Quilts

Mary and Max Robertson
Traditional Wagga rug made from 3 wheat bags joined along the long side by sewing with bag needle and twine. Machined twill cover was put on later in the 1960s. Originally no padding but now the bags are the padding. One of a pair(identical).
1790 x 1160mm
Julie Pearce
Rectangular quilt of print and plain
cottons pieced in squares and rectangles within 2 frames, the inner border or frame of blue/green check material, then 2 rows of squares and rectangles, the outer frame of a grey and red geometric pattern and 2 rows of squares or rectangles. Backing of plain fabric. Machine stitched on a treadle machine.
Gwen Cordinglay
Patchwork quilt made from hexagon patches in silks and rayons, in pinks, blues, red, yellow mainly, with pastels. No padding. Bordered and backed with green satin.
1829 x 1372mm
Sharon Stacy
Wholecloth quilt with white cotton centre, sky blue cotton border and dark blue binding. There are 9 repeat designs of cross stitched flowers and leaves in the centre section. Around the blue border there are 18 cross stitched flowers. Blue on blue and white on white cotton quilting of diagonal lines and curls pattern the quilt. The backing is white cotton and there is a very light padding.
2338 x1981mm
La Dona Anick
Red and white cross stitch quilt. Central white panel with red cross stitch embroidery featuring flowers and leaves. Red panels as borders with white embroidery, also flowers and leaves. Machine pieced. Hand quilted in an espalier pattern. There is a fine padding and the backing is homespun. 2200 x 1970mm
Dubbo Museum & Historical Society Inc
Rabbit skins sewn on to dark blue felt. Skins have been arranged to give a patterned effect. Centre has a rectangular lighter coloured skin with a further rectangle of darker colour in the centre. Skins are handsewn, with rat-tail braid on the reverse side. Blue felt has a pinked edge. 1440 x 1330mm
Lois Ryan
Log Cabin quilt made from a variety of cottons and silks. There is no padding and the backing is calico bags. 1500 x 1250 mm.
Gillian Erratt
Patchwork quilt made of pieced blocks in the 'Shoofly' pattern, in white cotton and a red, white and blue geometric cotton print. Alternate squares are in the print. The border is made of same size squares in the print. No padding. The backing is a sheet. Hand sewn.
1829 x 1829mm
Robyn Oliver
Wholecloth quilt, yellow sateen both sides. Hand quilted, geometric designs; centre square cross hatch, corner spaces filled with diagonal lines, border of 4 lines of parallel quilting. Flock padding visible in holes - said to be wool. 5 cms thick.
2290 x 1950mm
Phyllis Dowling
Hand pieced cot quilt made from small rectangular shapes of a great variety of materials including cottons, silks, wools and velvets. The backing is cotton sateen in 3 colours and is brought to the front to form a border of pink, cream and yellow.
1170 x 920mm
National Trust of Australia (TAS)
Small rectangular bed cover, probably child's or even doll's, made from rectangles of cream linen stitched together with hand sewn french seams. The top surface is decorated with small squares and rectangles of coloured silk, velvet, wool and cotton attached approximately 25mm apart, with 3 stitches in centre of patch to attach to background. Bright pink wool patches stand out.
935 x 635mm
National Gallery of Australia
"This all white quilt has a front face of fine white plain weave cotton. The quilt is lined with brushed cotton twill. The two layers are quilted with white cotton thread across the entire surface with rows of zigzag stitching 16-20mm apart.
The edges of the quilt have been cut to form scallops and the raw edges here are secured with a binding of fabric similar to that used on the front face of the quilt. All work on the quilt appears to be hand sewn." [NGA] The quilt is not padded. 2655 x 2150mm
Art Gallery of South Australia
Frame cot quilt in cotton fabrics, the centre square in a paisley print surrounded by two plain borders or frames, then two frames pieced in alternate light and dark triangles, then a frame in a floral print. Outer border is of red fabric, longer at top and bottom to make a rectangle. No quilting. Machine sewn.
1050 x 770mm
Ann Hockey
Patchwork quilt made of small squares pieced from four triangles. Each square is 90mm and is joined to the others by a herringbone lacing in yellow rayon crochet thread, so making an open mesh between each square. The quilt is edged with thick yellow rayon corded braid. Each square is backed with gold coloured cotton. No padding.
1730 x 1430mm
The Queensland Women's Historical Assoc.
Hexagon rosettes of printed and plain cotton in a flower pattern. Incomplete, top layer only.
2439 x 1981mm
Annette Gero
Utilitarian quilt made from large pieces of wool, flannel and cotton. Machine construction and the padding is wool.
1570 x 152Omm
Thelma Lithgow
Repeat block quilt top based on hexagons, each 350 mm diameter. Six hexagons and a centre one make a 'flower' and these are set in rows against a plain calico background. Patterned cotton fabrics are used for the hexagons, small prints, fine stripes and tiny flowers. As it is a quilt top only, there is no lining or padding. 2100 x 1800 mm
Western Australian Museum
Possum skin rug made from rows of possum pelts sewn to a woollen blue checked blanket. 1720 x 1370mm
Annette Gero
Hand pieced frame quilt with centre frame and borders of squares set on point. There is a blue patterned border. The backing is white and it is finely quilted. "The fabrics themselves are all absolutely typical of the period [1830 t0 1840] and many, if not most, of them can be found as illustrations in historical textile reference books - in this respect the quilt is virtually a book chapter in itself and has a particular value to a quilt historian. At about this period in England cottons and chintzes were being produced in great quantity and were relatively modestly priced." [Annette Gero]
2540 x 2540mm
National Gallery of Australia
" The quilt is a patchwork of red cotton fabric. Each piece is decorated with embroidery in thick white cotton thread and with cotton appliqué. The edge of the quilt is decorated with a red cotton unlined border strip decorated with cutwork daisies, producing a scalloped edge. The images and inscriptions carried on each of the pieces of various sizes are a time capsule to notions and everyday life at the turn of the century.
In the centre is Queen Victoria surrounded by a garland of floral emblem of the Empire. (This square is dated 1901) Other squares carry scenes of daily life, farm animals and mottoes. "When a woman throws herself at a man head she seldom hit the mark." There are several spelling errors within the inscriptions. The latest dated piece is 'Dec 1903'. The embroidery is quite crude and large, and shows the work of two hands." [NGA]
The quilt is not padded. It is lined with pink cotton flannelette. 2230 x 1910mm

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