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Patchwork quilt of hexagons in pattern known as 'Grandmother's flower garden'. All cotton. Rosettes are set in a white 'path' with the centre and first ring in solid colours and the second ring prints. There is a yellow border and an outer border in pink. It is hand pieced and hand quilted. The padding is cotton and the backing is white cotton with 2 border edges in light and dark blue. These borders were originally part of the top. There is an inscription "Dear daughter from Mother".
2390 x 1880mm
2390 x 1880mm
Quilt top of hexagonal patches in silk and velvet in colours of brown, black, soft green, maroon, light yellow and blue. Some materials self patterned. Blue backing papers can be seen at edges behind some patches.
Machine pieced top of squares of part jumpers, most hand knitted. The padding is a blanket. The backing is an old curtain.
1735 x 1350mm
1735 x 1350mm
Both sides of this wholecloth quilt are made from different floral cottons with a third pattern used to form borders. It is hand stitched and the quilting pattern is squares. The padding is raw cotton.
1740 x 1240mm
1740 x 1240mm
Utilitarian cot quilt. The padding is layered reused woollen materials, parts of old blankets, part overcoats. These are stitched together with string and knitting wools The top and backing are printed cotton. There is a frill all around and buttons have been used to anchor the padding layers to the outside cover.
1169 x 915mm
1169 x 915mm
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
2415 x 2110mm
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
1740 x 1210mm.
Wholecloth quilt in satin, crimson one side and yellow on the other. Hand quilted in an all over pattern. The padding is wool.
2300 x 1700mm
2300 x 1700mm
Silk and velvet frame quilt with centre patchwork block of squares and triangles with a top and bottom border of silk in Royal Stewart tartan. This rectangular centre frame is surrounded by plain and 'saw tooth' (triangles) borders. The outer border is dark grey silk embroidered in pastels in stem stitch in a meandering vine and leaf pattern. There is no padding or quilting. Backing originally of mustard wool material machine stitched along turned in edges. Dark red cotton is attached to original backing.
2015 x 1320mm
2015 x 1320mm
Hexagon quilt with 60mm hexagons in cottons. No particular design or pattern. Patches are plain and patterned in reds, blues, pinks, browns and greys. There is a 70mm wide lace trim. The quilt is padded and the backing is wholecloth green with a floral design in pink and cream. 1860 x 1640mm
Patchwork quilt made from squares of woollen fabric scraps from dressmaking. Squares are stitched together in no particular order. Colours are bright, with pink, yellow, green, brown and light blue predominating. Fabric is plain, checks and stripes. No padding or quilting. Backing is a cotton bedspread, striped in pinks and magenta.
2530 x 1640mm
2530 x 1640mm
Wholecloth quilt made of deep pink satin with a cotton backing in a similar colour. The padding is cotton. It is hand quilted and the pattern is a central motif of a star inside a circle surrounded by parallel lines forming large cable or knot design. The border is of one zig zag and four parallel lines.
1970 x 1770mm
1970 x 1770mm
Double sided cretonne quilt, red floral one side, green floral the other. The padding is layers of blanket pieces and pieces of woollen clothes tacked flat. It is machine quilted in squares from the centre outwards.
1270 x 1060mm
1270 x 1060mm
"Hexagons pieced over cardboard hand-sewn together. Each rosette was then machine quilted 1/8th to 1/4 inch from edge of rosette in shape of each rosette. Quilt is mainly cottons with a few rayons. Some checks and stripes are used but mainly florals. Has been machine quilted in rosette shape using green on green fabrics, lemon on lemon, orange on orange and red on red." [Ryder Lundy] There is no padding and the backing is gold curtain fabric extended at the end and one side with matching taffeta. 2220 x 1270 mm.
Wholecloth quilt of fine cream homespun embroidered with stranded cotton in 2 shades, brown and buff, with gold highlights. It is a cross stitch floral pattern which was stamped on the homespun. The self coloured quilting is mostly in straight lines with a fern design border. The quilt has a bound edge.
2460 x 1670mm
2460 x 1670mm
Patchwork quilt made from rectangles and squares of woollen fabrics from dress making projects. Colours are mainly grey, blue, brown, green, with some red and yellow. Fabrics are plain, cheks and stripes. No padding or quilting. Backing is made of white flannelette sheets. The quilt has been lengthened after it was completed, and the backing sheet has been added to at the same place.
2470 x 1320mm
2470 x 1320mm
Patchwork quilt. All cotton with cotton filling. Entirely made of hexagons, patterned and plain. 6 hexagons surround a central one. Colours, red, blue, yellow and white. Hnad stitched and hand quilted.
2108 x 1702mm
2108 x 1702mm
Possum skin rug made from rows of possum pelts sewn to a woollen blue checked blanket.
1720 x 1370mm
Hand pieced frame quilt with centre frame and borders of squares set on point. There is a blue patterned border. The backing is white and it is finely quilted. "The fabrics themselves are all absolutely typical of the period [1830 t0 1840] and many, if not most, of them can be found as illustrations in historical textile reference books - in this respect the quilt is virtually a book chapter in itself and has a particular value to a quilt historian. At about this period in England cottons and chintzes were being produced in great quantity and were relatively modestly priced." [Annette Gero]
2540 x 2540mm
2540 x 2540mm
" The quilt is a patchwork of red cotton fabric. Each piece is decorated with embroidery in thick white cotton thread and with cotton appliqué. The edge of the quilt is decorated with a red cotton unlined border strip decorated with cutwork daisies, producing a scalloped edge. The images and inscriptions carried on each of the pieces of various sizes are a time capsule to notions and everyday life at the turn of the century.
In the centre is Queen Victoria surrounded by a garland of floral emblem of the Empire. (This square is dated 1901) Other squares carry scenes of daily life, farm animals and mottoes. "When a woman throws herself at a man head she seldom hit the mark." There are several spelling errors within the inscriptions. The latest dated piece is 'Dec 1903'. The embroidery is quite crude and large, and shows the work of two hands." [NGA]
The quilt is not padded. It is lined with pink cotton flannelette. 2230 x 1910mm
In the centre is Queen Victoria surrounded by a garland of floral emblem of the Empire. (This square is dated 1901) Other squares carry scenes of daily life, farm animals and mottoes. "When a woman throws herself at a man head she seldom hit the mark." There are several spelling errors within the inscriptions. The latest dated piece is 'Dec 1903'. The embroidery is quite crude and large, and shows the work of two hands." [NGA]
The quilt is not padded. It is lined with pink cotton flannelette. 2230 x 1910mm