Quilts

Fleur Margaret Lehane
Unfinished cotton frame quilt. The centre square is 4 triangles and this is surrounded by a border of smaller triangles. Most of the other borders are of triangles in a wide variety of materials, printed and plain.
2286 x 1829mm
Greg Davies
Patchwork quilt, log cabin with central patch plus 2 logs. Many different materials from 1950s and 1960s. Machine pieced. The padding is a woollen blanket and the backing is a flannelette sheet. The quilt is tied with yellow cotton at each corner.
2170 x 1880mm
Mary Robertson
Domestic Wagga made from 3 bags joined (the bags feel lighter than the jute wheat or flour bags) and covered back and front with floral cotton featuring large roses in red and oranges. The cover is machined.
1750 x 840mm
Margery Smith
Patchwork quilt made from hexagons 63mm across in a variety of cotton prints and plains. The bright coloured patches came from children's clothes and dressmaking scraps. The 'set included a large cot cover, a pillow cover and a circular stool cover. No padding. Backing of unbleached calico. Hand sewn.
2300 x 1840mm
National Trust of Australia (SA)
Randomly patched quilt in many different colours and fabrics. There are appliquéd shapes over many pieces including Suffolk Puffs, hearts, hexagons and other shapes. There is an embroidered inscription "A11 to S11 1829" which is thought to mean AN to SN 1829. There is no padding and the backing is white cotton.
2000 x 2200mm
Bruce Wright
Skin rug made from approximately 50 fox skins. These are hand sewn together in strips approx. 100mm wide across the width of the rug. Backing is of dark brown felt. The edge is trimmed with blue felt with a scalloped edge. Skins were tanned with wattle bark tanning solution. 1550 x 1300mm
Powerhouse Museum
Reversible cot quilt, hand pieced, in the log cabin pattern; the blocks measure 150mm square. The patches have been cut from plain and patterned dress, pyjama and men's shirt fabrics. Strong diagonals were created in the overall design through using light and dark colours, often a strong red, to divide the log cabin blocks in half diagonally. The back is made from rectangles of striped men's shirt fabrics in pastel blues, pinks and browns with a large 'flowe' in each corner, each pieced from six hexagon patches around a central seventh hexagon. There is no padding.
[PHM] 1720 x 1150mm
Alysoun Ryves
Red Applique on an off white background. All applique is by hand using herringbone stitch. Three different red materials are used for the applique each printed with a different tiny all over pattern. There are 3 different applique shapes: the 9 major shapes have 8 points; the daisy pattern has 8 petals; the edge pattern is used along the top, left and half of the bottom edge of the quilt and sometimes has 4 points, sometimes 3 and sometimes 2. There is a tiny red piping around the quilt along the bottom and both sides. It is hand quilted in 100mm long zig zags 12mms apart all over the quilt. The quilt is signed twice on the front, once in ink and once in embroidery. It is signed 'Anna Edwards Jan 1858'. There is no padding and the backing material is similar to the off white background material of the top.
2270 x 2180mm
Old Government House
Patchwork quilt in Log Cabin pattern made from silks, velvet, cottons and taffetas, in prints and plain, around a centre squares of black velvet. Colours are, in the dark sections, blues, greens, browns, yellow and pinks. The base of the blocks is blue and white ticking. The padding is probably cotton. Backing is of green cotton. There is an attached frill on all sides of green cotton, faded to dull light brown.
1630 x 1350mm
Lesley Stocker
Suffolk puff quilt with puffs in a variety of fabrics. Very little cotton. Fabrics are satin, polyester, organza, wool (now moth eaten), rayon and silk. There is no padding or backing. 2450 x 2100mm
Powerhouse Museum
"A quilt or coverlet of natural cotton sheeting with appliqueed motifs cut from a variety of crimson cotton damask. The quilt is hand sewn and nearly square and has a 12 cm border made from the same crimson damasks. The applique motifs consist of a range of hexagons, rosettes, flowers, hearts and stars that radiate outwards from a large centrally placed star shape. All are the same shade of crimson red which suggests they were dyed in the same dye pot. The fabrics are now quite thin and soft which suggests that the quilt, or the fabric it was made from, was well used." [PHM]
1960 x 1950mm
Pauline Munro
Quilt of woollen rectangles, probably tailors' samples. Machine pieced. The backing is floral cotton similar to curtain material.The backing has a french seam down the centre back and is folded over to the front to form a binding. There is no padding.
1440 x 1260
Julie Bos
Allover pattern in woollen dress materials in blue, grey, navy, black and pink. Hand stitched. The owner suggests it was made in the 1950s or earlier. It is not used.
910 x 1250mm
Cobram Shire Historical Society
Patchwork quilt in Log Cabin pattern, arranged in 'furrows', and made from cottons, wool and suiting fabrics. Centres of blocks are pastel or dark; dark colours are black, brown, purple blue and red. Pastel side of blocks includes a bright pink. Quilt backing is pieced, with a centre rectangle of cotton surrounded by 5 borders of plain and alternate rectangular pieced strips, in wool and suiting fabrics. Colours are black, dark blue, brown, green, grey and pastels. Inner lining is of cotton pieces, to which the Log Cabin blocks have been machined.
1620 x 1360mm
Mr. Michael and Mrs. Mary Dilworth
Pieced repeat block, hand pieced over papers in a diamond pattern. Blue patterned border. There is no padding and the quilt has been recently backed with calico. The 2 layers are tied together. 2240 x 1830 mm.
Santa Maltese
A 'foot' quilt, "copri piedi" used on the bed. Pink satin top and blue satin backing. The pink top is hand embroidered in a trellis pattern in shadow stitch and within each section there are hand embroidered sprigs of flowers in silk threads. The whole top is elaborately quilted. The silk cord binding is twisted into four decorative loops at each corner. There is a thick padding of cotton grown locally in Sicily.
1260 x 650mm
Bob Sloan
Double sided quilt made from all wool worsted suiting samples. Machine construction. There is no padding.
1840 x 1330mm
June Brown
Rectangular cot quilt of green floral cretonne with pleated frill. Machine made. The backing is the same material. It is tied not quilted. The padding is old woollen jumpers.
1050 x 610mm
National Trust of Australia (VIC)
Hand stitched silk quilt in mosaic patchwork based on triangles. Pieces include dress materials and some embroidered linings fom men's waist coats. Paper templates. The backing is cotton.
2200 x 2000mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm

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