Quilts

National Pioneer Women's Hall of Fame
Patchwork top made in the Log Cabin pattern in cotton fabrics, 10 x 10 squares. Hand sewn. Most fabrics are patterned, colours in darks and lights include blues, red and pink, greys, browns. The wide border is made from 3 rows of blunt ended triangles (tumbler), the edge is bound with a narrow strip of patterned grey and white fabric. Each corner of the border has 3 chequered squares set on the diagonal. Hand sewn, the binding is machine sewn. No padding or backing.
2360 x 2340mm
The Pioneer Women's Hut
Utility patchwork quilt made up of mainly squares of furnishing material machine pieced. It is backed with machine pieced patches of woollen jumpers, mainly machine not hand knitted. The back is possibly the top. There is no padding.
1950 x 1270mm
Nancy Dunlap
Repeat block in wedding ring pattern. All cottons with cream background and mainly pale mauve and green dressmaking prints in wedding rings. Green border and cream calico backing. The padding is cotton. 1800 x 210mm.
Tricia Bowdler
Reversible quilt made of squares and rectangles of mostly wool suiting and some heavy cotton. The borders are of joined brocade. There is no padding.
1600 x 1220mm
National Gallery of Australia
" This well worn quilt is of pieced diamonds set into squares (221 make up the quilt). Thick woollen fabric has been used for the pieces. These are with plain dyed fabrics or tartans and checks. All work on the quilt is hand sewn. The quilt was lined with a fine blue cotton." [NGA] The quilt is not padded. 1835 x 1400mm
Yiota Grigorakis
Wholecloth quilt. Top is gold sateen and the backing is gold cotton. Hand quilted in an overall large shell pattern within a border of three parallel lines spaced at 1000, 800, 700mms respectively. The padding is cotton wadding. 2000 x 1800mm
Margaret Perrott
Cotton quilt top in patter, the owner calls 'Tumblers'. Approximately 590 pieces, with one exception, all different patterns and colours. 2181 x 1980
National Gallery of Australia
" This is an unfinished section/piece of crazy quilting. Ribbons divide the piece horizontally into three sections; between these are bands of pastel fabrics and embroidery in the crazy quilt tradition. The fabrics and threads employed are very luxurious: laces, satin ribbons and silk velvets. The embroidery is very fine, employing a wide variety of stitches and threads. This patchwork piece is padded with cotton wadding and backed with tarlatan." [NGA] 1170 x 1020mm
Helen Sparkman
Hexagon quilt made from dressmaking scraps, nearly all woollen. The hexagons measure 150mm. It is hand stitched.
1170 x 1100mm
Alison Tunney
Quilt in mauve, pale blue and white squares, with wide borders of floral and off white. The quilting is a centre medallion with leaves on the border, and cross hatched over all. The padding is cotton batting, and the backing is plain white cotton. 2180 x 1900 mm.
Darla Taylor
Double sided patchwork quilt. Both sides have central frame surrounded by borders. Side 1 has diamond of squares set in a square frame 490mm. Borders are squares and triangles. Side 2 is central frame of squares on point surrounded by plain grey velvet border then marroon border. Materials are cottons, silks, velvet, crepe, rayons in a wide variety of colours and apperned and plain. Machine construction. No quilting. Padding is a cream wool blanket.
1440 x 1420mm
National Musuem of Australia
Patchwork quilt with alternate squares of green and fawn cotton headcloth. Various Australian wild flowers are embroidered in coloured threads in the green squares. In the fawn squares there is a stylised flower and leaf pattern outlined in embroidery. The border, front and back is green headcloth. The backing is printed cotton with a floral design. There is some padding.
1610 x 1610mm
Effie Kalenderidis
Wholecloth quilt made from pink satin, with similar pink cotton backing. The padding is cotton wadding. It is hand quilted and the pattern is a large central circular motif of a leaf pattern. There is a fan design in each corner and the in-fill pattern is of curved and straight parallel lines. The external border is four parallel lines.
2030 x 2000mm
National Trust of Australia (WA)
Patchwork top made of cottons, constructed with 5 by 5 rows of squared 8 point pieced stars alternating with white cross-shaped blocks (made from 4 pieces). On all sides are borders of half stars. The outer border is of rectangles of cotton prints appliquéd on to cotton to form a plaited pattern. The border only is backed with a band of cream cotton. All patches are whip stitched together.
2645 x 2615mm
Griffith Pioneer Park Museum
Patchwork quilt made from hexagon patches of cotton, silk, brocade, sateen and wool. Some silk patches are individually lined. Colours are mainly red, blues, purple, black, yellow and brown, with some pastels. Many silk patches have disintegrated, showing the paper templates. Quilt has a brown cotton inner lining, then a blue cotton backing, and is edged on the reverse with checked silk. Hand sewn by more than one person: one experienced sewer, one not so experienced.
1370 x 1170mm
Busselton Historical Society
The strip quilt is handsewn and quilted. Quilt top has 13 panels or strips of 3 different cotton lawn floral prints. Some fabrics are now wearing. Backing is of plain white cotton. The padding is wool. Quilting features a triple row cable design with flower motifs.
2100 x 1800mm
Margery Creek
Cotton quilt made in the USA. The pattern is 'Nine Patch'. The quilt is machine pieced and hand quilted. The backing is cotton material possibly shirting. The padding is cotton.
1702 x 1702mm
Western Australian Museum
Possum skin rug made from rows of possum pelts sewn to a woollen blue checked blanket. 1720 x 1370mm
Annette Gero
Hand pieced frame quilt with centre frame and borders of squares set on point. There is a blue patterned border. The backing is white and it is finely quilted. "The fabrics themselves are all absolutely typical of the period [1830 t0 1840] and many, if not most, of them can be found as illustrations in historical textile reference books - in this respect the quilt is virtually a book chapter in itself and has a particular value to a quilt historian. At about this period in England cottons and chintzes were being produced in great quantity and were relatively modestly priced." [Annette Gero]
2540 x 2540mm
National Gallery of Australia
" The quilt is a patchwork of red cotton fabric. Each piece is decorated with embroidery in thick white cotton thread and with cotton appliqué. The edge of the quilt is decorated with a red cotton unlined border strip decorated with cutwork daisies, producing a scalloped edge. The images and inscriptions carried on each of the pieces of various sizes are a time capsule to notions and everyday life at the turn of the century.
In the centre is Queen Victoria surrounded by a garland of floral emblem of the Empire. (This square is dated 1901) Other squares carry scenes of daily life, farm animals and mottoes. "When a woman throws herself at a man head she seldom hit the mark." There are several spelling errors within the inscriptions. The latest dated piece is 'Dec 1903'. The embroidery is quite crude and large, and shows the work of two hands." [NGA]
The quilt is not padded. It is lined with pink cotton flannelette. 2230 x 1910mm

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