Quilts

Roslyn Beattie
Patchwork quilt made from different sized rectangles, in new materials, including cotton, lightweight velvet, lining silk, crepe, seersucker, and satin. All fabrics are of even weight. Colours are mainly light, with pinks, greens and blues predominating. No padding or backing. Quilt was not finished.
2050 x 1250mm
Narelle Grieve
English pieced hexagonal star quilt in silks, velvets and satins. Commercially made fringe in cotton maroon twill. Some motifs have herringbone stitching around them. There is no padding and the backing is polished cotton twill. 1840 x 1660 mm
Deb Nichol
Rug made from 40 brown fur skins (8 rows by 5), possibly possum. Skins are sewn by machine, with seams covered with white tape. Rug is backed with cream wool felt, and bordered with beige scalloped felt. There is a braid binding along the outer edge of the skins. No padding. 1640 x 1480mm
Mary and Max Robertson
Traditional Wagga rug made from 3 wheat bags joined along the long side by sewing with bag needle and twine. Machined twill cover was put on later in the 1960s. Originally no padding but now the bags are the padding. One of a pair(identical).
1790 x 1160mm
Annette Gero
Quilt made from furnishing materials some with mettalic flecks. It is machine sewn.
160 x 135mm
Annette Gero
This quilt consists of many blocks of different colours with etchings and verse from the bible machine appliqued on to a red backing material. It is a kit quilt.
2580 x 24100mm
The Pyramid Hill Historical Society Inc.
This unfinished cover has a centre frame of a simple block. There are alternating plain and patterned borders including sword tooth, flying geese and squares on point. It is hand pieced with plain and twill weave cottons, variety of stripes, checks, florals and plains. There is no backing.
1800 x 1800mm
National Trust of Australia (QLD)
Quilt made of tailors' swatches, machine constructed around a central frame that is mainly mid brown pieces. This is surrounded by rectangles of mainly charcoal greys and the outer border is navy blues. The backing is a heavy cotton with random green and cream and grey stripes.
1651 x 1220mm
Margery Creek for Eugene Creek
Wholecloth polyester and cotton quilt in deep orange with centre frame of Creek family crest. The crest is machine zig zag appliqued to white background and has a black border. The quilt is machine sewn, hand quilted, has a white backing and a thin black binding on the border. The padding is polyester.
2235 x 1854mm
Narelle Grieve
Silk quilt in diamonds with hexagon border. "Toward the edge of the quilt, the design of diamonds made into blocks offers an optical illusion, where the diamonds can be seen to form stars. The border is made up of these stars and half-diamonds, and the entire quilt is trimmed with lace and triangular flaps made of tiny hexagons." [extract unidentified magazine article supplied by quilt owner.]
The backing is maroon cotton. 1600 x 1600 mm.
Tricia Bowdler
Reversible quilt made of squares and rectangles of mostly wool suiting and some heavy cotton. The borders are of joined brocade. There is no padding.
1600 x 1220mm
Gwenneth Miller
Rabbit skin rug hand stitched. Originally had no backing but a fawn felt backing has been added. 1480 x 1180mm
Stavroula Iouannou
Wholecloth quilt with both sides in a cotton floral material with a dusty pink background. All over hand quilting is in loose parallel lines.
Stavroula re-covered this quilt with this material about 20 to 25 years ago. Originally the quilt had a yellow gold satin top with yellow gold cotton backing. Padding is cotton wadding.
1900 x 1600mm
National Gallery of Australia
" This is an unfinished section/piece of crazy quilting. Ribbons divide the piece horizontally into three sections; between these are bands of pastel fabrics and embroidery in the crazy quilt tradition. The fabrics and threads employed are very luxurious: laces, satin ribbons and silk velvets. The embroidery is very fine, employing a wide variety of stitches and threads. This patchwork piece is padded with cotton wadding and backed with tarlatan." [NGA] 1170 x 1020mm
Barbara McCabe
Patchwork quilt made of rectangles of woollen fabrics from dressmaking projects. Pieces have been stitched together in no particular order. Colours are predominantly dark red and light grey, with some green, pink and blue. Fabrics are plain, checks and weaves. No padding or quilring. Backing is yellow curtain fabric.
2200 x 1100mm
Wendy Springbett
Patchwork quilt made from alternate squares of light green and medium green cotton headcloth. The light green squares are hand embroidered with Australian native birds, the medium green squares are decorated with pulled thread designs. No padding. Backing and binding of medium green headcloth. Made from patterns published in The Adelaide Chronicle.
2650 x 1573mm
Arlene Crane
Cotton patchwork quilt in double wedding ring pattern in pastel prints. Quilted in a design of geometric flowers. Padding is probably cotton wadding, backing is cream calico. 2270 x 1970 mm.
Annette Gero
Hand pieced frame quilt with centre frame and borders of squares set on point. There is a blue patterned border. The backing is white and it is finely quilted. "The fabrics themselves are all absolutely typical of the period [1830 t0 1840] and many, if not most, of them can be found as illustrations in historical textile reference books - in this respect the quilt is virtually a book chapter in itself and has a particular value to a quilt historian. At about this period in England cottons and chintzes were being produced in great quantity and were relatively modestly priced." [Annette Gero]
2540 x 2540mm
Western Australian Museum
Possum skin rug made from rows of possum pelts sewn to a woollen blue checked blanket. 1720 x 1370mm
National Gallery of Australia
" The quilt is a patchwork of red cotton fabric. Each piece is decorated with embroidery in thick white cotton thread and with cotton appliqué. The edge of the quilt is decorated with a red cotton unlined border strip decorated with cutwork daisies, producing a scalloped edge. The images and inscriptions carried on each of the pieces of various sizes are a time capsule to notions and everyday life at the turn of the century.
In the centre is Queen Victoria surrounded by a garland of floral emblem of the Empire. (This square is dated 1901) Other squares carry scenes of daily life, farm animals and mottoes. "When a woman throws herself at a man head she seldom hit the mark." There are several spelling errors within the inscriptions. The latest dated piece is 'Dec 1903'. The embroidery is quite crude and large, and shows the work of two hands." [NGA]
The quilt is not padded. It is lined with pink cotton flannelette. 2230 x 1910mm

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