Quilts

Muriel Hartmann
Reused parts of hand knitted woollen jumpers patched together. Wide crocheted edge from wool unravelled from jumpers retrieved from the tip.
1905 x 1525mm
Doris Gould
Fox skin rug made from 28 winter fox skins, with turquoise green felt backing and with green felt scalloped edging. Part of some tails as edging remain. Skins hand pieced together, top sewn to backing by machine. 1550 x 1550mm
N.S.W. Parks and Wildlife Service
Double sided quilt. Side 1 has an off centre frame based on a hexagon and including triangles and squares in a concentric pattern. The borders are all small rectangles with a single strip of large rectangles at one end. Side 2 has a central patch of pieced shapes appliqued to the background. The borders are squares and rectangles many in striped shirting cotton. Side 1 has minimal quilting to the interlining but it does not go through to side 2. The padding is a thin sheet.
The circle (sometimes pieced hexagons) is common to other 'Craigmoor' quilts.

1450 x 1230mm
Catherine Llewelyn-Smith
Quilt remnant. This piece of the top is hand embroidered in gold thread on a background of burgundy silk in a traditional style still practised by Greek women today. The backing is white and probably cotton or linen.
940 x 430mm
Historical Society of Cockburn
Handmade quilt in off centre log cabin pattern. Pieces are floral furnishing and dress fabrics, in twenty blocks. There is no padding, and backing is of bright floral cotton. 1900 x 1500 mm.
June Brown
Pieces of heavy woollen material have been strip pieced and then joined. The joined pieces have then been folded over and restitched along the sides to make a double sided quilt. It is very heavy.
1830 x 1400mm
Yass & District Historical Society
Patchwork quilt made of approx. 730 Suffolk Puffs, using mainly cotton materials in florals and plains. Each puff is 45mm diameter. The quilt centre has a square of 16 pink puffs outlined with a single row of blue puffs. Each corner of the quilt has a square of 9 puffs in a single colour. No padding. Quilt is edged and backed with a red and white tartan cotton.
N.S.W. Parks and Wildlife Service
Double sided quilt with both sides based on a central frame. One side has centre panel of darks surrounding 4 patch of the same print in different colourways. This is surrounded by borders of rectanglesis small prints, checks and stripes. The outer border is men's suitings. The other side has a centre frame similar to the 'Broken Dushes' pattern surrounded by wide borders in solid colours, paisley and fine checks. There is a dark strip across the top and bottom. It is roughly machine quilted.
1770 x 1380mm
Joan Bradford
Utility quilt with wholecloth top and backing of twill upholstery material. Machine construction. Padding is 2 layers of wool blanket. Stitched through all 4 layers.
1474 x 1093mm
Christine Barnes
Cotton quilt with rosettes of hexagons. There is a centre hexagon with a surround of 6 hexagons in a contrasting pattern and then an outer row of 12 hexagons in a different pattern. Between each rosette is a single row of hexagons in a print common to the whole quilt. The materials are typical of the 60s period. There is a deep aqua border. It is machine quilted. The backing is cotton.
2515 x 1829mm
Bud and Patricia Ford
Round rug of whip tail wallaby skins pieced into centre circle. Skins have been joined and then stitched on to maroon baize backing which has traditional punched scalloped edge. The skins are wattle bark tanned. Diameter 1449mm
Robert O'Hara Burke Memorial Museum
Miniature crazy quilt either for a baby or a doll. Plain and patterned materials including velvet, satin, sateen and brocade. 4 patches are embroidered and the central patch has a hand painted flower. Each patch is embroidered around the edge with a variation of feather stitch. It has a brown binding and lace edge. The backing is twill cotton.
490 x 390mm
Western Australian Quilters' Association
Quilt made from furnishing materials, mostly velour type or uncut moquette. The colours are dusty pinks and beige/camel/blue. It has been put together by making wide strips of various sized rectangles sewn together and any missing piece in a rectangle added by using another piece of material to complete the shape. There is no padding and the backing is winter cotton.
2000 x 1650mm
Pioneer Settlement Authority
Cot quilt of cotton hexagons. There is a central diamond of hexagons and then a repeat diamond motif radiating to the edge. Each hexagon is 40mm. The backing is sheeting or similar and the padding is dacron type.
1200 x 700mm
Jean Cameron
White cotton quilt with blue embroidery. There is a lattice grid embroidered with 30 squares one way and 24 the other and in each square there is an embroidered signature or initial. In one is "The Home Missions Fete 1923" and in the centre "D.A.Cameron, Moderator" the date 1921-22 and 24 signatures within a more heavily embroidered rectangle. There is no padding and the backing is white cotton.
2120 x 1680mm
The Pioneer Women's Hut
Utility patchwork quilt made up of mainly squares of furnishing material machine pieced. It is backed with machine pieced patches of woollen jumpers, mainly machine not hand knitted. The back is possibly the top. There is no padding.
1950 x 1270mm
Roslyn Beattie
Patchwork quilt made from different sized rectangles, in new materials, including cotton, lightweight velvet, lining silk, crepe, seersucker, and satin. All fabrics are of even weight. Colours are mainly light, with pinks, greens and blues predominating. No padding or backing. Quilt was not finished.
2050 x 1250mm
Western Australian Museum
Possum skin rug made from rows of possum pelts sewn to a woollen blue checked blanket. 1720 x 1370mm
Annette Gero
Hand pieced frame quilt with centre frame and borders of squares set on point. There is a blue patterned border. The backing is white and it is finely quilted. "The fabrics themselves are all absolutely typical of the period [1830 t0 1840] and many, if not most, of them can be found as illustrations in historical textile reference books - in this respect the quilt is virtually a book chapter in itself and has a particular value to a quilt historian. At about this period in England cottons and chintzes were being produced in great quantity and were relatively modestly priced." [Annette Gero]
2540 x 2540mm
National Gallery of Australia
" The quilt is a patchwork of red cotton fabric. Each piece is decorated with embroidery in thick white cotton thread and with cotton appliqué. The edge of the quilt is decorated with a red cotton unlined border strip decorated with cutwork daisies, producing a scalloped edge. The images and inscriptions carried on each of the pieces of various sizes are a time capsule to notions and everyday life at the turn of the century.
In the centre is Queen Victoria surrounded by a garland of floral emblem of the Empire. (This square is dated 1901) Other squares carry scenes of daily life, farm animals and mottoes. "When a woman throws herself at a man head she seldom hit the mark." There are several spelling errors within the inscriptions. The latest dated piece is 'Dec 1903'. The embroidery is quite crude and large, and shows the work of two hands." [NGA]
The quilt is not padded. It is lined with pink cotton flannelette. 2230 x 1910mm

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