Quilts

Tess Davidson
Hand stitched quilt of suiting materials. Centre rectangle also suiting materials but arranged with a smaller scale, is edged with a cord of red fabric covering string. The outer red border has been renewed by the owner and closely matches the original. The backing is ticking. There is no padding.
2390 x 2110mm
National Trust of Australia (NSW)
Utility quilt hand and machine sewn. The top has a centre frame of hand sewn hexagonal patches in a mix of dress materials and shirtings with four corner flowers and a roughly circular ring in red and blue stripe. The inner border has rectangular pieces in red/yellow/green/white hexagon printed material alternating with a blue/white spot. The outer border consists of large pieces of material, predominantly pink and blue stripes and checks. The backing is mainly red/white printed cotton. It is quilted all over in a diamond pattern. The padding is mainly flannel and has been made from another quilt.
1975 x 1675mm
National Trust of Australia (TAS)
Crazy patchwork quilt of pieces of plain and patterned silks in bright and pastel colours, each patch edged and decorated with a variety of embroidery stitches, including star, spider, french knot and feather and herringbone variations. 2 patches of early aniline dyed blue silk. Motifs of tennis racquet, horse shoes, fan and some embroidered flowers. The patches are stitched to coarse linen. There is a wide border of red plush velvet turned to the underside. There is no padding. The backing is red polished cotton.
1550 x 1435mm
Berry & District Historical Society
It is a plain white linen double-bed sheet or bed-cover on which have been embroidered (over autographed signatures) the names of members of various associations and clubs, local MPs, visiting dignitaries etc associated with the Berry Agricultural Show of 1906. There are badges and emblems also embroidered in red or pale gold thread including the central Berry Agricultural Society Association motif surrounded by a wreath of lillipilly leaves and berries, a rebus on the name 'Berry'.
Albury Regional Museum
Patchwork quilt or cloth made from pieces of woollen material used for regimental uniforms in England last century. Star pattern in colours, red, pale blue, green, maroon, yellow [white] and brown. Hand pieced probably by more than one person. Red fringe machined on. Red flannelette backing in poor condition. Two layers, not quilted.
1780 x 1700mm
Sharon Stacy
Wholecloth quilt of white cotton with hand appliqued flowers in 3 shades of red. The centre of the quilt has 6 separate flowers radiating from a circle and each corner has a separate arrangement of flowers. The white cotton quilting is in diagonal lines and a daisy pattern. There is a narrow red border widely scalloped. The backing is white cotton. There is no padding.
2236 x 1905mm
Margery Creek
Double Wedding Ring' cotton pieced quilt. Machine constructed and hand quilted. Padding is Mountain Mist cotton. The backing is unbleached calico.
2160 x 1855mm
Narryna Heritage Museum
Cotton quilt in 'Wedding Ring' pattern. Background material is calico type in cream and the rings are in pastel colours, yellow, pink, blue and green prints and plains. It is hand pieced and hand quilted and the edges of the quilt are scalloped and finished with a pale pink binding. The backing is cotton and the padding is cotton.
2200 x 1900mm
Ann Kyranis
Traditional Greek quilt. The top is a piece of deep red and gold brocade (in Greek a 'stoffa'). The border and the backing are made from gold brocade woven with a daisy pattern. It is hand quilted in parallel lines.
2150 x 1720mm
National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm
Phyllis Dowling
Hand pieced cot quilt made from small rectangular shapes of a great variety of materials including cottons, silks, wools and velvets. The backing is cotton sateen in 3 colours and is brought to the front to form a border of pink, cream and yellow.
1170 x 920mm
The Pioneer Women's Hut
Cotton quilt in pattern commonly known as "Double Wedding Ring'. Probably an American McCall's pattern. Hand stitched, florals, checks and plain pieces. The backing is pink cotton. Scalloped edge.
2300 x 1880mm
National Trust of Australia (TAS)
Small rectangular bed cover, probably child's or even doll's, made from rectangles of cream linen stitched together with hand sewn french seams. The top surface is decorated with small squares and rectangles of coloured silk, velvet, wool and cotton attached approximately 25mm apart, with 3 stitches in centre of patch to attach to background. Bright pink wool patches stand out.
935 x 635mm
Ida Blenkiron
Patchwork knee rug made from maroon wool cut up from a garment into different sized rectangles. Pieced by hand, then all edges crocheted with coloured wool thread. The top was then machined and quilted to a pale blue wool backing. No padding.
1080 x 780mm
Nancy Stinson
The padding consists of layers of pieced used clothing including; part of machine knitted child's wool dress (Nancy had this when she was 3 or 4); part of father's cardigan; parts of 'neck to knee' bathers in light green and dark green wool. The padding is all hand pieced and machined around the edge. There have been 2 wholecloth cotton covers to this quilt. It is one of a pair.
1870 x 1020mm
The Pioneer Women's Hut
Continuous 'sleeve' of hand sewn small hexagons, many woollen, some joined, some darned, plain and patterned. Several bands of plain coloured hexagons. The padding is ticking, an old cream blanket and part of a bedspread.
1960 x 800mm
Tanya Shephard
Patchwork quilt of squares measuring between 190mm and 220mm machined together. Materials include chenille, wool and nylon. There is no padding. The backing is green gabardine
1350 x 148mm
Annette Gero
Hand pieced frame quilt with centre frame and borders of squares set on point. There is a blue patterned border. The backing is white and it is finely quilted. "The fabrics themselves are all absolutely typical of the period [1830 t0 1840] and many, if not most, of them can be found as illustrations in historical textile reference books - in this respect the quilt is virtually a book chapter in itself and has a particular value to a quilt historian. At about this period in England cottons and chintzes were being produced in great quantity and were relatively modestly priced." [Annette Gero]
2540 x 2540mm
Western Australian Museum
Possum skin rug made from rows of possum pelts sewn to a woollen blue checked blanket. 1720 x 1370mm
National Gallery of Australia
" The quilt is a patchwork of red cotton fabric. Each piece is decorated with embroidery in thick white cotton thread and with cotton appliqué. The edge of the quilt is decorated with a red cotton unlined border strip decorated with cutwork daisies, producing a scalloped edge. The images and inscriptions carried on each of the pieces of various sizes are a time capsule to notions and everyday life at the turn of the century.
In the centre is Queen Victoria surrounded by a garland of floral emblem of the Empire. (This square is dated 1901) Other squares carry scenes of daily life, farm animals and mottoes. "When a woman throws herself at a man head she seldom hit the mark." There are several spelling errors within the inscriptions. The latest dated piece is 'Dec 1903'. The embroidery is quite crude and large, and shows the work of two hands." [NGA]
The quilt is not padded. It is lined with pink cotton flannelette. 2230 x 1910mm

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