton headcloth. The light green squares are hand embroidered with Australian native birds, the medium green squares are decorated with pulled thread designs. No padding. Backing and binding of medium green headcloth. Made from patterns published in The Adelaide Chronicle.
2650 x 1573mm
Billie Briggs
Hand pieced hexagon quilt in pattern known as 'Grandmother's Flower Garden". 12 hexagons, in patterned cottons, form the outer border of each flower with an inner border of 6 matching plain coloured hexagons and all flowers have a yellow hexagon centre. There is no padding, a cotton backing and it is hand quilted.
2400 x 1780mm.
National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
Kaniva District Historical Society
Quilt of crocheted squares (sometimes known as Granny squares) in pinks, blues, greens and brown, with a green crocheted border edged in brown. Quilt is backed. A cot quilt or a knee rug.
Heather Roobol
Patchwork quilt has three centre squares, one in blue/white/brown in a cross pattern, one in framed square, one with diagonal strips in a pink frame. The rest of the quilt is made from strips of rectangles in different sizes sewn in rows. There is a narrow pieced frame, then an outer border of pieced rectangles. Mostly pastel colours. No padding. Backing is calico. There is a little embroidery.
2160 x 1601mm
Diana Cameron
Small patchwork piece possibly made from salesman's samples. There is no opening in the back so it is not a cushion cover. There is no padding. The backing is green polished cotton. There is a 40mm fringe around the edge.
520 x 520mm
Nancy Stinson
The padding consists of layers of pieced used clothing including; part of machine knitted child's wool dress (Nancy had this when she was 3 or 4); part of father's cardigan; parts of 'neck to knee' bathers in light green and dark green wool. The padding is all hand pieced and machined around the edge. There have been 2 wholecloth cotton covers to this quilt. It is one of a pair.
1870 x 1020mm
June Brown
This quilt has been strip pieced with no regular pattern. It seems a large quilt has been made then folded in half. The materials used are woollen skirting pieces in a variety of colours. It could be used either way. There is no padding and it is very heavy.
2100 x 1950mm
Euroa Historical Society
Crazy patchwork quilt with patches of velvet, satin and silk joined in 12 blocks. Each seam is embroidered and many patches have embroidered flowers. There is a 140mm maroon velvet border. The backing is maroon silk. There is a sachet that belongs with the quilt.
1800 x 1400mm
Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
Ruth Collins
Patchwork quilt of rectangular wool and cotton tailors' samples, in browns, greys, navy, black and beige, in plains and patterned weaves. Padding is a woollen blanket, and the backing is a patterned cotton.
1956 x 1702mm
Maria Kirke
Wholecloth quilt made from deep pink satin. The quilting pattern is a centre circle with a stylised flower surrounded by crescent shapes. This is set in a square and there is a fan design in each corner. Parallel lines create a border. There is a frill on all sides of the quilt. The padding is raw cotton.
2000 x 1770 mm
Fran Williams
150 x 210mm pieces of bound suiting samples overlapped and machined together then herringboned with gold/yellow thread. Each piece has an embroidered motif, using single thread, mainly non Australian birds and animals. '1903' is embroidered on a centre piece. It is hand quilted. The backing is a black floral print. There is no padding.
1800 x 1940mm
Helen Sparkman
Hexagon quilt made from dressmaking scraps from one neice. The quilt top only is complete and a few papers are still attached.
2250 x 2000mm
Gloria Martin
Double sided quilt machine made from clothing scraps. Shapes are mainly rectangles in corduroy and wool blend. The padding is an old grey blanket.
1524 x 1372mm

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