Quilts

National Trust of Australia (TAS)
Crazy patchwork quilt of pieces of plain and patterned silks in bright and pastel colours, each patch edged and decorated with a variety of embroidery stitches, including star, spider, french knot and feather and herringbone variations. 2 patches of early aniline dyed blue silk. Motifs of tennis racquet, horse shoes, fan and some embroidered flowers. The patches are stitched to coarse linen. There is a wide border of red plush velvet turned to the underside. There is no padding. The backing is red polished cotton.
1550 x 1435mm
The Embroiderers' Guild of S.A.Inc Museum
Yellow and white cotton Durham quilt with centre panel of patchwork blocks in counterchange design called 'Plate'. There is a wide yellow border and square white corner blocks. It is padded and there is a yellow backing. It is quilted all over following the patchwork pattern in the centre panel. Feather pattern border.
2120 x 1720mm
With held as requested
Wholecloth quilt with top and backing made from coarsley woven linen. The edges are bound with paisley printed material. The quilting pattern consists of a series of whorls in different sizes. The padding is fleece wool.
1920 x 1756mm
Albury Regional Museum
Patchwork quilt or cloth made from pieces of woollen material used for regimental uniforms in England last century. Star pattern in colours, red, pale blue, green, maroon, yellow [white] and brown. Hand pieced probably by more than one person. Red fringe machined on. Red flannelette backing in poor condition. Two layers, not quilted.
1780 x 1700mm
South Australian Museum
Rabbit Skin Cloak. Rectangular pieces stitched together with sinew and later repaired with fishing line.
Muriel Hartmann
Reused parts of hand knitted woollen jumpers patched together. Wide crocheted edge from wool unravelled from jumpers retrieved from the tip.
1905 x 1525mm
June Brown
Pieces of heavy woollen material have been strip pieced and then joined. The joined pieces have then been folded over and restitched along the sides to make a double sided quilt. It is very heavy.
1830 x 1400mm
N.S.W. Parks and Wildlife Service
Double sided quilt. Side 1 has an off centre frame based on a hexagon and including triangles and squares in a concentric pattern. The borders are all small rectangles with a single strip of large rectangles at one end. Side 2 has a central patch of pieced shapes appliqued to the background. The borders are squares and rectangles many in striped shirting cotton. Side 1 has minimal quilting to the interlining but it does not go through to side 2. The padding is a thin sheet.
The circle (sometimes pieced hexagons) is common to other 'Craigmoor' quilts.

1450 x 1230mm
Yass & District Historical Society
Patchwork quilt made of approx. 730 Suffolk Puffs, using mainly cotton materials in florals and plains. Each puff is 45mm diameter. The quilt centre has a square of 16 pink puffs outlined with a single row of blue puffs. Each corner of the quilt has a square of 9 puffs in a single colour. No padding. Quilt is edged and backed with a red and white tartan cotton.
Billie Briggs
Hand pieced crazy quilt in a variety of plain coloured velvets. All seams are over embroidered in a variety of stitches. There is no padding and the backing is heavy black cotton. 1900 x 1630mm.
The Embroiderers' Guild of S.A.Inc Museum
4 Pieces of a patchwork quilt which was formerly a whole quilt. It is pieced in cottons in blues reds and browns in many prints. There are whole circles and pieced circles against a plain cream calico background. It is wool lined and is quilted. There are the initials 'A.B.' and '1828' on a central piece. The 4 pieces are various sizes.
The Pioneer Women's Hut
Cotton quilt in pattern commonly known as "Double Wedding Ring'. Probably an American McCall's pattern. Hand stitched, florals, checks and plain pieces. The backing is pink cotton. Scalloped edge.
2300 x 1880mm
The Queensland Women's Historical Assoc.
Hexagon rosettes of printed and plain cotton in a flower pattern. Incomplete, top layer only.
2439 x 1981mm
Beth Hoskins
Fox skin rug made from centre backs of pelts. 16 skins running the width of the rug and a 40mm fur border. The backing is tan felt with a pinked edge (traditional in this type of fur rug) and this is joined to the rug with a doubled blue felt binding. The skins are very fine quality winter skins.
Christine Barnes
Cotton quilt with rosettes of hexagons. There is a centre hexagon with a surround of 6 hexagons in a contrasting pattern and then an outer row of 12 hexagons in a different pattern. Between each rosette is a single row of hexagons in a print common to the whole quilt. The materials are typical of the 60s period. There is a deep aqua border. It is machine quilted. The backing is cotton.
2515 x 1829mm
Ida Blenkiron
Patchwork knee rug made from maroon wool cut up from a garment into different sized rectangles. Pieced by hand, then all edges crocheted with coloured wool thread. The top was then machined and quilted to a pale blue wool backing. No padding.
1080 x 780mm
Western Australian Quilters' Association
Quilt made from furnishing materials, mostly velour type or uncut moquette. The colours are dusty pinks and beige/camel/blue. It has been put together by making wide strips of various sized rectangles sewn together and any missing piece in a rectangle added by using another piece of material to complete the shape. There is no padding and the backing is winter cotton.
2000 x 1650mm
Western Australian Museum
Possum skin rug made from rows of possum pelts sewn to a woollen blue checked blanket. 1720 x 1370mm
Annette Gero
Hand pieced frame quilt with centre frame and borders of squares set on point. There is a blue patterned border. The backing is white and it is finely quilted. "The fabrics themselves are all absolutely typical of the period [1830 t0 1840] and many, if not most, of them can be found as illustrations in historical textile reference books - in this respect the quilt is virtually a book chapter in itself and has a particular value to a quilt historian. At about this period in England cottons and chintzes were being produced in great quantity and were relatively modestly priced." [Annette Gero]
2540 x 2540mm
National Gallery of Australia
" The quilt is a patchwork of red cotton fabric. Each piece is decorated with embroidery in thick white cotton thread and with cotton appliqué. The edge of the quilt is decorated with a red cotton unlined border strip decorated with cutwork daisies, producing a scalloped edge. The images and inscriptions carried on each of the pieces of various sizes are a time capsule to notions and everyday life at the turn of the century.
In the centre is Queen Victoria surrounded by a garland of floral emblem of the Empire. (This square is dated 1901) Other squares carry scenes of daily life, farm animals and mottoes. "When a woman throws herself at a man head she seldom hit the mark." There are several spelling errors within the inscriptions. The latest dated piece is 'Dec 1903'. The embroidery is quite crude and large, and shows the work of two hands." [NGA]
The quilt is not padded. It is lined with pink cotton flannelette. 2230 x 1910mm

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