Quilts

Euroa Historical Society
Crazy patchwork quilt with patches of velvet, satin and silk joined in 12 blocks. Each seam is embroidered and many patches have embroidered flowers. There is a 140mm maroon velvet border. The backing is maroon silk. There is a sachet that belongs with the quilt.
1800 x 1400mm
South Australian Museum
Skin rug of kangaroo or wallaby skins. Rectangular pieces stitched together.
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Ruth Collins
Patchwork quilt of rectangular wool and cotton tailors' samples, in browns, greys, navy, black and beige, in plains and patterned weaves. Padding is a woollen blanket, and the backing is a patterned cotton.
1956 x 1702mm
Tanya Shephard
Patchwork quilt of squares measuring between 190mm and 220mm machined together. Materials include chenille, wool and nylon. There is no padding. The backing is green gabardine
1350 x 148mm
Alyce Wright
Cotton scrap quilt in a pattern known as 'Grandmothers Fan'. It is hand quilted. The padding is hand carded cotton and the backing is muslin.
2235 x 1880mm
Annette Gero
Cotton frame quilt with a diamond in the centre of the frame and a border of straight pieces. The outer border is diamonds. The quilt is hand sewn and hand quilted.
1910 x 1830mm
Julianne Humphris
Patchwork quilt of hand sewn hexagons in a variety of print and plain cotton fabrics from 1950-1960. Colours are mainly pinks, blues, greens and yellow, with some red, and white. Quilt has a wide border of yellow poplin, which also forms the backing. No padding.
2280 x 1520mm
Margaret Eisenhauer
Wholecloth quilt covered with floral cretonne both sides, deep pink and yellow flowers on a cream background. The padding is hessian/jute type bags joined.
One of a pair but the other quilt is larger.
1800 x 900mm
Annette Gero
This quilt consists of many blocks of different colours with etchings and verse from the bible machine appliqued on to a red backing material. It is a kit quilt.
2580 x 24100mm
Margery Creek
Cotton quilt made in the USA. The pattern is called 'Turkey Tracks'. It has a cotton backing and a bottle green binding. The red patches have faded to pink. The quilt is hand pieced and hand quilted. Two names are written on tape sewn on the back viz: Cora Phelps and M.Hoover.
2135 x 1727mm
The Pyramid Hill Historical Society Inc.
This unfinished cover has a centre frame of a simple block. There are alternating plain and patterned borders including sword tooth, flying geese and squares on point. It is hand pieced with plain and twill weave cottons, variety of stripes, checks, florals and plains. There is no backing.
1800 x 1800mm
Diane Kern Hamilton
Dresden plate quilt with pointed pieces set around a white centre. Fabrics are checks, floral patterns and plains of the 1930s. The twenty blocks are sashed with plain mauve fabric which does not meet evenly in some places. The padding is two layers of cotton bedspreads. The backing is open weave rough quality cotton.
1860 x 1550mm.
Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
National Trust of Australia (NSW)
Hand pieced and quilted quilt in silks, wool and cotton dress materials. The centre is a hexagon star in pink and yellow with black points. Most of the body of the quilt is pieced in Tumbling Blocks with an outer border of triangles. The backing is pieced from large rectangles of blue satin, rust-brown moire taffeta and brown-grey silk in a 'rectangle within a rectangle' pattern. The quilting is all over and finely done in yellow thread in a variety of patterns including snails, petalled flowers and hearts.
Sue Batzloff
Patchwork quilt for a child made from suiting pieces from the Castlemaine Woollen Mills in Victoria. One side has dark rectangles in greys and navy, the other side uses pieces in light browns, cream and rust, with dark grey. The edging is also made from suiting. No padding Machine sewn.
1347 x 1271mm
Wendy Springbett
Patchwork quilt made from alternate squares of light green and medium green cotton headcloth. The light green squares are hand embroidered with Australian native birds, the medium green squares are decorated with pulled thread designs. No padding. Backing and binding of medium green headcloth. Made from patterns published in The Adelaide Chronicle.
2650 x 1573mm
Western Australian Museum
Possum skin rug made from rows of possum pelts sewn to a woollen blue checked blanket. 1720 x 1370mm
Annette Gero
Hand pieced frame quilt with centre frame and borders of squares set on point. There is a blue patterned border. The backing is white and it is finely quilted. "The fabrics themselves are all absolutely typical of the period [1830 t0 1840] and many, if not most, of them can be found as illustrations in historical textile reference books - in this respect the quilt is virtually a book chapter in itself and has a particular value to a quilt historian. At about this period in England cottons and chintzes were being produced in great quantity and were relatively modestly priced." [Annette Gero]
2540 x 2540mm
National Gallery of Australia
" The quilt is a patchwork of red cotton fabric. Each piece is decorated with embroidery in thick white cotton thread and with cotton appliqué. The edge of the quilt is decorated with a red cotton unlined border strip decorated with cutwork daisies, producing a scalloped edge. The images and inscriptions carried on each of the pieces of various sizes are a time capsule to notions and everyday life at the turn of the century.
In the centre is Queen Victoria surrounded by a garland of floral emblem of the Empire. (This square is dated 1901) Other squares carry scenes of daily life, farm animals and mottoes. "When a woman throws herself at a man head she seldom hit the mark." There are several spelling errors within the inscriptions. The latest dated piece is 'Dec 1903'. The embroidery is quite crude and large, and shows the work of two hands." [NGA]
The quilt is not padded. It is lined with pink cotton flannelette. 2230 x 1910mm

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