Quilts

June Dean
Pieced hexagons, English paper method. Large hexagons form the centre with a border of smaller hexagons. The fabrics are all cotton in a wide range of colours and patterns. There is no padding. The backing is cotton, large white floral design on dark blue. The hexagons are hand pieced and the edges machined.
2480 x 1420 mm
Ida Blenkiron
Rectangular quilt with front and back made of rectangles of cotton samples of shirt materials, in checks, stripes and plains. Colours are soft muted reds, greens, blues, yellows and browns, and pastels. Construction is 3 to 4 rows of rectangles joined across the quilt. Padding is probably an old blanket. There is a row of hand quilting approximately the width of one patch in from the edge, holding the layers together.
1870 x 950mm
Kerrie Maloney
Double sided quilt made from woollen suiting pieces some of which have hand worked eyelets. Many of the rectangles are irregular. Both sides use similar pieces but arranged in different patterns. There is no padding.
2160 x 1524mm
Tasmanian Museum and Art Gallery
Rug made from 40 quoll skins, 8 skins set in 5 rows. Skins are trimmed to rectangles and machine stitched together. Colours range from light cream to grey-brown with creamy yellow spots. The backing is dark green woven wool which extends beyond the top and is finished with a scalloped, punched edge. It is hand sewn to the top. 1575 x 1255mm
Amanda Smith
Unfinished crazy parchwork quilt using a wide variety of mainly cotton scraps in patterns and plains. Machine sewn on to calico base.
1956 x 1677mm
Margery Creek
This utility quilt is mainly constructed from long strips of cotton seed sack material. It is machine pieced and quilted by hand in a diagonal pattern. There is a red border. The backing is cotton flannelette and the padding is cotton.
1601 x 1525mm
Jean Winchester
Patchwork quilt of hexagon patches with a large central group of 14 rows, then groups or 'flowers' of 6 patches placed over the rest of the quilt. The colours are red, black, white and blue, in a mixture of stripes, florals and plains. No padding. Backing is a double bed sheet. Hand sewn.
2591 x 2566mm
Jan Hanslow
Hexagon quilt with 60mm hexagons in cottons. No particular design or pattern. Patches are plain and patterned in reds, blues, pinks, browns and greys. There is a 70mm wide lace trim. The quilt is padded and the backing is wholecloth green with a floral design in pink and cream. 1860 x 1640mm
Teona Smith
Suffolk Puff or puff-ball quilt is made from scraps of dresses and pyjamas, mainly cottons, but also taffeta lining fabric, net, lurex, flocked organdie. The quilt is in bright clear colours, the fabric mostly in small prints, ginghams, different size spots, a few large prints, Chinese brocade, nylon. Puffs are 5cm across, and set 31 puffs across by 45 down. Puffs are squared off when whipstitched together, so corner holes are smaller than usual.
2180 x 1500mm
Julie Treacy
Animal skin rug made from rough rectangles of kangaroo skins, hand sewn together with leather thonging. Backing is woollen blankets. 2135 x 2057mm
Yass & District Historical Society
Patchwork quilt made from diamond patches in the 'Cotton Box' pattern, in a wide variety of cotton fabrics, including plains, checks, stripes and florals. The patches have blotting paper templates. The quilt is edged with diamond shapes in a red floral cotton. The backing is of the same red floral pattern, featuring yellow, turquoise and white flowers and leaves. Hand sewn.
2135 x 2033mm
Christine Kable
Durham type wholecloth quilt of cotton sateen, hand sewn and quilted. Apricot on one side and yellow on the other. The padding is possibly coarse cotton.
2465 x 2057mm
Ruth Hansen
Quuilt constructed from large pieces of used clothing pieced together to form the top. There are layers of under shirts once used by the maker's father and also by her husband Bill. The backing is an old cream blanket.
1700 x 1200mm
National Gallery of Australia
" A coverlet of 7 pieces of cream muslin. The edges of the work are secured at the top and sides with bands of green and floral strips. The lower edge has been turned and hemmed. The 'quilt' is highly decorated with bands and diamonds of appliqué fabric. The upper centre field is appliquéd with images depicting Adam and Eve in the Garden of Eden surrounded by trees and a variety of animals and insects. In the centre is a smaller appliquéd image of the manger with mangel and cows. The quilt is not signed or dated, but each of the imaged areas is accompanied by a descriptive text. The writing is executed in black chain stitch. Beads and sequins have been used to depict the eyes of some of the animals in the Garden of Eden. As with all of Mary Jane Hannaford's quilts all work is hand sewn and quite crude and coarse in execution. The quilt is not padded or lined." [NGA] 1810 x 1590mm
Jean Gill
Pieced quilt featuring log cabin and tumbling block patterns. It is handsewn and has some appliqued flowers.Materials are mainly velvet with a small amount of cotton. There is no padding and the backing is cotton flannelette.
1525 x 1220mm
Kereake Wray
Wholecloth Greek quilt. "The fabric is a beautiful silk satin with a formal pattern of soft yellows and pinks on a turquoise background. Surrounding this is a 40cm wide border also of silk satin (cerise coloured). The quilt is machine pieced but hand quilted. The method of quilting is very interesting. A thick cream twist has been used and at first glance it seems that the quilt is tied as there are long pairs of stitches with gaps of about 4cm between them. However, either a long needle was used to make a pair of stitches OR each side may have been quilted separately with the needle only going half way into the wadding which is about 2 cms thick." [Kereake Wray] The padding is kapok approx 2 cm thick and the backing is deep coral pink satin. 2200 x 1960 mm.
Rhona Dunwoodie
Block pattern consisting of a circle, hexagon and circle within a square. Cotton dressmaking fabrics with a few plain creams. Hand pieced and hand quilted. At some stage has been machine reinforced. Now faded, worn and damaged especially one end. Quilting pattern is four leaf clover inside large cable. The backing is 4 different pink toned fabrics in longitudinal stripes. Cotton batting. 2620 x 2300mm
The Pioneer Women's Hut
The top is machine pieced patches of used clothing. The backing is large pieces of dress materials and either end patches similar to the top. The padding is a chaff bag or similar with patches of worn, matted children's jumpers sewn directly on to it.
1400 x 1150mm
Bill & Barbara Meynink
Patchwork quilt made from brightly coloured printed cotton fabrics in hexagon patches hand sewn together in rosettes, and stitched by machine onto a border of bright teal blue fabric. Fabric scraps for the patchwork were donated from friends. No padding. Backing is polished cotton curtain lining.
2312 x 1969mm
Gladys V. Williams
Grandmother's Flower Garden, also known as French Bouquet. The quilt comprises 181 flowers. No padding is used. Each flower has seven hexagonal patches, cut from a metal template pattern. Floral and plain silk materials are used and mounted on pale blue moire taffeta.
3050 x 2031mm

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