Quilts

Cressida Mary Webb Challis
Quilt of machine pieced squares and rectangles using a wide variety of materials in plain colours and patterns. It is one of a pair. There is no padding and the backing is 90cm strips of calico.
2500 x 2130mm
Annette Gero
Hand pieced hexagon quilt or table cover with centre motif of hexagons within hexagons. The remainder of the quilt is mainly hexagon rosettes. The materials are silks and brocades and it is pieced over papers in the English tradition.
1710 x 1600mm
National Trust of Australia (WA)
Quilt of pale yellow cotton sateen with a centre star motif with 8 points in pink cotton sateen. A border of pink cotton sateen has pink triangles on each side. The quilt is machine sewn and elaborately hand quilted with designs including fleur-de-lys shape, feathers, vine pattern, clam shells, 8 petalled flower and cable pattern with the main ground cross hatched. The backing is pale yellow cotton sateen.
2235 x 2065mm
Museum Victoria
Possum skin cloak. Possum skins sewn together with vegetable fibre or kangaroo sinew. Designs incised into the skins, some of which are decorated with ochres. 2070 x 1540mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Sharon Lord
Cotton quilt, machine sewn and hand quilted. Pattern similar to Double Irish Chain. The background is white and the small squares mainly patterned in pinks, blues, lilacs and greens. The backing is plain white cotton and the padding, which is lumpy, could be some type of cotton.
2057 x 1220mm
Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm
National Trust of Australia (WA)
Patchwork quilt in Grandmother's Flower Garden pattern consisting of groups of 7 rosettes and single rosettes with white filler hexagons and a border of rosettes alternating with 'bow tie' shapes of 5 patches in the middle of the quilt. Hand sewn in cotton dress and shirting materials , the colours mostly blues, pinks, reds, brown and white. The quilt top is covered in netting. There is no padding and the backing is cream cotton twill.
2270 x 2080mm
National Museum of Australia
Platypus skin rug. Skins are joined in 7 rows with the larger skins on the outside and the smaller ones in the centre. Skins are rich dark brown with yellow/cream sides (the belly fur). The backing is dark brown felt extending beyond the fur and with a stamped scalloped edge. 1720 x 1490mm
Elsie Roberts
Quilt made of white cotton with a diamond set applique pattern of brown tipped pink dogwood blossoms with green leaves in the centre. Hand appliquéd. The centre is hand quilted with cross hatching and the borders are quilted with feathered cables and circular patterns. Padding is Mountain Mist polyester, the backing is of white cotton. The quilt edges are bound with pink bias binding.
2180 x 1860mm
Annette Gero
This quilt consists of many blocks of different colours with etchings and verse from the bible machine appliqued on to a red backing material. It is a kit quilt.
2580 x 24100mm
Queen Victoria Musuem and Art Gallery
Quilt with log cabin blocks forming centre rectangle with border of crazy patchwork, in silks and velvets, handsewn on to backing of blue, beige, white woven cotton. Log cabin blocks are in rich dark and light rows forming diagonal stripes. The crazy patchwork has edges decorated with yellow and cream feather stitch. Mostly plain materials with some checks and stripes. The quilt appears to have had the edges cut down. The outer border is a dark blue figured velvet. There is no padding and the backing is maroon silk with a woven yellow motif.
1655 x 1215mm
The Pyramid Hill Historical Society Inc.
This unfinished cover has a centre frame of a simple block. There are alternating plain and patterned borders including sword tooth, flying geese and squares on point. It is hand pieced with plain and twill weave cottons, variety of stripes, checks, florals and plains. There is no backing.
1800 x 1800mm
Phyllis Dowling
Hand pieced cot quilt made from small rectangular shapes of a great variety of materials including cottons, silks, wools and velvets. The backing is cotton sateen in 3 colours and is brought to the front to form a border of pink, cream and yellow.
1170 x 920mm
National Trust of Australia (TAS)
Small rectangular bed cover, probably child's or even doll's, made from rectangles of cream linen stitched together with hand sewn french seams. The top surface is decorated with small squares and rectangles of coloured silk, velvet, wool and cotton attached approximately 25mm apart, with 3 stitches in centre of patch to attach to background. Bright pink wool patches stand out.
935 x 635mm
Albury Regional Museum
Patchwork cot quilt, machine pieced, rectangular, 5 x 4 squares. Assorted fabrics including seersucker, corduroy, printed and plain cottons. White ric-rac braid and zigzag machine stitching accentuate rows. Edge of white cotton tape. Backing is single flour bag, calico, with maker's printing visible through patchwork: 'Tiger. Best Australian Roller Flour. Mala Foot. Sole Supply. Part of Kuala Lumper' and Chinese characters.
674 x 540mm
Wendy Springbett
Patchwork quilt made from alternate squares of light green and medium green cotton headcloth. The light green squares are hand embroidered with Australian native birds, the medium green squares are decorated with pulled thread designs. No padding. Backing and binding of medium green headcloth. Made from patterns published in The Adelaide Chronicle.
2650 x 1573mm
Annette Gero
Hand pieced frame quilt with centre frame and borders of squares set on point. There is a blue patterned border. The backing is white and it is finely quilted. "The fabrics themselves are all absolutely typical of the period [1830 t0 1840] and many, if not most, of them can be found as illustrations in historical textile reference books - in this respect the quilt is virtually a book chapter in itself and has a particular value to a quilt historian. At about this period in England cottons and chintzes were being produced in great quantity and were relatively modestly priced." [Annette Gero]
2540 x 2540mm
Western Australian Museum
Possum skin rug made from rows of possum pelts sewn to a woollen blue checked blanket. 1720 x 1370mm
National Gallery of Australia
" The quilt is a patchwork of red cotton fabric. Each piece is decorated with embroidery in thick white cotton thread and with cotton appliqué. The edge of the quilt is decorated with a red cotton unlined border strip decorated with cutwork daisies, producing a scalloped edge. The images and inscriptions carried on each of the pieces of various sizes are a time capsule to notions and everyday life at the turn of the century.
In the centre is Queen Victoria surrounded by a garland of floral emblem of the Empire. (This square is dated 1901) Other squares carry scenes of daily life, farm animals and mottoes. "When a woman throws herself at a man head she seldom hit the mark." There are several spelling errors within the inscriptions. The latest dated piece is 'Dec 1903'. The embroidery is quite crude and large, and shows the work of two hands." [NGA]
The quilt is not padded. It is lined with pink cotton flannelette. 2230 x 1910mm

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